The Impossible - Nichts ist stärker als der Wille, zu überleben
Originaltitel: Lo imposible
Die Geschichte einer Touristenfamilie in Thailand, gefangen in der Zerstörung und chaotischen Nachwirkungen des Tsunami im Indischen Ozean 2004.Die Geschichte einer Touristenfamilie in Thailand, gefangen in der Zerstörung und chaotischen Nachwirkungen des Tsunami im Indischen Ozean 2004.Die Geschichte einer Touristenfamilie in Thailand, gefangen in der Zerstörung und chaotischen Nachwirkungen des Tsunami im Indischen Ozean 2004.
- Regie
- Drehbuch
- Hauptbesetzung
- Für 1 Oscar nominiert
- 28 Gewinne & 70 Nominierungen insgesamt
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Disaster films have an odd reputation, often merely dismissed as popcorn fodder, so it's strange to have a film billed as such but to put character and drama over spectacle. Then again, as it's based on a true story, it's probably unfair to label 'The Impossible' as such a movie because the plight of the characters is at its heart throughout the entire duration. Perhaps this film is best described as a family drama with elements of disaster, then.
The Boxing Day tsunami was one of those events that put our lives into perspective, and the film achieves the same feat. Ewan McGregor and Naomi Watts play the parents of three children who decide to spend an exotic Christmas in Thailand. Suitcases are unpacked, presents are exchanged, but the sense of impending disaster is overwhelmingly unsettling. When the inevitable does happen, the following 15 minutes are intense, realistic and terrifying; an onslaught of terrific practical effects and incredible sound design. However, after that concentrated outburst, the drama shifts down a gear to a more intimate, personal level, which is no less frightful.
That is why this film shines; it's about the smaller picture. By focusing on the survival of this one family rather than the scale of the event itself, a better, and more human, representation of the disaster is displayed. The performances from the central cast are nothing short of spectacular, especially Tom Holland, who carries the film for a hefty chunk of the running time with a gravitas that many older actors would fail to achieve.
Many criticisms have been made in the press about the anglicisation of the story; in reality, the family was Spanish. To me, that seemed to be a decision to globalise this story to the maximum amount of people, a decision that was warranted in my eyes. Thus, the main issue with the film was the score to be unnecessarily overriding in certain scenes, adding an unwanted sentimentality to the film. The scenes which worked best were confrontational, uncompromising and, you guessed it, without a swelling orchestra. Nevertheless, this is a minor gripe considering that this is a film where tears are wholeheartedly justified.
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The Boxing Day tsunami was one of those events that put our lives into perspective, and the film achieves the same feat. Ewan McGregor and Naomi Watts play the parents of three children who decide to spend an exotic Christmas in Thailand. Suitcases are unpacked, presents are exchanged, but the sense of impending disaster is overwhelmingly unsettling. When the inevitable does happen, the following 15 minutes are intense, realistic and terrifying; an onslaught of terrific practical effects and incredible sound design. However, after that concentrated outburst, the drama shifts down a gear to a more intimate, personal level, which is no less frightful.
That is why this film shines; it's about the smaller picture. By focusing on the survival of this one family rather than the scale of the event itself, a better, and more human, representation of the disaster is displayed. The performances from the central cast are nothing short of spectacular, especially Tom Holland, who carries the film for a hefty chunk of the running time with a gravitas that many older actors would fail to achieve.
Many criticisms have been made in the press about the anglicisation of the story; in reality, the family was Spanish. To me, that seemed to be a decision to globalise this story to the maximum amount of people, a decision that was warranted in my eyes. Thus, the main issue with the film was the score to be unnecessarily overriding in certain scenes, adding an unwanted sentimentality to the film. The scenes which worked best were confrontational, uncompromising and, you guessed it, without a swelling orchestra. Nevertheless, this is a minor gripe considering that this is a film where tears are wholeheartedly justified.
My Blog - Celluloid Ramblings . blogspot. co . uk
At first I did not think this movie was something I would like to see. I felt it would be one of those movies that once the disaster happened it would become dis-interesting and would be boring the second half of the movie. I am very happy I had the opportunity to see it. The only reason I did not give it a 10 was I thought the character build up was a little shallow. I would have liked to get know the family a little better before the disaster. Other than that I feel that the movie was fantastic. Once the inevitable happened the film kept my interest and was very compelling throughout. The special effects were realistic and not over done. I wish foreign movies like this would make a bigger release in the United States to show Hollywood how to make a movie especially a true story movie. I felt when I was watching this film that I was seeing it actually happening with no to very little exaggerations. That is where I feel Hollywood falls short and puts allot of drama in a film that really did not occur in the true event. If there were exaggerations in this movie they were seamless and not over done. If you have a chance to see this movie I feel it is "a must see movie" you will not be disappointed.
