Eine unerwartete Beförderung in einem Hedgefonds bringt die Beziehung eines jungen Paares an den Rand des Abgrunds und droht, weit mehr als nur ihre Verlobung zu zerstören.Eine unerwartete Beförderung in einem Hedgefonds bringt die Beziehung eines jungen Paares an den Rand des Abgrunds und droht, weit mehr als nur ihre Verlobung zu zerstören.Eine unerwartete Beförderung in einem Hedgefonds bringt die Beziehung eines jungen Paares an den Rand des Abgrunds und droht, weit mehr als nur ihre Verlobung zu zerstören.
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- 11 Nominierungen insgesamt
Empfohlene Bewertungen
I thought this was a very entertaining movie. The direction of the movie was obvious from the beginning and yet that didn't change the thrill of the journey. The movie is ultimately about how insecurities and bitterness will rot a relationship. Anxiety and angst are probably the main feelings you will experience throughout the movie but that's because it felt like the stakes were always high. The acting was superb by the whole cast. Phoebe Dynevor's facial expressions really sold the movie. As her character experiences the different stages of the movie, you can't help but feel the same as her. She reminded my of Alexandra Daddario's performance in the White Lotus. So much can be said by bewildering expression. Overall, I'd recommend this gripping psychological drama.
First of all, it's incredibly distracting that it's NOT actually filmed in NYC but in Serbia. I literally had to pause the movie and look up the filming location within the first 10 minutes or so, because the entire "feel" of the movie was NOT New York, and I wondered, "Are they supposed to be living somewhere overseas? But everyone has American accents..." It's amazing how unique NYC's entire energy is, that you can't really copy it by filming elsewhere. So, the whole film had an otherworldly feel to it, and that bugged me.
On to the plot: I was engaged for the most part, and wanted to see what was going to happen. The acting was good. By the time we got to the final scene, though, I was just underwhelmed. It needed a twist, or it needed to have gone much, much deeper into the characters' inner lives. It was kind of like a cross between a character-driven film and a plot-driven film, but neither of those was strong enough to give it the "oomph" it needed to make it a great film.
I read someone's review that they said the ending was what every power woman dreams of or something. What?? No. I'm a woman who is successful career-wise, and I don't relate to the female lead character at all (okay, maybe a little bit professionally, but not in her relationship with her fiancee). In fact, I would have just dumped the guy after he started pouting incessantly due to my promotion. I couldn't understand why the character wasted her time with him, and I found it tedious.
That character is also annoyingly terrible at communicating with her mother. The way she lets herself be led around by her is BEYOND annoying. I'm in my 50s and I wouldn't have ever let my mother do what her mother did... (hint: call off the unasked-for party like a grown-up!). How would a younger woman in today's world let that kind of 1950s behavior go on? It just doesn't make sense.
Overall, the movie was still entertaining. A decent effort and not a total waste of time. But it could have been SO much more, and left me kind of wondering, "What was the point of this movie?"
On to the plot: I was engaged for the most part, and wanted to see what was going to happen. The acting was good. By the time we got to the final scene, though, I was just underwhelmed. It needed a twist, or it needed to have gone much, much deeper into the characters' inner lives. It was kind of like a cross between a character-driven film and a plot-driven film, but neither of those was strong enough to give it the "oomph" it needed to make it a great film.
I read someone's review that they said the ending was what every power woman dreams of or something. What?? No. I'm a woman who is successful career-wise, and I don't relate to the female lead character at all (okay, maybe a little bit professionally, but not in her relationship with her fiancee). In fact, I would have just dumped the guy after he started pouting incessantly due to my promotion. I couldn't understand why the character wasted her time with him, and I found it tedious.
That character is also annoyingly terrible at communicating with her mother. The way she lets herself be led around by her is BEYOND annoying. I'm in my 50s and I wouldn't have ever let my mother do what her mother did... (hint: call off the unasked-for party like a grown-up!). How would a younger woman in today's world let that kind of 1950s behavior go on? It just doesn't make sense.
Overall, the movie was still entertaining. A decent effort and not a total waste of time. But it could have been SO much more, and left me kind of wondering, "What was the point of this movie?"
I don't watch many movies nowadays because most of them are simply very bad, I rather stick with the series but this one here did not dissappoint. I wanted to see something longer, without shooting, killing, with some dialogues and I found it. It has good plot, good acting. There are no forced sex scenes, almost no sex at all but there is a good tension between the main characters. Their interaction is very realistic. It is good fun that keeps you watching until the end. Of course it is not a masterpiece but if you want to spend enjoyable evening, maybe with your spouse, I can recommend it to you.
To be honest, Phoebe Dynevor's passionate performance in this film is quite seductive and different from her previous roles. Fortunately, the main focus of this film emphasizes that they are colleagues who are in love and whether they have different views regarding the only career advancement opportunity. If it were me, I would certainly wish my loved one the best and support her to climb higher. But I'm not the male lead, and I'm just an ordinary Taiwanese person. I'm not very familiar with whether Americans in the finance industry need to uncover secrets like in this film to advance their careers.
This was so much better than I expected. It's the kind of movie that you watch and hope it's good then you can't stop as it gets more intense and more intense with each scene. Makes me feel relieved to be over 50 and passed the grinding stage of life.
You don't want to relate, but you somehow do. In particular, I like how it ended. To me, the ending is very important and never do I ever want to be left, hanging and with questions. Phoebe Dynevor carried the movie and although I've noticed her, now I will have to watch for her. Great actress. Alden Ehreneich, although I never warmed to him, has proven to be a good one. Guess it all depends on the roles you land. Watch it. You won't regret it.
You don't want to relate, but you somehow do. In particular, I like how it ended. To me, the ending is very important and never do I ever want to be left, hanging and with questions. Phoebe Dynevor carried the movie and although I've noticed her, now I will have to watch for her. Great actress. Alden Ehreneich, although I never warmed to him, has proven to be a good one. Guess it all depends on the roles you land. Watch it. You won't regret it.
Wusstest du schon
- WissenswertesIn a 2023 interview with Collider, Chloe Domont spoke about the importance of rehearsal in her process: "Rehearsals are invaluable. I don't know how anyone can make a movie and not rehearse. Even if you can't put it into the budget, figure out how to rehearse on weekends. That's what I preach because it just saves you so much time while shooting. You get to work out the kinks and bumps, and if the blocking doesn't quite work, or an actor's bumping on a line, or whatever. You have time to rewrite it, you can rework it with them. Also, we rehearsed with my DP (Menno Mans), so we were changing the shot list, we were finding better, more exciting ways to shoot a scene. So, by the time we got to shooting, on the day we could just fly... I think that I wouldn't be able to sleep the night before if I didn't know exactly what I was doing that day. (Laughs) I don't know how people do it. I mean, yeah, some people get off on that kind of spontaneity, but the thing is, something unexpected will always come up in filmmaking. It's like, no matter how much you prepare, too, no matter how much you rehearse, something unexpected will always come up. I think that that's the beauty of filmmaking. But for me, at least, when you're prepared ahead of time, you know exactly what you're doing coming in, then you can make those pivots very quickly because you've done all the work, and you've done all the prep."
- PatzerWhen Emily returns from the bar and is in the kitchen talking to Luke, she starts eating a piece of food and then throws it onto the counter. However, on the next cutaway from Luke, she is still holding the piece of food.
- SoundtracksLove to Love You Baby (Extended Version)
Written by Donna Summer, Giorgio Moroder & Pete Bellotte
Performed by Donna Summer
Courtesy of Island Records
Under license from Universal Music Enterprises
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- 1 Std. 53 Min.(113 min)
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