Füge eine Handlung in deiner Sprache hinzuExpelled from his school, a 16-year old boy returns home to his abusive and oppressive father.Expelled from his school, a 16-year old boy returns home to his abusive and oppressive father.Expelled from his school, a 16-year old boy returns home to his abusive and oppressive father.
- Auszeichnungen
- 23 Gewinne & 22 Nominierungen insgesamt
- Mr. Rao
- (as MD Nizam)
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After seeing it on many Best of 2010 list, I had to see it. And after watching it has to review it. This very ordinary story stays with you even after hours of watching it. "Udaan" is a story of a boy, who like everyone else dreams and like almost everyone else he had to decided and step up to the hurdle before him. It is also a story of a father who like many tries his best to brought up two kids but fails. Its characters are not heroes or villains.
The performances are pitch perfect. Ronit Roy does it so amazingly that you wonder if his talents were wasted on television. Both kids are so refreshing. The biggest achievement of the film was that you just don't pity the father but kind of understand his actions.
it is a journey that will make you run for your dreams and love ones. Do not miss this fantastic piece of arts.
On the main level this is a gripping, realistic, deeply moving story of a sensitive boy with an abusive father growing up in a culturally complex India. This is the main point here, and the reason to see it. The leading part played by this boy, Rohan, is a magnificent acting debut for Rajat Barmecha. He was twenty playing a seventeen year old schoolboy, but he's convincing, and nuanced, with both great emotional vulnerability and flashes of rebellion and fire.
The other level to consider from this movie is as a cultural lens. I write from the U.S. and know only what I see from here, but it seems like a coming of age movie with the tinges of generation gap and young rebellion seen blossoming (in the movies and in life) here in the 1960s and 70s. Rohan's father is "old school" in that he's tough on his son, thinking the son needs discipline and hard work to grow up and be functional. The boy though is a writer at heart (there are several scenes where he recites poems or tells stories and they are spellbinding, if brief), and the father won't hear of that. Raising Rohan without a mother seems to give him so leniency for his stubbornness, but not for his violence, and Rohan, somehow, must react.
The third character of note is not a girl--a nice change from many young men growing up stories--but a little half-brother who Rohan ends up befriend and ultimately kind of mentoring. The little one is super cute and delicate, and the three males with all their problems and conflicts make for a rich, intense interplay.
The other cultural aspect (besides how young people might be seeing their morality shift from their parents and grandparents) for an outsider is to see contemporary India in a rather true, ordinary way. I mean, "Slumdog Millionaire" was amazing and sensational in its own way, but it pushed buttons and pushed boundaries. This movies stays within boundaries to that being edgy isn't interfering with the reality of the story and all its successive stages.
It's really great stuff overall. The one thing that will seem odd, maybe, to some is the inspirational feel-good music with lyrics written for the film. It's almost saccharine it's so idealistic, but then, it's probably when every struggling 16 year old in Mumbai or New Delhi or wherever needs to hear. That part of the movie is not for an outsider at all, which is okay. I think people see the American classic "The Graduate" and have similar problems with the coming of age problems being mid-1960s in flavor, and the music having a pretty tenor not always up a contemporary alley.
So see Udaan for what it is. Rooted in expert and conventional filmmaking and storytelling, but powerful stuff.
What particularly stands out about 'Udaan' is how true to life it is and at the same time it's not a documentary style film but one with a great big heart that tells an inspiring story of a teenager fighting for his dream to become the man he aspires to. Vikramaditya Motwane and Anurag Kashyap have done an outstanding job in the writing department. It's very detailed without being showy, poetic without being operatic, subtle without being too restrained and poignant without being preachy.
In addition, Motwane does a phenomenal job translating the words from paper to screen. The narrative style is superb and remains consistent throughout. The characters are very human and easily recognizable mostly because of how the relationships are depicted, with sincerity.
Shetty's cinematography works in a subtle way. Every frame is photogenic but not to the point of looking like a postcard or being distracting. Trivedi's score is used very efficiently, never intrusive but rather contributing by echoing the mood of the sequences. Kalra's editing is solid as never does the pace feel uneven nor does the film lose its focus at any point.
Now coming to the performances, each and every actor's portrayal is genuine. Starting with newcomer Rajat Barmecha who is spot on as he looks the part and acts sublime. Ronit Roy finally gets a role that showcases his previously unknown talent. This is definitely a breakthrough performance for the actor who's been in movies for almost two years. While his portrayal of the authoritarian father is haunting one can also sympathize for him as he himself is a victim of abuse and he really does believe that he's doing the best for his sons and yet shows signs of regret at some of the wrong decisions. Ram Kapoor is equally convincing as the supportive light-hearted uncle who is the polar opposite of the quick tempered father. And of course, last but not least, there is young Aayan Boradia who delivers one of the most accurate performances of a child. It's amazing how, mostly through non-verbal gestures, he displays Arjun's innocence, loneliness, quiet suffering and longing with such precision
While most of the first act and second act of the film depicts Rohan and Arjun's quiet suffering, the final act is excellently cathartic. I don't mean cathartic in the sense that events take an explosive turn that involves loud confrontations. Here it's rather matter-of-factly but at the same time energetic, invigorating and symbolic. Even though I was expecting what Rohan would eventually do for himself to escape his father's imprisonment, there are some precious little surprises that happen along the way, making 'Udaan' a one-of-a-kind gem.
'Udaan' is a celebration of the human spirit. I'm very glad I picked this movie to start the year.
Above all this was is a must watch...very few films of this genre are made in Bollywood.this is certainly one of the best of them..I am giving it 10 on 10..
P.S.-Was shocked as well as pained to see the cold response of viewers in the theatre..Perhaps for this only such films are scarce in bollywood.
Wusstest du schon
- WissenswertesThe film was shot in 42 days. 39 days in Jamshedpur and 3 days in Shimla.
- Zitate
Rohan Singh: Tiny little memories are laid all over the lawn of innumerable moments. Barefoot, I have walked on it for so long that I have forgotten where I had removed my shoes. Soles were soft at the beginning and they are tender still. Indeed, they are bound to remain that way as long as the mischievous antics of the bitter-sweet memories keep tingling them. It is true that I do not remember where I had taken off the shoes, but coming to think of it, I do not need them anymore.
- VerbindungenFeatured in 56th Idea Filmfare Awards (2011)
- SoundtracksKahaani Khatam Hai Ya
Written by Amitabh Bhattacharya
Composed by Amit Trivedi
Performed by Joi Barua and Neuman Pinto
Courtesy of Super Cassettes Industries Limited (T-Series)
Top-Auswahl
Details
Box Office
- Bruttoertrag in den USA und Kanada
- 7.461 $
- Eröffnungswochenende in den USA und in Kanada
- 2.715 $
- 18. Juli 2010
- Weltweiter Bruttoertrag
- 434.862 $
- Laufzeit
- 2 Std. 14 Min.(134 min)
- Farbe
- Sound-Mix
- Seitenverhältnis
- 2.35 : 1