Als der Erfinder der virtuellen Spielewelt "Oasis" stirbt, wird ein Video veröffentlicht, in dem er alle Oasis-Benutzer auffordert, das versteckte Easter Egg zu suchen, dessen Finder sein Ve... Alles lesenAls der Erfinder der virtuellen Spielewelt "Oasis" stirbt, wird ein Video veröffentlicht, in dem er alle Oasis-Benutzer auffordert, das versteckte Easter Egg zu suchen, dessen Finder sein Vermögen erben wird. Wade Watt findet den ersten Anhaltspunkt und macht sich auf die Suche.Als der Erfinder der virtuellen Spielewelt "Oasis" stirbt, wird ein Video veröffentlicht, in dem er alle Oasis-Benutzer auffordert, das versteckte Easter Egg zu suchen, dessen Finder sein Vermögen erben wird. Wade Watt findet den ersten Anhaltspunkt und macht sich auf die Suche.
- Für 1 Oscar nominiert
- 11 Gewinne & 57 Nominierungen insgesamt
Zusammenfassung
Empfohlene Bewertungen
This is a Spielberg movie, and even though this story is unique it has many of the movie-making elements he used in such movies as "E.T.", "Raiders", "Jurassic Park", "A.I." and more recently "The BFG". Imaginative cinematography, interesting action, and a really killer of a sound track. That alone makes it a worthwhile viewing.
There is also a good story going on. It is Columbus, Ohio in 2045, it is somewhat dystopian and many have turned to a virtual reality existence in something called Oasis. It is a form of escape, it allows one to avoid dealing with real world issues.
Upon the death of the creator and owner of Oasis it is announced that the winner of a contest, finding obscure clues in Oasis, would be given Oasis and complete control of it. So the story becomes a contest between a few dedicated gamers and a big corporation using its resources to win the contest.
The key gamer is Texas native Tye Sheridan as 18-yr-old Wade, who in virtual reality goes by Parzival. He is helped by British actress Olivia Cooke as Samantha who goes by Art3mis. His intention are honorable, he realizes that people need to get back to reality, to connect with each other rather than gravitate towards virtual reality.
The movie is really well made, and even though it is long at 2+ hours it never wore out its welcome.
There are two Spielbergs. There's the man who makes somber, academy award winning dramas (Empire of the Sun, Saving Private Ryan, Munich, War Horse, Lincoln etc). Then's there's the 10 year old playing in the sand box (The Indy films, Hook, Jurassic Park, Tintin etc). What I enjoy most about the 'Berg, is how he can zigzag between disparate genres. But after a stretch of SF films (A.I, Minority Report and War of the Worlds), I was looking forward to a return to the free wheeling fun with Crystal Skull. It turned out to be an uncharacteristic dud that despite the boffo box office, proved to be deeply unpopular with fans of the series.
This made me cautious about Ready Player One. Had Spielberg lost his touch? I was wrong. This may be one of the most visually amazing and effortlessly fun films I've seen in a long time. I have not read Ernest Cline's novel, so fans of the popular novel may have issues, but I rarely read the books before seeing the film.
The cast are great. Tye Sheridan are Olivia Cooke are the standouts. Mark Rylance and Simon Pegg are fun in supporting roles. Alan Silvestri's robust score is one of his most memorable. I miss John Williams, but it's still a great score. Longtime 'Berg collaborator Janusz Kaminski's cinematography is beautiful. And it's the only film where you'll see a DeLorean chasing a T-Rex on the big screen. That image alone is worth the ticket price. He never went away, but it's nice to see him back playing in the sand box.
The year is 2045; the place is Columbus, Ohio. Our hero, Wade Watts, fills in the details while climbing past his grungy homes of his town, "the stacks," where trailer parks are piled on top of each other sky-high. Things are so miserable in Wade's world, everyone escapes to play in an immersive virtual reality game known as the Oasis. Its founder, James Halliday is worshipped like a god until his death some years before. However, before he left the mortal world, the creator left behind a series of games that would reward the winner with the prize of the keys to his virtual kingdom.
The book was a fast paced adventure that took its time to geek out on all of the 80's pop culture references but the film doesn't do that. . Spielberg doesn't have Wade (the titular character) talk audiences through it, and he doesn't spell out the references, he just quickly stamps down the Delorean in the middle of a action sequence and then continues onward. Fans can pause it frame by frame and analyse it thoroughly looking for the flux capacitor on the dashboard, checking the plates, and scanning for extra bonus material. Even to people who've never seen the Back to the Future movies and aren't vibing on the connection, the car doesn't need explaining. It's just a sleek piece of visual energy, one breathless element among dozens of others. That's why the movie works better than the books in terms of visual style and nostalgia.
The thin plot and the not so well done shallow characters make the film to be just a pop culture reference filled visual treat. Several plot holes( If movement is required to move an avatar in the game, how do people play in the Oasis while standing in their living rooms?) and a non-existent character arc makes it a fun, but a tangible watch. They're all already heroes, the big bad is evil from start to finish.
