Tashi, ein ehemaliges Tennis-Wunderkind, hat ihren Mann zum Champion gemacht. Doch um seine Pechsträhne zu überwinden, muss er sich seinem ehemaligen besten Freund stellen, der zudem immerno... Alles lesenTashi, ein ehemaliges Tennis-Wunderkind, hat ihren Mann zum Champion gemacht. Doch um seine Pechsträhne zu überwinden, muss er sich seinem ehemaligen besten Freund stellen, der zudem immernoch in Tashi verliebt ist.Tashi, ein ehemaliges Tennis-Wunderkind, hat ihren Mann zum Champion gemacht. Doch um seine Pechsträhne zu überwinden, muss er sich seinem ehemaligen besten Freund stellen, der zudem immernoch in Tashi verliebt ist.
- Auszeichnungen
- 74 Gewinne & 151 Nominierungen insgesamt
- Art's Security Guard
- (as a different name)
- Lily
- (as AJ Lister)
Zusammenfassung
Empfohlene Bewertungen
I remember Zendaya since Shake It Up and although she is a smart and lovely woman with indeniable star quality, her acting has never been convincing. She always positions herself perfectly for the shot, has the needed movement or expression, but it is always with more connection for the camera than with the character (even in Euphoria). I also never found her use of her voice adequate, it is usually one note. It sort of works here because Tashi is a character as flat as a pancake.
The two other leads are no better and it is an already very far fetched idea that they would attract the attention of anyone, let alone of someone like the Tashi character.
And if this was a movie to attract tennis fans... well it won't. None of the tree leads looks like they have ever played sport. Any sport, any kind, not professionally, just any at all. In school, in the backstreet with friends. The director is either very incapable of his job or hasn't either. They hired Brad Gilbert to consult and help. Ok, but he helps with the wrong aspects. In the end of the day a general viewer would not care if the serve technique is correct, or if the movement and speed is accurate. But he would care about the absolute lack of any engagement with the game. No passion, no desire, no will, no care. Even Ivan Lendl has visibly shown more connection to the game and he was infamous for cool attitude. Or Andre Agassi or Nick Kyrgios who have stated many times they hated tennis. These actors look and act like they are trying not to trip, not to make a wrong move and not like playing for anything (not just the tenmis aspects of the movie). And from this there is no loud enough music to make you care about their game or desires.
The music is terrible allthrough, loud and without having any connection with the supposed story. The overly in your face "metaphors" are just tiring at this point. Filmmakers might wanna try some new and fresh approach to get the point across. And the overuse of slow motion... it just makes the movie even less.
In a time where we care about sparing resources, resources for movies like this shouldn't even be be considered to be spent.
I had trouble following the timelines of certain scenes and felt confused throughout. Also, the movie basically has only three characters that have any role of significance which I felt was odd. Perhaps the umpire would be considered the fourth character that you see and he has a very small part.
I thought Zendaya was brilliant, but I didn't particularly like her character or the two competitors. There was nobody that you wanted to root for. For a tennis movie, rather go for Wimbledon than this one unfortunately.
We have two young tennis players - one successful and the other is not for various reasons - both in love with the same woman who seems to jump between them in what makes for a complicated love triangle. Add in electronic music played loudly over scenes where not much is happening, gratuitous nudity (so many penises), and neverending slo-motion in an overlong running time and you have Challengers.
I liked Zendaya when she was playing the role of mature mother and retired tennis professional, but she all too easily slips into an angsty teen who feels too young to play the character.
My favourite moments were the two male leads just hanging out (they had more chemistry than Zendaya with either one), but I wasn't exactly sure what the seemingly homoerotic moments added to the story.
Despite the above points, this movie held my interest and had me wondering exactly where it was going. When it landed, however, I felt cheated of 2 hours by watching a movie that thought it was smarter than it really was. Severely lacking payoff.
Idk if this was the straightest gay movie or the gayest straight movie.
- The thing that stopped this film from feeling incredibly boring was the way it played with time.
- Took 30 minutes to slow down and breathe. But if it didb't, I would've given it half a star less.
- Bad acting in trailers, far from the case in the actual film. Trailers didn't sell me but this was a good movie. Wouldn't go back to it though.
- The trailers spoiled the midpoint.
- I think Tashi should've agreed to train Patrick as a way of tricking him to lose. I also thought the guys were the real ones playing Tashi. I was waiting for a flashback scene where the they plan the whole thing. That might've been generic but I also wasn't expecting a "hug and walk off into the sunset" type of ending.
Wusstest du schon
- WissenswertesPatrick taking a bite of the churro and letting Art take one was unscripted. Josh O'Connor was starving and it was the first time he ever had churros.
- PatzerAfter Patrick loses the second set in his final round match against Art and smashes his racket, the chair umpire declares a code violation point penalty; however, it should have been a game penalty, as Patrick had already received a point penalty earlier in the match (the scoreboard at the bottom accurately reflects the correct score).
- Zitate
Tashi Donaldson: [after Patrick notices her engagement ring] It was his grandmother's.
Patrick Zweig: How is she?
Tashi Donaldson: She died. Stroke.
- Crazy CreditsOn the United States release of the film, the MGM logo appears after the brief opening prologue, and the roar of studio mascot, Leo the Lion, is silenced.
- VerbindungenFeatured in The 7PM Project: Folge vom 26. März 2024 (2024)
- SoundtracksSound the Trumpet
Written by Henry Purcell
Performed by The Toronto Children's Chorus
Courtesy of Marquis Classics
Top-Auswahl
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Details
- Erscheinungsdatum
- Herkunftsländer
- Offizielle Standorte
- Sprachen
- Auch bekannt als
- Desafiantes
- Drehorte
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 55.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 50.119.408 $
- Eröffnungswochenende in den USA und in Kanada
- 15.011.061 $
- 28. Apr. 2024
- Weltweiter Bruttoertrag
- 96.119.408 $
- Laufzeit2 Stunden 11 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 1.85 : 1