Jeder hat einen Plan

I'm ashamed of this movie cause I'm from this country. This movie is really bad. I feel sorry for Viggo cause he is an excellent actor. I only put 6 'cause of him

Viggo Mortensen stars in a film about a man who switches places with his brother. That was all this reviewer knew about this film before seeing it. That was enough to know, to choose to go, and see it.

Film is rated 15 in the UK, it is a Fox film, Argentinian, set in Argentina, and it is in Spanish with English subtitles.

Film opens with Viggo Mortensen living in a rural setting by the river. His life is hard and harsh. By contrast his brother seems to have a charmed life. They are twins. However this film is not 'Twins'. No mismatched brothers like Arnold Schwarzenegger or Danny DeVito. No laughs either. This is not a comedy, but rather a grim crime drama, with some social comment, and a touch of philosophy.

Both twins, both played by Viggo Mortensen, in reality do not have great lives. One is unwell and living in a shack by the river, the other is unhappy with his family life. They meet and a chance to swap places arises. The scenes after the switch are shown from the point of view of the impostor. Like him we know very little and thus always wonder if the act has succeeded or has been suspected.

The acting by Viggo Mortensen is superb, he really convinces in his roles and the two brothers act together in a believable way. The way that Viggo Mortensen acts, is a perfect example of a person acting, as someone, who is acting, as someone different, than he is in reality. Of course this must really be second nature for Viggo Mortensen. The first time this reviewer saw him was as 'The stand-up guy' Lalin in 'Carlito's Way'. The second time was in 'A History of Violence'. So this is familiar territory.

Familiar too, is the backdrop. Like the recent 'Mud', much of this film is set on the river. However whereas 'Mud' was a story about two boys starting on the road to manhood, this film is about men who were once boys. Whereas 'Mud' was lovingly filmed to show honest hardworking families living off the river, this film is very much a more grim mirror-image of that. 'Mud' was a 12A, whereas this much grittier film, is a 15. As the river dominates the film, we see much to-ing and fro-ing in little motor boats. The weather is not nice. 'Promised Land' seemed to be shot in a cool off-season, rather than cool this seems positively cold. No false Spring here.

The movie was filmed well, the scenes with the two brothers seemed real and believable, and as said earlier, the two brothers seemed to interact well together. A lot of films recently, seem to have an awful lot of narration in them, 'Byzantium' is a perfect example of this. By contrast, this film has none of this, none is needed. A memory from the past is used in a subtle way to tell you all you need to know.

While praise is due to Viggo Mortensen for his acting, (he also produced), tribute is also due to the rest of the cast. The two females, one playing a girlfriend and the other a betrayed wife, gave excellent performances. The actor playing the childhood friend, gives a powerhouse performance, which dominates, in every scene he is in.

There is a 'Touch of Evil' about this film, as well as 'A History of Violence', mostly though this film has a river-theme like 'Mud', which makes them very similar. An interesting quirk of fate has caused two river-themed films to have come out around the same time. Or are we seeing the emergence of a Tales of the Riverbank genre? This is as good as 'Mud', though a little more adult. If you liked that river film, or 'A History of Violence', you will like this. 10/10.

Being an Argentinian, of course I ran to the movies to see Viggo Mortensen in a local movie. I have to admit that I didn't even know what the plot was going to be about, so I was open to anything.

Although I use to hate the way argentinians act (it's like acting, here in Argentina, is not about performing fiction in a believable way but something else...), during the movie I found hilarious that Viggo, despite his slightly weird accent, was acting way more natural and believable than almost everyone else. Don't ask me why, I just feel proud of him. He rocks. Soledad Villamil and Daniel Fanego were OK, but Sofia Gala's performance was quite poor.

Besides the acting, I think the main ideas of the screenplay weren't well developed and got lost in a slow movie. It's a shame, because the storyline could have been something much much better, actually worthy of a decent cast and production.

So... I give it a six just because Viggo Mortensen's performance was amazing, but overall, it's a slow movie that could have been great, but just isn't, and that leaves you disappointed.

A very thorough character study on the subject of choice and responsibility and undoubtedly an acting test for Mortnensen.

A man whose marriage is on the rocks is visited by his terminally ill twin brother who request that he kills him and once the request is granted the surviving brother decides to take his place and his life, especially when the now deceased twin has revealed where he kept his stash of cash.

With his wife in the city convinced he is dead, a new life starts for him but in doing so he is unaware that the deceased twin was in serious trouble, thus finding himself seriously exposed.

One of the more unusual stories, with a ring of originality to it, with the concepts of option and accountability strongly attached on the plot. Mortensen is brilliant and utterly convincing as a man who evades one life of complication to land onto another one.

Although largely below the radar, this is one of the better films of 2013.

Everybody Has A Plan marks the fourth Spanish-language film for Viggo Mortensen, who spent a number of years in his youth living in Argentina. His latest project finds him playing identical twin brothers in the film noir from Argentinian first-time feature director Ana Piterbarg, who also co-wrote the screenplay.

The premise: Agustín (played by Mortensen) would appear to have the ideal life. He's a pediatrician with an attractive wife (Claudia, played by Soledad Villamil) living quite comfortably in Buenos Aires. The couple's plan to adopt a baby derails when Agustín changes his mind at the last minute, leading to a huge rift that brings to the surface the true unfulfillment that Agustín feels with his life. In the midst of a depressive episode where Agustín decides to lock himself in a room, Claudia leaves for some time away and Agustín soon receives a visit from his estranged twin brother, Pedro (also played by Mortensen), a beekeeper who reveals he has terminal lung cancer. Certain circumstances lead to Agustín eventually escaping his obligation-filled existence and assuming his brother's identity, taking up residence in Pedro's rundown shack in Argentina's Tigre Delta island region where the brothers grew up. A romance develops with one of Pedro's much younger bee farm helpers (Rosa, played by Sofía Gala Castaglione), while Agustín becomes caught up in the fallout from Pedro's past criminal affairs with some shady locals.

Mortensen is solid as the brothers, who only share a few scenes simultaneously. Sometimes it could be difficult telling them apart, although the Pedro character tended to be a little more rough around the edges and frankly, I couldn't distinguish the characters' subtle accent differences Mortensen talked about using at the post- screening Q & A. Regardless, his comfort level with the Spanish language is certainly never an issue. Villamil and Castaglione turn in quite fine supporting work, but Daniel Fanego as the proverbial villain is a definite weak link in the film. Other than looking rather creepy, I found the role underwritten and the actor lacking in screen presence.

Piterbarg and cinematographer Lucio Bonelli do a nice job of capturing the dank and swampy atmosphere of the isolated delta area, which not surprisingly is a magnet for criminals and outcasts and makes for a nice backdrop for the malfeasance that drives the narrative. The director also specifically lets a number of questions hang, adding to the film's mystery, but occasionally there's some story choices that are befuddling. Most glaring are the ease with which Agustín sells to others that he's Pedro, as well as the fact that Agustín doesn't bolt after being beaten by locals thinking he's Pedro, just shortly after arriving in the Tigre Delta.

Everybody Has A Plan's flaws, not the least of which also includes some overly languid pacing, results in a decidedly unremarkable viewing experience.