The story's breakneck speed, it's never ending references, make it a fun, exciting watch.
When the trailer came out I was unimpressed and didn't get onboard with the hype at all, yes I was impressed with all the pop culture references and characters but I figured it would be all flash and no substance.
Thankfully I couldn't have been anymore wrong, Read Player One has plenty of substance, emotion and charm and I thoroughly enjoyed every minute of it.
Set in a near dystopian world where people use a virtual reality world called the Oasis to escape their lives it tells the story of one player and his efforts participating in a competition that with decide the fate of the entire universe (Oasis).
The plot if fantastic and very well handled, the movie looks like a billion dollars, the cast did a decent enough job and the pop culture references though thick and fast didn't overwhelm the movie like I feared they would.
From Overwatchs Tracer, Streetfighters Chun-Li & Ryu, Teenage Mutant Ninja Turtles, Iron Giant, Chucky, Freddy Kreuger, Mortal Kombats Goro, Gundam, Mech-Godzilla, King Kong, and countless more I being a big ol'nerd really appreciated this. Combined with the incredible mostly 80's soundtrack it's a sight to behold.
The movie wrapped up nicely and went in directions I didn't expect, I'm suitably impressed and would love to see more.
If it's very different than the book I understand peoples anger, for me however this was fantastic.
The Good:
Looks amazing
Solid plot and delivery
Pop culture references are charming
The Bad:
Honestly nothing springs to mind
Things I Learnt From This Movie:
I'm still not impressed with Gundam
People CAN swear in Spielberg movies
Old Simon Pegg looks like a tall hobbit
Artemis is the offspring of an elf and a porcupine
Like ET crossed with Willy Wonka, Ready Player One is Spielberg back to classic Spielberg - the kids are fighting off the big bad business boss while trying to win the grand prize of a tech giant's fortune and control of the OASIS, a virtual reality world used by most of the planet's population to escape the horrors of their everyday lives. The tech giant in question is the socially awkward but big dreaming James Halliday expertly played by Mark Rylance in a Brian May wig (originally Spielberg wanted Gene Wilder to play the role before his untimely death in 2016) who lived pop culture references and so made all the challenges (all different to the ones in the 2011 book by Ernest Cline) based around his obsession with 1970s & 80s pop culture.
Characters including the Iron Giant, Harley Quinn, MechaGozilla, Chucky, Lara Croft and King Kong all make an appearance alongside references from games like Overwatch, Pitfall, Mortal Kombat, Joust, Street Fighter II, Bioshock, Battle Toads and Mass Effect and more than enough film nods like Back to the Future, Alien, Saturday Night Fever, Robocop, Monty Python & the Holy Grail, Jurassic Park, Beetlejuice, Terminator 2, Mad Max and Willy Wonka & the Chocolate Factory. The amazing thing is that the constant search for these on-screen glimpses doesn't distract at all from the story and, in typical Spielberg fashion, the action and narrative are married perfectly with one never overshadowing the other.
There are a vast number of audience-made lists out there on forums documenting as many references as they can and there always seems to be one they've missed. It never ends. From the big ones (like an entire sequence set in a particular film which was completely missing from the trailer, so you'll get no spoilers here) to the little ones (like a briefly-mentioned artefact that turns time back by 60 seconds called the Zemeckis Cube, so named after the Back to the Future director), they flash by for you to either catch and enjoy or miss and never know that that was Freddy Krueger being punched in the balls by Duke Nukem.
Best Quote: "I mean ... it's nothing less than a war for control of the future."
Wusstest du schon
- WissenswertesIn an interview, Steven Spielberg said this was the third most difficult movie he has made in his career, behind Der weiße Hai (1975) and Der Soldat James Ryan (1998).
- PatzerParzival doesn't count to 3 before throwing the Holy Hand Grenade, as depicted in Die Ritter der Kokosnuß (1975). In that film, King Arthur counts "One, two, five," is corrected, and shouts "Three!" before throwing the grenade. However, these instructions are never specified in the Oasis so there is no particular reason to expect them to match the Monty Python version.
- Crazy CreditsThe title doesn't appear till about 10 minutes into the movie
- VerbindungenFeatured in Kain's Quest: The Terminator (2017)
- SoundtracksJump
Written by David Lee Roth, Edward Van Halen and Alex Van Halen
Performed by Van Halen
Courtesy of Warner Bros. Records Inc.
By arrangement with Warner Music Group Film & TV Licensing
Top-Auswahl
Details
- Erscheinungsdatum
- Herkunftsländer
- Offizielle Standorte
- Sprachen
- Auch bekannt als
- Ready Player One: comienza el juego
- Drehorte
- Produktionsfirmen
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Box Office
- Budget
- 175.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 137.715.350 $
- Eröffnungswochenende in den USA und in Kanada
- 41.764.050 $
- 1. Apr. 2018
- Weltweiter Bruttoertrag
- 607.874.422 $
- Laufzeit
- 2 Std. 20 Min.(140 min)
- Farbe
- Sound-Mix
- Seitenverhältnis
- 2.39 : 1