Alongside Night

First of all, the production value is excellent, save for one scene towards the end, for what I imagine was quite a small budget. And I found the acting to be above your average Hollywood, not to mention an Indie film. Perhaps because of a number of experienced actors that are in it. No household names, other than Sorbo, but fine actors in their own right. I was especially pleased with the young leads, always difficult to find good ones.

The action runs quickly although not smoothly at all times. There are holes in the plot but the story seems secondary to me. Far from being tedious, the film brings forth ideas which are not in the mainstream and explains them fairly well. I found this quite refreshing if anyone can name a film which is as interesting in expressing a pro-government position please let me know.

To summarize: pros: good-looking film for a small Indie, I was very pleased with the acting, an interesting and decent exposition of fresh ideas, something the industry is desperate for. Cons: a fairly unexciting story line and a muddled ending. Watch if you have a curious mind. 8/10

My Movie Review of "Alongside Night"

A little long in running time but ultimately worth watching. Destined to become a Libertarian Cult (In A Good Way) Classic. The opening music and title animations first grabbed me. I couldn't help thinking of James Bond film style theme music which the director/writer/producer J. Neil Schulman might have been aiming for. For a relative insider to the Libertarian movement since the early 1980's, the film was a banquet of Movement Munchies and inside insights. Liberty Movement outsiders can expect to find themselves a little disoriented at times (but hey, what good is Artistic License if you can't or don't use it?) Production values were 80-90% up to big screen snuff but nonetheless impressive considering the lower end budget. Major character acting was mostly tightly delivered and mostly believable, but maybe around one line in twenty would tend to come off with a self-conscious or slightly awkward dialogue feel. Consistent Universe Issue: For a Country supposedly on the verge of Massive Civil Unrest and The Next Great Depression, the movie scarcely manages to convincingly depict this, save for well-groomed mobs moving through well-maintained streets. But I can give that a pass because of the budgetary limitations. Plot elements and devices sometimes fluctuated between cleverish and near-cartoonish, but not quite severely enough to demolish the consistency of the Film's Universe. There remained a tone of unkillable optimism mingled with deja vu familiarity that seduced me into this adventurous future next door. Then Global Climate Science Denial gets a gratuitous groan of a cameo. Dammit. A cheap shot, a buzz kill and an intellectual fractional reserve. This seriously undermines the films value as an infomercial for the Liberty Movement. Libertarians are usually supportive of empirically derived evidence and nominally pro-science. (I don't think NASA scientist James Hansen had a Marxist wealth redistribution scheme in mind when he first correlated Venusian climate facts with implications for our own planet.) Big Corporate Fossil Fuel and people who uncritically sign on with the profit-motivated "Merchants Of Doubt" (see the excellent book) PR Fraudsters are only hurting the validity of their causes. (Exxon knew what it was attempting to bury in the early 1970's even before Hansons work.) A better, fresher air debate is certainly desirable and possible, but "Information Should Not Be Subject to A (Hard Party Line) Vote. A more Libertarian economy will value rational economic decisions including "True Cost Pricing" of so-called economic "Externalities." All in all though, I'll give "Alongside Night" 3.5 stars out of 5. Schulman stakes out valuable artistic territory by calling attention to the risks for Statecraft to shipwreck all we value about free human civilization and "Alongside Night" (mostly) convincingly conveys it with the Gravitas it deserves.

One of the ten worst English speaking movies of all time. Strap a suspected terrorist in a chair to watch a loop of this movie and in between screams he/she will confess to John F. Kennedy's assassination or to being behind fluoridation of drinking water ... for the love of Allah, just please stop the torture. Alongside Night is a pure vanity project by the book's author J. Neil Schulman. There are Youtube videos by 12-year-old kids that have more professional production values than this movie. Heck, there are silent movies made 100 years ago that were more professionally produced. The book could have come to life in a captivating movie if Kevin Sorbo had been able to bring in the production team from his old Hercules TV series, and the script had been written and the movie directed by professionals who know how to capture and entertain an audience.

Knowing something about the difficulties in the making of this movie, I sat in genuine open-mouthed awe.

Author, producer, and director J. Neil Schulman just died a couple nights ago, as I type, and I have cried buckets already. Watching this astonishingly good movie, I have cried even more: What an extraordinary talent we have lost.

J. Neil and I never met, but we exchanged many communications. I felt we were more than acquaintances, and we were certainly allies.

I have been impressed by his writings for decades now, and recently I discovered his short posts on Facebook were often hilarious.

J. Neil was an advocate of human liberty. I notice many of the negative reviewers here dislike that concept. They prefer authoritarianism, or even tyranny, judging by their words. Of course they won't like this movie.

But it is so good, it has such an engrossing story, and it is so well acted, so well directed, so well photographed, one need not be in philosophical agreement to appreciate, admire, and like "Alongside Night."

Of course I was predisposed to like it, but what I saw just overwhelmed me with its inventiveness and great production values, and even a good score.

My only complaint, and I am crying as I type this, is that I didn't see and review this excellent creation so J. Neil could know how much more I admire him, how much more I marvel at his talent, after watching "Alongside Night."

I do highly recommend this movie, and hope millions of people will buy a copy. It won't help J. Neil now, and he desperately needed the money in his last years, but it will be a tribute to him, a small way to say "J. Neil Schulman, R.I.P."

I could really identify with the female character 'Lorimar'. She is independent, intelligent and is able to handle a firearm. Honestly, I had to watch this movie about three times in order to really 'get it'. he script is complex and covers a lot of material but at about the third viewing you can readily see the merit of this film. I think that a lot of the negative reviews come from people that don't want to be lectured or taught free-market principles. Moreover, when you consider that this film was produced on a budget of less that $1,000,000 the production value is absolutely astounding!