Als der Erfinder der virtuellen Spielewelt "Oasis" stirbt, wird ein Video veröffentlicht, in dem er alle Oasis-Benutzer auffordert, das versteckte Easter Egg zu suchen, dessen Finder sein Ve... Alles lesenAls der Erfinder der virtuellen Spielewelt "Oasis" stirbt, wird ein Video veröffentlicht, in dem er alle Oasis-Benutzer auffordert, das versteckte Easter Egg zu suchen, dessen Finder sein Vermögen erben wird. Wade Watt findet den ersten Anhaltspunkt und macht sich auf die Suche.Als der Erfinder der virtuellen Spielewelt "Oasis" stirbt, wird ein Video veröffentlicht, in dem er alle Oasis-Benutzer auffordert, das versteckte Easter Egg zu suchen, dessen Finder sein Vermögen erben wird. Wade Watt findet den ersten Anhaltspunkt und macht sich auf die Suche.
- Für 1 Oscar nominiert
- 11 Gewinne & 57 Nominierungen insgesamt
Zusammenfassung
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'Ready Player One' left me with a mixed view (or just slightly above). As a book adaptation 'Ready Player One' is severely wanting, having lost what made the book so special. As a film on its own, which is how it will be judged by me being a much fairer way to judge, 'Ready Player One' is quite decent though with faults. It is nowhere near being one of Spielberg's best, a distinction he has not hit for a while (though for me he has not sold out), at the same time it is not one of his misfires either. To me 'Ready Player One' is a middling effort.
Starting with its good merits, 'Ready Player One' looks incredible. One of those films where one is truly immersed in a world filled with a non-stop sense of wonder. The Oasis depiction is rich in wonder, adventure, vibrancy and imagination, the cool factor is also high. The special effects are pretty spectacular. Alan Silvestri provides the best score in a Spielberg film since 'War Horse' (and one of the best in the past fifteen years or so), providing a lot of energy and thrills.
Nostalgia is rife with inspired cameos of numerous significant cultural characters, like the 'Jurassic Park' dinosaur and the Teenage Mutant Ninja Turtles, and even more numerous cultural references, highlights being the 'Back to the Future' Delorean and the Overlook Hotel from 'The Shining'. There is enough wit and intrigue in the writing and the story has many instances where it is fun and laden in thrills, the chase scenes especially. Particularly standing out is the one switching between real world and the Oasis. Spielberg delivers on the spectacle, the world building and the visual style.
Although not complex or subtle, the characters are engaging enough. Olivia Cooke is very appealing and shares charming chemistry with Tye Sheridan. Simon Pegg is great fun, while Ben Mendelssohn has a whale of a time as the villain and Mark Rylance beautifully and terrifically provides the emotion and soul that is not quite there elsewhere.
However, the story does tend to be lacking. There is just too little structurally in a very long, too long even, running time, no matter how many cultural references there are. With trying to take on a lot, character depth and development are sacrificed in favour of spectacle and nostalgia. Luckily those are done well, but one does wish that the characters were more interesting with the lead character in particular not having much growth.
This does affect somewhat Tye Sheridan's performance, shining in the chemistry with Cooke but elsewhere it's somewhat bland and cold. The script does have wit and intrigue but it can also be exposition heavy, and it is here where the writing feels rambling, unnatural and clumsy. There are aspects of Spielberg's directing that comes over well.
Unfortunately, what doesn't is the complete command of the material and giving the film enough soul and emotion (Rylance cannot bring those qualities out all on his own, no matter how well he did them). Some of the messaging is heavy-handed and the finale is far too overly-sentimental and where the sketchiness of the character development and overall depth is most betrayed.
Overall, diverting and entertaining enough but was expecting more. 6/10 Bethany Cox
There are two Spielbergs. There's the man who makes somber, academy award winning dramas (Empire of the Sun, Saving Private Ryan, Munich, War Horse, Lincoln etc). Then's there's the 10 year old playing in the sand box (The Indy films, Hook, Jurassic Park, Tintin etc). What I enjoy most about the 'Berg, is how he can zigzag between disparate genres. But after a stretch of SF films (A.I, Minority Report and War of the Worlds), I was looking forward to a return to the free wheeling fun with Crystal Skull. It turned out to be an uncharacteristic dud that despite the boffo box office, proved to be deeply unpopular with fans of the series.
