New Jersey-Polizistin im Leutnantsrang Laurel Hester und ihre Lebenspartnerin Stacie Andree versuchen, die Rentenbezüge von Hester zu beanspruchen, bei der eine tödliche Krebserkrankung diag... Alles lesenNew Jersey-Polizistin im Leutnantsrang Laurel Hester und ihre Lebenspartnerin Stacie Andree versuchen, die Rentenbezüge von Hester zu beanspruchen, bei der eine tödliche Krebserkrankung diagnostiziert wurde.New Jersey-Polizistin im Leutnantsrang Laurel Hester und ihre Lebenspartnerin Stacie Andree versuchen, die Rentenbezüge von Hester zu beanspruchen, bei der eine tödliche Krebserkrankung diagnostiziert wurde.
- Auszeichnungen
- 1 Gewinn & 10 Nominierungen insgesamt
- Stacie Andree
- (as Ellen Page)
- Toohey
- (as Anthony De Sando)
Empfohlene Bewertungen
Ellen Page and Julianne Moore, both were awesome, except Moore was a bit old. By seeing them I felt being a lesbian is sweetest than straight, hetero and even gay. The first half was all about the relationship, but very decently narrated romance tale. And in the next half once Steve Carell enters the scene, the film diverted to another side of the story. All the actors were very good, including Michael Shannon.
Obviously the story was predictable and that is expected often in a biography. Because if they want to alter it, then they should pen a very cleverest script the audience never saw one like that before. I think telling a true story as it is is the point and that's what this filmmaker did. So don't complain about the storyline, just consider whether it is inspiring or worth a watch for other reasons.
For me it was almost a sentimental piece, but the second half story compromised and then I realised what this film was trying to say. Underrated film of the year for sure. Anytime I suggest it, especially for the grown ups and with a neutral mindset, because it is not all about the same sex romance, but the battle for equality in society.
8/10
I am baffled by Juliane Moore honestly, that is the first and only thing that comes off the top of my head thinking of the film. She is so talented it is ridiculous. Because even if this is a performance that we have seen so many times before, even by Moore herself last year, she still manages to make it fu**ing interesting, new and genuine. This actress is a legend really. Right from her way of moving on screen she just lives and breathes the characters she is given and makes them so much more of what is on paper, which is also the main reason this film succeeds.
Because the film does recycle a lot. Both in ideas and style. It fits right into the streak of true story films that we have had in recent years and doesn't really emerge. It doesn't have a personal stamp, it doesn't really say anything special or new and what it says it really throws in your face without space for a more subtle or emotional narrative. As always with true story movies it gets deep into manipulating your emotions by pulling very, very easy heartstrings and doesn't make an attempt at trying to make a movie first before a recounting of the true story.
Yet, you feel that much of it, despite being standard, is truly heartfelt by the cast. Micheal Shannon is really, really good, Ellen Page doesn't always find her place on screen, but still manages to come off as the very good actress she is.
So in the end what we have is something that excites and moves in a way too conventional and seen-before way, that comes off as a pleasant experience thanks to its actors' commitment. I will never, ever watch this film again, but I will also never regret having seen it.
"Freeheld" (2015) is a movie based on a very real story. I won't go into plot details, but this is kinda inspirational story. The lead performance by Julianne Moore is great - you won't expect anything less from this caliber Oscar winner, and she delivers it. Movie itself isn't bad by any means, at running time 1 h 40 min it wasn't boring and i watched it in one sit, and that is not a bad sign. But movie-making wasn't original or exciting and etc. This is a very averagely told story, with any emotional deep (script lacks of it) or anything else for what i could remember this movie for longer then one day after i finished it.
Overall, "Freeheld" is very watchable movie with no lasting impression. There are many well known faces in this movie, but they don't have much to do, script is very flat and predictable, directing is very simple. This is OK movie for one evening.
We catch up with Laurel (Julianne Moore) and her police partner Dane Wells (Michael Shannon) while on a drug bust in 2002. This scene is meant to quickly establish that Laurel is an excellent cop who is fully trusted by other cops. Soon after, we find Laurel and her god-awful volleyball skills flirting with Stacie (Ellen Page), a much younger auto mechanic. The two strike up a romance that leads to buying a house and jumping through the legal hoops required under the Domestic Partnership Act.
When Laurel is diagnosed with late stage lung cancer, the battle for her pension benefits begins as she goes up against the Freeholders who control Ocean County. While Stacie holds out hope for a cure and full recovery, Gay activist Steven Goldstein (Steve Carell) swoops in to generate media attention through protests and chants against the County. His cause is Gay marriage, while Laurel simply wants equality. It's an odd differentiation that the movie dwells on, but never quite explains.