It would be impossible to try and capture the widespread loss and destruction of this horrible, devastating event. The scope was so large and far too many people lost their lives to even attempt to portray on film. Instead, director Juan Antonio Bayona and screenwriter Sergio G. Sánchez focused smartly on the true story of one family's struggle for survival amongst all that had happened on December 26th, 2004.
This allows the film to be much more intimate, and the audience is quickly able to connect with the Bennett family, starting simply with their arrival to Thailand. While the audience was filled with dread in anticipation of what was to come, the Bennetts were blissfully unaware and enjoying themselves over vacation. However, everything soon takes a terrifying turn as the tsunami hits their resort in a horrifyingly realistic manner, sweeping up people as they attempt to flee before it or protect themselves from its awesome power.
At this point, I, too, felt like I was drowning. The camera bobs in and out of darkness, in and out of the water, as the family's matriarch, Maria, struggles for breath. Then, clinging hopelessly onto a palm tree, she screams all too realistically for anyone who could possibly help her in a desperate, surprisingly shocking moment. It is at this point where she spots her son, Lucas, floating in the fierce waves, and I held my breath as the struggled for what seemed like an eternity to reunite in the water.
In a way, Lucas, brilliantly portrayed by newcomer Tom Holland, carries the film from this point forward. He takes on the role of protecting his stubborn yet badly injured mother, and in the process he's forced to mature far too quickly. During every moment, his emotions and facial expressions convey more than any words ever could, as she shies away from and is frightened by his mother's injuries and nudity, all the while attempting to deal with the scope of the pain and devastation.
However, it is his mother, Maria, whom the film truly centers around. Naomi Watts gives quite possibly her finest performances to date, portraying harrowing desperation, stubborn determination in the face of incredible pain and agony, and, ultimately, a sense of love and care despite her deteriorating state. True, she is bedridden for about half the film, but it is during this time where there are these small moments of tenderness and humility which undoubtedly makes Watts's performance one of the best of the year.
In fact, the entire cast was exceptional, including Ewan McGregor, the father desperately trying to put together his family again, and the two littlest sons, Thomas, played by Samuel Joslin, and Simon, played by Oaklee Pendergast, both of whose innocence prevented them from thoroughly capturing the extent of this tragic event. The story of these three is intertwined with that of Maria and Lucas, as they all struggle for survive amidst the destruction and reunite amidst the chaos.
Ultimately, this is a touching and heartwarming film, as the true kindness of humanity can be seen in this time of great loss. Yes, the tsunami is terrifying, the injuries gruesome and shockingly realistic, and the pain and suffering visible on just about everyone's faces. However, the Bennetts' story is a remarkable one of love, determination, and hope, and it simply cannot be missed.
This allows the film to be much more intimate, and the audience is quickly able to connect with the Bennett family, starting simply with their arrival to Thailand. While the audience was filled with dread in anticipation of what was to come, the Bennetts were blissfully unaware and enjoying themselves over vacation. However, everything soon takes a terrifying turn as the tsunami hits their resort in a horrifyingly realistic manner, sweeping up people as they attempt to flee before it or protect themselves from its awesome power.
At this point, I, too, felt like I was drowning. The camera bobs in and out of darkness, in and out of the water, as the family's matriarch, Maria, struggles for breath. Then, clinging hopelessly onto a palm tree, she screams all too realistically for anyone who could possibly help her in a desperate, surprisingly shocking moment. It is at this point where she spots her son, Lucas, floating in the fierce waves, and I held my breath as the struggled for what seemed like an eternity to reunite in the water.
In a way, Lucas, brilliantly portrayed by newcomer Tom Holland, carries the film from this point forward. He takes on the role of protecting his stubborn yet badly injured mother, and in the process he's forced to mature far too quickly. During every moment, his emotions and facial expressions convey more than any words ever could, as she shies away from and is frightened by his mother's injuries and nudity, all the while attempting to deal with the scope of the pain and devastation.
However, it is his mother, Maria, whom the film truly centers around. Naomi Watts gives quite possibly her finest performances to date, portraying harrowing desperation, stubborn determination in the face of incredible pain and agony, and, ultimately, a sense of love and care despite her deteriorating state. True, she is bedridden for about half the film, but it is during this time where there are these small moments of tenderness and humility which undoubtedly makes Watts's performance one of the best of the year.
In fact, the entire cast was exceptional, including Ewan McGregor, the father desperately trying to put together his family again, and the two littlest sons, Thomas, played by Samuel Joslin, and Simon, played by Oaklee Pendergast, both of whose innocence prevented them from thoroughly capturing the extent of this tragic event. The story of these three is intertwined with that of Maria and Lucas, as they all struggle for survive amidst the destruction and reunite amidst the chaos.
