IMDb-BEWERTUNG
6,7/10
8370
IHRE BEWERTUNG
In einem eleganten Pariser Bordell zu Beginn des 20. Jahrhunderts, existiert eine klösterliche Welt des Vergnügens, des Schmerzes, der Hoffnung, der Rivalitäten und vor allem der Sklaverei.In einem eleganten Pariser Bordell zu Beginn des 20. Jahrhunderts, existiert eine klösterliche Welt des Vergnügens, des Schmerzes, der Hoffnung, der Rivalitäten und vor allem der Sklaverei.In einem eleganten Pariser Bordell zu Beginn des 20. Jahrhunderts, existiert eine klösterliche Welt des Vergnügens, des Schmerzes, der Hoffnung, der Rivalitäten und vor allem der Sklaverei.
- Regie
- Drehbuch
- Hauptbesetzung
- Auszeichnungen
- 6 Gewinne & 15 Nominierungen insgesamt
Noémie Lvovsky
- Marie-France
- (as Noemie Lvovsky)
Céline Sallette
- Clotilde
- (as Celine Sallette)
Adèle Haenel
- Léa
- (as Adele Haenel)
Judith Lou Lévy
- Une prostituée
- (as Judith Lou Levy)
Maia Sandoz
- Une prostituée
- (as Maïa Sandoz)
Pierre Léon
- Un client
- (as Pierre Leon)
Empfohlene Bewertungen
A dozen young prostitutes in a luxury brothel held by a madam, at the twilight of the nineteenth century. We may see women scarcely dressed, men from the Parisian bourgeoisie, champagne in abundance, a black panther, ... within felted lounges. Objects of fascination, fantasies or sometimes the tenderness of their customers, these young prostitutes circulate in a universe that will soon be a memory. One of them will be disfigured by a consumer as perverse as sadistic.
Filmed with a breathtaking mastery of the frame. Moreover, the costumes and sets are top. It's an aesthetic shock. The actresses and actors are excellent, Céline Sallette especially.
Filmed with a breathtaking mastery of the frame. Moreover, the costumes and sets are top. It's an aesthetic shock. The actresses and actors are excellent, Céline Sallette especially.
This is a serious and complex film. It takes the audience out of their comfort zone. Not everyone will understand the film. The film is about women that may have no other choice but to sell their bodies, about freaks that buy their bodies, about these women's inability to pay off their so called "debt", about cruelty, about general stigma that surrounds these women. All of the women in the story's brothel are regular girls that have no one to turn to for help, but possibly each other. The reference to the pseudo "study" that one idiot sites in the film, the choice of music, the way the film ends - all help to make the audience think about the film and its story not as something from the past, but as issues that continue on and the reasons (society maybe) behind these issues.
A lot of viewers criticize the film as dark, dull, disturbing, etc.
In my opinion after watching this, though, I have not yet to watch or read any interviews about this film, I feel like it is the director's intent. It intended you to feel disturbed in the first place. It has the potential to make us feel that something's not right or what was happening to their lives were wrong.
This movie has obviously a deeper meaning behind the hardship of the women, manipulation of the madam, luxury of the men, all in the of the "House of Tolerance". And you, as an audience, needed to watch it for you to know those meanings and see from your own perspective.
This movie has obviously a deeper meaning behind the hardship of the women, manipulation of the madam, luxury of the men, all in the of the "House of Tolerance". And you, as an audience, needed to watch it for you to know those meanings and see from your own perspective.
This is one of the best films of 2012. When it hits ex rental, this is one I'm definitely buying. It's a highly erotic period piece movie, that is ultimate viewing. It's a hypnotic film of this upper class french brothel in the last months 0f 1899. Some of our beauties are being sold to other brothels, others are leaving the business, where the remaining are facing a far worse fate, when health checks come into play, nearing the film's final. The last scene is kind of a teaser, showing what brothels are like today. The acting is bloody impressive from all, it's lavish sets, and wardrobe, adds to it's tasty viewing. We even have a sixteen year old, starting, a virgin, one of her first, double minded, about going with her. He finally does, here she ends up losing it in a champagne bath, later washing all the icky ailment off. This lass's interview with the madam that has her stripping off totally, then letting her hair loose, is very hot indeed. We do too have that one dangerous customer (it's always the quiet ones) who leaves a scarring impression on one of the prostitutes, by slitting the corners of her mouth open, where she now wears a joker kind of smile, 24-7 and has now resorted to mainly working as a housemaid. Some of the client's requests, are as you can guess, out of the ordinary, one girl pretending to be a robotic doll, where a handsome young french man comes up behind her, lifts up her dress and you know. At the the start of this somewhat bizarre scene's, where he's lying down, staring across at her, if transfixed, somewhat playing the role too, is an unforgettable image. The dialogue in subtitle is smart and original. A truly hypnotic movie experience, this is one those films that comes along every so often, a rare gem, a rare treat to the naked eyes. Highly recommended, especially for lovers of foreign erotica.
This movie is a graphically shocking film about prostitution in France in a mansion of tolerance. It's French ("L'Apollonide") with English sub-titles.