A significant social issue, a stroll on the beach, a pet dog, and a terminal illness this sounds like the TV Guide synopsis of the latest Lifetime Channel movie. Perhaps that was the goal of screenwriter Ron Nyswaner (Philadelphia, 1993), whose next movie is a sex-change love story. Fortunately, the extremely talented cast elevates the material to an emotional level that allows viewers to connect. Those opposed to the issue include the macho cops from Laurel's own squad room, and the ultra-conservative faction on the County board – who predictably runs and hides when the conflict reaches its peak.
Julianne Moore and Ellen Page do outstanding work in allowing us to accept a romance that at times looks more like a mother/daughter relationship due to the age difference. Humor is injected with a rare drywall joke and possibly the first ever on screen tire-rotation contest. However, this isn't a story for laughs. Rather, director Peter Sollett (Nick and Norah's Infinite Playlist, 2008) shows one of the many personal stories that have led to the legal authorization of gay marriage and rights. We view this acceptance through the eyes of Laurel's partner Dane, and Michael Shannon's low key performance prevents the role from being too clichéd. The film suffers a bit with Steve Carell's over-the-top portrayal of the over-the-top Goldstein, but it does ring true in that desperate times call for desperate measures.
Certainly the film suffers from technical and script issues, yet the true story and the emotional subject matter, along with the fine performances, provide a clear look and reminder of some of the obstacles faced by good people over the years. Be sure to watch the closing credits for photographs of the real Laurel, Stacie, Dane and Goldstein – each (except Laurel, of course) have cameos in the film.
At first I'm gonna tell you how i found this movie. I was searching for a romance movie on internet then i found it. I bought the DVD and decided to watch it alone, because it's a Homosexual romance (first i thought it's really a gay lesbian movie ).
But it was more than that. Once upon a time i was homophobic person. I hated gays and lesbians more than i hate imaginary gods. I after realized that homosexuals are humans to. They have emotions like strait people. They love, they cry and they laugh.
This movie based on a true story and very heart touching. I cried after watching this movie. Seriously it's very cute romance with saddest images of gay community.
People, if you don't like this types of movies then don't watch. But stop saying nonsense about this. I'm from Bangladesh, a country with so much ignorance and hate. But i came to light, it's time for you to come out too.
After all, it's very emotional movie with complexity. I liked it and watched twice.
Wusstest du schon
- WissenswertesThe real Stacie Andree, Dane B. Wells and Steven Goldstein can be seen as extras in the film. Stacie can be seen wearing a black cardigan behind Elliot Page (who portrays her) in the third Freeholder meeting, sitting in the right aisle seat of the second row. Dane portrays the police officer, between two taller officers, who is handed a box of ashes. Steven can be seen in the second Freeholder meeting, seated behind Steve Carell (who portrays him), holding a red sign and seated in the aisle seat of the right side second row (the same seat that the real Andree can be seen in, later in the film).
- PatzerLaurel and Stacie first encounter each other at a volleyball game with each playing on opposite teams. Stacie serves to Laurel, whereupon Laurel's team successfully returns the ball and the game is over. However, in volleyball, only the side that is serving can score a point and they must also win by two. For the game to be over, Laurel's side would need to get the ball back to serve the winning point. The director may have decided to skip that in order to keep the story moving.
- Zitate
[From Trailer]
[about Laurel's appeal being turned down]
Steven Goldstein: This is an outrageous miscarriage of justice. Their next meeting we show up with 100 protesters.
Dane Wells: Radicals and strangers from New York aren't going to convince these guys.
Steven Goldstein: I am not a radical. I am a middle-class, Jewish homosexual from New Jersey. How about you, sweetheart?
Dane Wells: I'm a straight, white, ex-Protestant, atheist cop. You okay with that, *sweetheart*?
Steven Goldstein: I am. That is very hot.
- SoundtracksChange of Season
Written and Performed by Lindon Puffin
Courtesy of Lindon Puffin
By arrangement with Sugaroo!
Top-Auswahl
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Details
- Erscheinungsdatum
- Herkunftsländer
- Offizielle Standorte
- Sprache
- Auch bekannt als
- Jede Liebe ist gleich
- Drehorte
- Town of North Hempstead, Town Hall - 220 Plandome Road, Manhasset, New York, USA(Ocean County, NJ Board Room)
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 7.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 546.201 $
- Eröffnungswochenende in den USA und in Kanada
- 37.983 $
- 4. Okt. 2015
- Weltweiter Bruttoertrag
- 1.447.337 $
- Laufzeit
- 1 Std. 43 Min.(103 min)
- Farbe
- Sound-Mix
- Seitenverhältnis
- 1.85 : 1