Ultimately, this is a touching and heartwarming film, as the true kindness of humanity can be seen in this time of great loss. Yes, the tsunami is terrifying, the injuries gruesome and shockingly realistic, and the pain and suffering visible on just about everyone's faces. However, the Bennetts' story is a remarkable one of love, determination, and hope, and it simply cannot be missed.
On vacation at an exotic resort in Thailand, a family of 5 are torn apart by a large tsunami that rips the island apart. The mother, played by Naomi Watts and oldest of the three sons do their best to survive while the father, played by Ewan McGregor, juggles between the safety of his two boys and the search for his wife and missing son.
Director Juan Antonio Bayona vividly shares the shocking and yet, miraculous story of the Alvarez family. The cinematography when the tsunami sweeps in is nothing short of stunning and captivating. A glimpse of the sheer force and destruction behind this natural disaster will undoubtedly leave you breathless. Watts delivers a strong performance as does McGregor but the stand out here, besides the cinematography, is the brilliant and mature portrayal of the oldest son by young, Tom Holland.
An emotional tearjerker, The Impossible is a brilliant film, which will have you glued to the screen as you root against the odds while simultaneously fearing the worst. The fact that it's based on a true story is a testament of the human spirit and the bond of a family.
The Impossible is definitely one to watch.
Director Juan Antonio Bayona vividly shares the shocking and yet, miraculous story of the Alvarez family. The cinematography when the tsunami sweeps in is nothing short of stunning and captivating. A glimpse of the sheer force and destruction behind this natural disaster will undoubtedly leave you breathless. Watts delivers a strong performance as does McGregor but the stand out here, besides the cinematography, is the brilliant and mature portrayal of the oldest son by young, Tom Holland.
An emotional tearjerker, The Impossible is a brilliant film, which will have you glued to the screen as you root against the odds while simultaneously fearing the worst. The fact that it's based on a true story is a testament of the human spirit and the bond of a family.
The Impossible is definitely one to watch.
Maria (Naomi Watts) and Henry (Ewan McGregor) are on vacation with their three young kids in Thailand. It's a picture perfect trip at a coastal hotel. Suddenly a tsunami hits and the family is scattered.
Naomi Watts gives a harrowing performance. It's a true life story of a family dealing with the 2004 Christmas Indian Ocean tsunami. The action scenes are unbelievable. The scale of it all and the danger it depicts is truly realistic. The performance that Naomi gives is absolutely Oscar worthy. She is truly believable as a mother fighting for her life as she loses track of her family. There are a lot of tear jerking moments here. Some of them pushes a little too far. But it never gets completely fake. Ewan McGregor plays the father who has an incredible scene with a cell phone. Highly recommended.
Naomi Watts gives a harrowing performance. It's a true life story of a family dealing with the 2004 Christmas Indian Ocean tsunami. The action scenes are unbelievable. The scale of it all and the danger it depicts is truly realistic. The performance that Naomi gives is absolutely Oscar worthy. She is truly believable as a mother fighting for her life as she loses track of her family. There are a lot of tear jerking moments here. Some of them pushes a little too far. But it never gets completely fake. Ewan McGregor plays the father who has an incredible scene with a cell phone. Highly recommended.
Wusstest du schon
- WissenswertesThe scene where the tsunami hits the resort could only be filmed once. It would have cost too much money to rebuild the set.
- PatzerWhen Daniel meets with his father, he says in Swedish - "vad tung du är Johan (how heavy you are, Johan)" instead of the character's name Daniel. This is because the real name of the character Daniel, is Johan, and it's his real father Jan.
- Zitate
Bellhop: And you, you don't work?
Maria Bennett: I'm a doctor. I'm not practicing right now. Just taking care of the kids.
Bellhop: I see, you got promoted.
- Crazy CreditsThe title and the rest of the credits do not appear until the end of the film. The only credits that appear at the beginning are the production companies' logos and an explanation of how the Tsunami came about.
- Alternative VersionenThere are two versions, the general theatrical release, and a slightly edited cut released in China. The different runtimes are, respectively, "1h 54m (114 min)" and "1h 53m (113 min) (China)".
- VerbindungenFeatured in The Tonight Show with Jay Leno: Folge #21.55 (2012)
- SoundtracksIylm
Composed and Performed by For Fiesta
Voice by Lluís Segura (as Lluís Segura)
Guitar by Marc Prades
Solo Guitar by Marc Gómez del Moral
Bass by David Gallart
Drums by Bernat Vilaplana
Top-Auswahl
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- Why were Maria and Lucas hit by a second wave coming from the opposite direction to the first wave?
Details
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- The Impossible
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Box Office
- Budget
- 45.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 19.019.882 $
- Eröffnungswochenende in den USA und in Kanada
- 143.818 $
- 23. Dez. 2012
- Weltweiter Bruttoertrag
- 198.087.212 $
- Laufzeit1 Stunde 54 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 2.39 : 1
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