This made me cautious about Ready Player One. Had Spielberg lost his touch? I was wrong. This may be one of the most visually amazing and effortlessly fun films I've seen in a long time. I have not read Ernest Cline's novel, so fans of the popular novel may have issues, but I rarely read the books before seeing the film.
The cast are great. Tye Sheridan are Olivia Cooke are the standouts. Mark Rylance and Simon Pegg are fun in supporting roles. Alan Silvestri's robust score is one of his most memorable. I miss John Williams, but it's still a great score. Longtime 'Berg collaborator Janusz Kaminski's cinematography is beautiful. And it's the only film where you'll see a DeLorean chasing a T-Rex on the big screen. That image alone is worth the ticket price. He never went away, but it's nice to see him back playing in the sand box.
When the trailer came out I was unimpressed and didn't get onboard with the hype at all, yes I was impressed with all the pop culture references and characters but I figured it would be all flash and no substance.
Thankfully I couldn't have been anymore wrong, Read Player One has plenty of substance, emotion and charm and I thoroughly enjoyed every minute of it.
Set in a near dystopian world where people use a virtual reality world called the Oasis to escape their lives it tells the story of one player and his efforts participating in a competition that with decide the fate of the entire universe (Oasis).
The plot if fantastic and very well handled, the movie looks like a billion dollars, the cast did a decent enough job and the pop culture references though thick and fast didn't overwhelm the movie like I feared they would.
From Overwatchs Tracer, Streetfighters Chun-Li & Ryu, Teenage Mutant Ninja Turtles, Iron Giant, Chucky, Freddy Kreuger, Mortal Kombats Goro, Gundam, Mech-Godzilla, King Kong, and countless more I being a big ol'nerd really appreciated this. Combined with the incredible mostly 80's soundtrack it's a sight to behold.
The movie wrapped up nicely and went in directions I didn't expect, I'm suitably impressed and would love to see more.
If it's very different than the book I understand peoples anger, for me however this was fantastic.
The Good:
Looks amazing
Solid plot and delivery
Pop culture references are charming
The Bad:
Honestly nothing springs to mind
Things I Learnt From This Movie:
I'm still not impressed with Gundam
People CAN swear in Spielberg movies
Old Simon Pegg looks like a tall hobbit
Artemis is the offspring of an elf and a porcupine
Wusstest du schon
- WissenswertesIn an interview, Steven Spielberg said this was the third most difficult movie he has made in his career, behind Der weiße Hai (1975) and Der Soldat James Ryan (1998).
- PatzerParzival doesn't count to 3 before throwing the Holy Hand Grenade, as depicted in Die Ritter der Kokosnuß (1975). In that film, King Arthur counts "One, two, five," is corrected, and shouts "Three!" before throwing the grenade. However, these instructions are never specified in the Oasis so there is no particular reason to expect them to match the Monty Python version.
- Crazy CreditsThe title doesn't appear till about 10 minutes into the movie
- VerbindungenFeatured in Kain's Quest: The Terminator (2017)
- SoundtracksJump
Written by David Lee Roth, Edward Van Halen and Alex Van Halen
Performed by Van Halen
Courtesy of Warner Bros. Records Inc.
By arrangement with Warner Music Group Film & TV Licensing
Top-Auswahl
Details
- Erscheinungsdatum
- Herkunftsländer
- Offizielle Standorte
- Sprachen
- Auch bekannt als
- Ready Player One: comienza el juego
- Drehorte
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Box Office
- Budget
- 175.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 137.715.350 $
- Eröffnungswochenende in den USA und in Kanada
- 41.764.050 $
- 1. Apr. 2018
- Weltweiter Bruttoertrag
- 607.874.422 $
- Laufzeit2 Stunden 20 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 2.39 : 1