Vielleicht lieber morgen

Went to an advance screening expecting your usual "shy kid in high school learns to stick up for himself" sort of feel-good drama. This movie is so much more than that - I was truly blown away by the mature themes and moving characters. Mental illness, sexual abuse, drugs and alcohol... I think the writer/screenwriter/director said it best in the Q+A after when he said it was a film that looked at the emotional aspects of that point in life without being sentimental. I really cared about these three teens - Charlie, Sam, and Patrick - and their story never felt cheesy. Just real, and moving, and touching. Go see this movie!

Stephen Chbosky's 1990s-set very young adult-oriented book is brilliant, being funny, touching, insightful, thought-provoking and relatable. Hearing that Chbosky also directed and screenplay-adapted, as well as being attracted by the involvement of Paul Rudd and Joan Cusack, expectations were high...and although the book has more depth to the characters and situations those expectations were met.

'The Perks of Being a Wallflower' may not break new ground and it may be clichéd, which may be reasons enough for people to hate it, but considering the main target audience and being based around coming-of-age, teenage angst and high school life these were inevitable. Nonetheless, 'The Perks of Being a Wallflower' did a great job making an emotionally varied film that will resonate with most people of all ages and gender.

It is much more than just another high school/teenage angst film, and is a believable depiction of coming-of-age, friendship and hidden torment that makes one nostalgic and remember the fun and difficulties of school life. It's not flawless, some scenes and transitions like the blackouts end rather abruptly, it occasionally descends into schmaltz like with the past flashbacks and the Charlie and Mary Elizabeth relationship while charming is rushed and makes Mary Elizabeth less likable compared to the rest of the film.

However, 'The Perks of Being a Wallflower' is beautifully shot and clearly loves the scenery. The music is suitably melancholic and the choice of songs infectious and nostalgia-inducing especially David Bowie and an excerpt of 'The Rocky Horror Picture Show' in one of 'The Perks of Being a Wallflower's' most entertaining scenes, that made me love that film all over again and captured the immense fun, wildness and danger of seeing it in theatres with an audience.

Chbosky adapts his book admirably, not everything is included which is not unexpected due to it being an adaptation and not every detail can translate to a just over an hour and a half film. The spirit however is there, there are funny moments, thoughtful moments, insightful moments, inspirational moments and poignant moments balanced beautifully. For a film director debut, he also does a more than competent job, actually very impressive and puts directors who did it for years to wildly variable success to shame.

When it comes to the story, it is not perfect in execution but made me care for the characters and their situations and made me laugh, smile, cry and inspired in equal measure. The daring ending is shocking and brought tears to my eyes and credit is due tackling such mature themes with sensitivity and never preaching. The characters are compelling.

Logan Lerman has never been better and being a fellow shy introvert in school it was easy for me to relate to him, while Emma Watson (even with the variable accent) gives one of her better non-Hermione Granger performances and overall. Mae Whitman shows strong comedic chops and Ezra Miller is a real standout on a flamboyant and hilarious role.

Not that the adults are less good. A long way from that, even with less screen time. Paul Rudd is particularly great as the teacher that inspires Charlie the most, again having had an inspirational teacher in school and an even more inspirational head of department at music college that also resonated with me. Joan Cusack only appears at the end but she is very good at being sympathetic yet firm. Again Melanie Lynskey has very short screen time, but she also excels at making us hate her for being the catalyst for Charlie's torment. Kate Walsh and Dylan McDermott have very little to do but fare well too.

Overall, an excellent film that blossoms beautifully despite its faults. 9/10 Bethany Cox

Saw this movie at TIFF and after watching the trailer was thinking I was going to enjoy this movie. Those expectations now are so very low, this movie is amazing. It speaks on many different levels of being a teenager, dealing with death, loneliness, and how awkward it can be trying to fit in. I haven't seen a move like this in a very long time and was very refreshing. The highlight of the film for me at least from a acting stand point is Ezra Miller really funny, but very heartfelt at the same time. Don't get me wrong the whole case is amazing (Emma Watson was perfect for this after HP) but Ezra really stands out. Stephen Chbosky really cared about this book, and it really shows in this film. Him Directing and writing his own book was a amazing idea.

