Hattie

I just finished watching Hattie which is apparently a bio-pic about Hattie Jacques.

Now, the movie was average. But what annoys me with these bio-pics is they are supposed to be the life stories of the people they are filming about, but in most cases there is so much crap added that just isn't true.

But being a fan of the Carry On movies, I had to see it. I have seen the Kenneth Williams bio-pic and Cor Blimey! which were both quite good... but this just wasn't as good.

This movie was not really about her life, just about her affair with her much younger house mate. She still loves her husband and doesn't want him to move out even though he knows about the affair.

It is very uncomfortable to watch some scenes as it is quite sad to see her husband being treated the way he does. He seemed like a nice guy and just didn't want to lose his wife so was willing to share her!

There are a few scenes in the film that were re-created on the Carry On Cabby set, which was interesting to see and fun to watch. But all in all I was disappointed in the movie. I was hoping we would know more about Hattie and more about her life instead of just her sexual life.

I give this film 5 out of 10...

Not a bad movie, but not what I wanted a film to be. It really didn't have to be about Hattie Jacques, it could have been about anyone.

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The darker side of the lives of actors associated with the 'Carry On' series have already provided material for several TV dramas; and this time it's the turn of Hattie Jacques with the emphasis on her ill-fated marriage to John LeMesurier.

Ruth Jones portrays Jacques as a woman with a healthy sexual appetite and great generosity of spirit that made her easy prey for good-looking young men. The film itself - beset by distracting directorial tics by Dan Zeff including wobbly steadicam photography and the inevitable switches between black & white and colour - attempts to turn this simple tale into an Antonioniesque study in alienation.

The chronology is often rather suspect, Robert Bathurst doesn't really look or sound much like Le Mesurier; while the single most egregious omission is that there are only a couple of fleeting references to Eric Sykes.

And I simply cannot believe that Esma Cannon was capable of swearing so much.

Not much happens in this episode, except for Hattie Jacques (Ruth Jones) having an affair with John Davies (Aidan Turner) and eventually leaving her husband John le Mesurier (Robert Bathurst). The real problem lies with le Mesurier, who is so laid back as to be inactive, with little or no skill in the bed department. Compare with Davies, who shows the capacity of a stag in the way he ruts Jacques in the bedroom.

So far, so good. But that's mostly what the play is about. We learn little about Jacques's career, not that of le Mesurier, while Davies - played by an actor more celebrated for getting his kit off in POLDARK - is nothing more than a coarse yob. We learn at the end of the episode that eventually left Jacques for someone else, which seems vaguely appropriate for such an itinerant figure.

Jones gives a creditable impersonation of Jacques, but le Mesurier as portrayed by Bathurst is nothing more than a wet blanket, completely unlike the man we came to know as Sereeant Wilson in DAD'S ARMY. He lacks any strength of character, even when Joan rescues him from a potentially difficult situation as the third man in a love triangle.

Lovely drama about the complex love life of the comedy legend that was Hattie Jacques, wonderfully played by Ruth Jones and good support by Bathurst as her husband

Hattie is less of a biopic of the complex Hattie Jacques (Ruth Jones) best known for the Carry On films and in the comedy series Sykes. She was married to the actor John Le Mesurier (Robert Bathurst) who at the time was a jobbing actor before he found fame for himself in Dad's Army.

This film focuses on Hattie's affair with chancer John Schofield (Aidan Turner) a used car salesman that Hattie meets in a charity function. He is not put off by Hattie's large size and makes her feel sexy and wanted. In due course he moves into the marital home as the cuckolded John moves into the spare room as Hattie schemes to arrange John to have a relationship with another woman (who he will later marry and then she will have an affair with his friend, Tony Hancock.)

Looking at this again the drama is just facile and tepid. You do not like any of them. The virile stud John, comes across as self pitying who sees Hattie as a meal ticket. (He would later leave her for an Italian heiress.) Hattie is selfish and cruel in treating her husband John and her kids so shabbily. John Le Mesurier who was well regarded in the public's affections has a charming and urbane man is shown here as a wet lettuce.