Having researched heavily on this subject for one of my own works, I found it to be an eye-opening film. It's an intimate look behind the closed doors of a house of pleasure focusing on the lives of its mistress, prostitutes, and patrons.
It covers such aspects as registering as prostitutes with the Bureau of Morales, being indebted to mistresses and unable to leave their employ because of it, champagne baths with customers, selection parlors, global fashions worn by prostitutes, opulent client bedrooms, and the regulated visits by the physician examining the workers every 15 days for sign of sexually transmitted disease.
The movie contains naked women, sexually explicit scenes, and is not for the prudish or faint of heart. There are scenes of abuse of one of the girls, which may be disturbing to viewers. It delves honestly into the reality of life as a French prostitute, focusing on the sad and hopeless plight of women in brothels. The particular establishment depicted in this movie catered to aristocrats and rich businessmen, much like the Chabanais, which was one of the well-known brothels of its day.
The movie is two hours, slow moving, and not the best flick you'll ever see. Most of the sexual scenes show the men enjoying their paid visits, while the women merely go through the motions void of emotion. As troubling as the scenes were, I found myself transported into the world I researched and came away shocked at seeing the reality portrayed on screen.
Let's face it, being a prostitute wasn't glamorous. It was a profession that many poor and unskilled women chose in order to survive. It was a dangerous job where women died of syphilis, lived lives with no hope, and sold their bodies in order to eat and have housing. It portrayed a society that found pleasure in sex, living a way of life where brothels were an acceptable form of male entertainment until they were abolished in the early 20th century.
If historical films interest you on all levels, I can attest that this one hits the mark in every way. Being a French film, it adequately portrays the heyday of legalized prostitution.
Having researched heavily on this subject for one of my own works, I found it to be an eye-opening film. It's an intimate look behind the closed doors of a house of pleasure focusing on the lives of its mistress, prostitutes, and patrons.
It covers such aspects as registering as prostitutes with the Bureau of Morales, being indebted to mistresses and unable to leave their employ because of it, champagne baths with customers, selection parlors, global fashions worn by prostitutes, opulent client bedrooms, and the regulated visits by the physician examining the workers every 15 days for sign of sexually transmitted disease.
The movie contains naked women, sexually explicit scenes, and is not for the prudish or faint of heart. There are scenes of abuse of one of the girls, which may be disturbing to viewers. It delves honestly into the reality of life as a French prostitute, focusing on the sad and hopeless plight of women in brothels. The particular establishment depicted in this movie catered to aristocrats and rich businessmen, much like the Chabanais, which was one of the well-known brothels of its day.
The movie is two hours, slow moving, and not the best flick you'll ever see. Most of the sexual scenes show the men enjoying their paid visits, while the women merely go through the motions void of emotion. As troubling as the scenes were, I found myself transported into the world I researched and came away shocked at seeing the reality portrayed on screen.
Let's face it, being a prostitute wasn't glamorous. It was a profession that many poor and unskilled women chose in order to survive. It was a dangerous job where women died of syphilis, lived lives with no hope, and sold their bodies in order to eat and have housing. It portrayed a society that found pleasure in sex, living a way of life where brothels were an acceptable form of male entertainment until they were abolished in the early 20th century.
If historical films interest you on all levels, I can attest that this one hits the mark in every way. Being a French film, it adequately portrays the heyday of legalized prostitution.
Wusstest du schon
- WissenswertesThere's a short epilogue at the end with a view of modern Paris streets, traffic and some streetwalkers, one of whom is a 'twin' to a brothel prostitute. Bertrand Bonello said that Thierry Frémaux, the artistic director of the Cannes Film Festival, asked him to cut it, though the film still made it into the main competition after Bonello refused. "A lot of people thought I was glorifying the brothels of the time, holding them up as an ideal against today's prostitution, but it was actually much simpler than that. I felt I couldn't end inside the brothel but needed a contrast. I wanted to burst this bubble I had created for two hours, to wake the viewer up, and that wake-up is the return to the present", Bonello said.
- PatzerA character says he's been to the inauguration ceremony of the Paris Metro. After that there is a scene where we hear fireworks for Bastille Day (14 July). The opening of the Paris Metro (Line 1) was on 19 July 1900, five days after Bastille Day.
- Crazy CreditsDedication before end credits: "For Charlotte"
- VerbindungenFeatured in Ebert Presents: At the Movies: Folge #2.23 (2011)
- SoundtracksPlaisir d'Amour
Music by Jean-Paul-Égide Martini
Lyrics by Jean-Pierre Claris de Florian
Performed by Eloïse Decazes
Top-Auswahl
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Details
Box Office
- Budget
- 4.000.000 € (geschätzt)
- Bruttoertrag in den USA und Kanada
- 19.327 $
- Eröffnungswochenende in den USA und in Kanada
- 4.766 $
- 27. Nov. 2011
- Weltweiter Bruttoertrag
- 1.389.920 $
- Laufzeit2 Stunden 2 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 1.85 : 1
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