It's going to get many comparisons to a John Hughes film, and rightfully so this movie is heart felt and just amazing.

I will definitely being seeing this film again.

High school films devoid of archetypes are few and far between, and the same goes for high school films that don't adopt a goofy approach. The Perks of Being a Wallflower is an exception in both categories, and still it is every bit as enjoyable as the most audience-friendly films in this subgenre. They key, I suspect, is that the director is also the screenwriter and the novelist behind the book upon which the film is based. His name is Stephen Chbosky, and he takes the problems of youth every bit as seriously as John Hughes did in The Breakfast Club in the 1980s. Based on his 1999 novel of the same name, his script is full of care for and understanding of these kids, and he's able to transfer the literary quality to the screen without making it feel contrived. He also seems to be a real actors' director, giving his wonderful cast time to blossom and develop together. There's an undeniable bond and unity between particularly the trio Logan Lerman, Emma Watson and Ezra Miller, and rarely have teenagers come across as more human and real than they do here. The Perks of Being a Wallflower is a homage to youth, and a really enjoyable one at that.

Greetings again from the darkness. Brace for gushing. Last evening I attended a screening that included a fascinating Q&A with writer/director Stephen Chbosky. It reminded me of how personal and intimate and observant and incisive a well-made film can be. A well written script is so refreshing, and an exceptional script can be truly breath-taking. Mr. Chbosky takes the unusual step of directing his own screenplay based on his own novel (a 1999 bestseller), and he left me stunned and enthralled.

The popularity of the novel would typically make the film version a disappointment for its fans. Not so this time. Mr. Chbosky remains true to the spirit despite the need to edit for the sake of continuity and brevity. The key characters spring to life thanks to the efforts of four strong performances from young actors: Logan Lerman (Percy Jackson, The Three Muskateers) plays Charlie, Emma Watson (Harry Potter films) is Sam, Ezra Miller (We Need to Talk About Kevin, City Island) is Patrick, and Mae Whitman (Arrested Development) is Mary Elizabeth.

If you have read the book, you know the story ... you know the characters ... you know the themes. If you haven't read the book, I will spoil nothing. The brilliance is recognized only as you get to know these characters and slowly uncover their stories. What we discover is that, regardless of our age, we recognize these characters from our high school days. We know the introverted, observant Charlie who so desperately needs a support system. We surely recognize the attention-starved, lacking in self-esteem Sam who is the epitome of "We accept the love we think we deserve". And we all knew a Patrick ... the flamboyant one who sheaths his pain with an over-the-top act of public confidence. What Chbosky does is shine the spotlight on these characters to ensure that we really SEE them this time.

The themes reminded me a bit of a darker John Hughes film (that's a compliment). There were also pieces of two other really good films: Stand By Me and Almost Famous. The formative years of a writer determine the depths to which his or her work will reach later in life. Admittedly, the film is substantially autobiographical, so when Mr. Chbosky says it's a personal story, we begin to understand the foundation of his remarkable writing style.

"Welcome to the island of misfit toys." When this line is spoken, we realize that most every high school kid has thought the same thing at some point. These are painful and difficult times and as Mr. Chbosky stated, we should encourage kids to fight through this stage and get on to the next ... then able to find their true self. Clearly, the film made a strong impact on me. My favorite reaction to a movie is profound thought, and this one caused this in waves. The decision to release as PG-13 was wise. There is no excess of profanity or nudity to divert attention from what really matters ... the characters. I can think of no finer compliment to a writer and filmmaker than to cite them as the cause of my internal discussions related to their film. My hope is that you have the same reaction. (http://moviereviewsfromthedark.wordpress.com/)