Haus der Sünde

Nicely acted and photographed, this could however easily be very depressing - not only in the unvarnished depiction of life in a Paris brothel 100 years ago but in the clear message that things aren't too different today.

Debt, disease and the possibility of shocking violence are ever-present, although conversations among the women about jobs that they have done beforehand (e.g. The "industrial injury" side of being a launderess) suggest that being a prostitute wasn't necessarily the *worst* option available.

Sobering stuff, but the camaraderie looks real and softens the tone somewhat. Recommended.

I loved this film, I am surprised to see more than one review damning the film for a lack of plot. There is most definitely a plot it's subtle and thoughtful but the characters all have an arc and, for some, very definite resolutions.

The cast are superb, even those with the smallest roles present fully rounded individuals of whom it's possible to infer their lives outside the bounded world presented to us. The relationships between the women of the house both amongst themselves and with their clients are rich and true.

Although full of sex and sexuality nothing is gratuitous or titillating but real and honest. Sometimes good, sometimes dreadful, sometimes funny, sometimes a violation.

This was a film that I would have been happy to watch for another two hours , I didn't want to leave these women behind.

This is a serious and complex film. It takes the audience out of their comfort zone. Not everyone will understand the film. The film is about women that may have no other choice but to sell their bodies, about freaks that buy their bodies, about these women's inability to pay off their so called "debt", about cruelty, about general stigma that surrounds these women. All of the women in the story's brothel are regular girls that have no one to turn to for help, but possibly each other. The reference to the pseudo "study" that one idiot sites in the film, the choice of music, the way the film ends - all help to make the audience think about the film and its story not as something from the past, but as issues that continue on and the reasons (society maybe) behind these issues.

A dozen young prostitutes in a luxury brothel held by a madam, at the twilight of the nineteenth century. We may see women scarcely dressed, men from the Parisian bourgeoisie, champagne in abundance, a black panther, ... within felted lounges. Objects of fascination, fantasies or sometimes the tenderness of their customers, these young prostitutes circulate in a universe that will soon be a memory. One of them will be disfigured by a consumer as perverse as sadistic.

Filmed with a breathtaking mastery of the frame. Moreover, the costumes and sets are top. It's an aesthetic shock. The actresses and actors are excellent, Céline Sallette especially.

This movie is a graphically shocking film about prostitution in France in a mansion of tolerance. It's French ("L'Apollonide") with English sub-titles.

Having researched heavily on this subject for one of my own works, I found it to be an eye-opening film. It's an intimate look behind the closed doors of a house of pleasure focusing on the lives of its mistress, prostitutes, and patrons.

It covers such aspects as registering as prostitutes with the Bureau of Morales, being indebted to mistresses and unable to leave their employ because of it, champagne baths with customers, selection parlors, global fashions worn by prostitutes, opulent client bedrooms, and the regulated visits by the physician examining the workers every 15 days for sign of sexually transmitted disease.

The movie contains naked women, sexually explicit scenes, and is not for the prudish or faint of heart. There are scenes of abuse of one of the girls, which may be disturbing to viewers. It delves honestly into the reality of life as a French prostitute, focusing on the sad and hopeless plight of women in brothels. The particular establishment depicted in this movie catered to aristocrats and rich businessmen, much like the Chabanais, which was one of the well-known brothels of its day.

The movie is two hours, slow moving, and not the best flick you'll ever see. Most of the sexual scenes show the men enjoying their paid visits, while the women merely go through the motions void of emotion. As troubling as the scenes were, I found myself transported into the world I researched and came away shocked at seeing the reality portrayed on screen.

Let's face it, being a prostitute wasn't glamorous. It was a profession that many poor and unskilled women chose in order to survive. It was a dangerous job where women died of syphilis, lived lives with no hope, and sold their bodies in order to eat and have housing. It portrayed a society that found pleasure in sex, living a way of life where brothels were an acceptable form of male entertainment until they were abolished in the early 20th century.

If historical films interest you on all levels, I can attest that this one hits the mark in every way. Being a French film, it adequately portrays the heyday of legalized prostitution.