Breaking Dawn - Bis(s) zum Ende der Nacht: Teil 2

It's with a hint of sadness that the Twilight franchise has come to an end. Sure, they're terrible, terrible films (and books I assume), the popularity of which paints a sorry picture of the tastes of today's youth, but now that all is said and done, on reflection it was worth enduring the first three insufferable disasters (Twilight, New Moon and Eclipse) to get to the unbridled mayhem of Breaking Dawn (my thoughts on part one can be found here).

After seeing part one, it was difficult to see where the story had left to go. We had seen the unending wedding of Edward and Bella, the banal South American honeymoon, the shocking and genuinely upsetting pregnancy/birth, and the werewolf falling in love with the baby. It seemed like an appropriate place to end it, but Summit and Stephenie Meyer obviously had other ideas, hence we have Breaking Dawn, part 2.

While perhaps not as off-the-leash nutty, Breaking Dawn, part 2 maintains a lot of the weirdness of the preceding chapter. Picking up exactly at the point where part one ended, Bella (Kristen Stewart) finds herself having to adjust to her 'newborn' vampire status, learning to control her superhuman strength and fighting the urge to hunt humans. Edward (Robert Pattinson) begins to assume a mentor role, but for whatever reason Bella learns so quickly that the learning plot is pretty much dropped.

Here's the first and biggest of the many problems of Breaking Dawn, part 2. For at least the first two thirds of the film, plot threads and characters are introduced with enough fanfare to make one think they're going to be important cogs in the larger machinery of the story, only to be forgotten or abandoned with zero explanation. Perhaps it's fan service, and people familiar with the novels will be able to link things up, but for newcomers it becomes increasingly hard to keep track of who everyone is, why they're involved, and what on earth is happening from one scene to the next.

The character of Alistair (Joe Anderson) is a good example. Following the development that the Volturi, the ruling council of vampires last seen in New Moon, are coming after Edward and Bella's daughter Renesmee, the Cullen clan assemble a team of vampires from across the globe to defend the child, the last of which is the enigmatic Alistair. Yet after an introduction to suggest he will be a character of some importance he merely ends up lurking in the background, and popping into one random and pointless scene with Bella. He's always there, but doesn't actually do anything significant.

It's this scattered and overloaded approach that really damages an already abysmal film. On top of the lack of charisma in the stars, the questionable storytelling is a real hindrance for anyone set on enjoying Breaking Dawn, part 2 at all, not to mention how simply ugly the thing is. There's an over-reliance on terrible green-screen work, shoddy visual effects, and whatever lunatic decided that an almost completely CG Renesmee was a good idea needs to be removed from the business of movie making.

However, much like the last film, a part of me loved Breaking Dawn, part 2. As I said, it may not seem as insane as part one, but in some ways that's a good thing. I loved part one because I was caught completely off guard by the madness, but was appalled by it because much of the content really shouldn't be part of a film made for pre-teen girls. Part two dials back the more troubling aspects of the previous film and just revels in the stupidity of Meyer's writing. It's weird as hell, but really pretty harmless, aside from all the decapitation. Oh boy, there's a lot of decapitation.

Director Bill Condon and his cast seem to be having a lot more fun here. The most ridiculous thing about the first three films in the series is how unwaveringly serious they are, but with both parts of Breaking Dawn, it feels like Condon and Pattinson in particular are winking at that portion of the audience who, like myself, are simply there to see how off the reservation this daft franchise can go. It manages to achieve a delicate and kind of wonderful balance of satisfying the true fans (the Twi-hards) with its creepy romantic melodrama, while clearly acknowledging the bizarre and quite frankly awful story Meyer has crafted. The awareness of this final chapter is perhaps its greatest asset, and if you're willing to abandon all logic and actual critical appreciation, then Breaking Dawn, part 2 delivers a great time at the cinema.

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The only reason the movie is better than the book is for one reason. Even though it was a fake-out, at least they gave us an action scene instead of them showing up, they say two lines, and just leave!

Whew! I just finished watching an advanced screening of Breaking Dawn Part 2 and I must say, the second half of the series' final installment is better than the first. Director Bill Condon knew what the audience crave and gave it to them. Jaw dropping scenes (especially for Twihard fans) will keep you glued and might stop you from reaching for that popcorn. Let's just say that some Twihards in the cinema with me was shocked and some even cried as the latter part of the movie unfold then, BAM! The presentation of the baby Renesmee in my own opinion is necessary so as to be consistent with how the girl looks later in the film. Just watch it and be entertained. I enjoyed my evening watching it with some newfound Twihard friends. :)

'The Twilight Saga' comes to an end in possibly the most subversively underwhelming way. However, you can't really hold it against this franchise for at least being very consistent with its quality.

This movie is treating its moments of culmination as if it's been highly anticipated when, in actuality, the series has not been building up to the conclusion it reaches, which only happens due to a misunderstanding that's slowly resolved. The CGI baby is freaky, distracting, and just so perplexing that it's best left ignored. Bella apparently has a brain now, and with it a problem with Jacob imprinting on, and therefore protecting, her baby, as she's constantly leaving it in anyone else's protection other than her own. Edward has lost all of his appeal at this point, being left as one of the least compelling characters in this instalment. Carlisle, Alice and Charlie are my personal stand-outs, and are each noticeably absent or sidelined in favour of newer, more uninteresting characters. Michael Sheen's presence is felt more here than in maybe any other instalment, but still so brief that he's hardly all that interesting even though he's supposedly the primary overarching antagonist. The effects, score and camera work are on par with the previous films, which isn't saying much but there's not much else to say.

A suitable end to an overly broody, dramatic franchise, with improved acting compared to the other films, and a resolution that just let's you know it's all over now.

This was the best movie of the series since twilight itself. Clearly people who have not read the books are at somewhat of a disadvantage, but if you watched the series from beginning to Breaking Dawn Part I, then I would definitely not miss this one. It is obvious that Lionsgate's influence on this movie had a positive result and I wish that influence extended to the others, because of Summit's former 'make it cheap' attitude. The books deserved better, because the movies focused more on character relationships and less on an important theme from the books which was you can choose to be a predator, or not and the results of those choices. For me, bringing the books to life was very fun and being an old person, a nice diversion. If you haven't seen the prior movies, or read the books, then I'd skip the movie as it won't make much sense. (Hence a prior review comparing it to X-men. Really?!?!) Otherwise I think it tied in twilight's original feel and look, which made it best movie since twilight. I will be going back again to watch in in theater and buying the DVD.