Eine polizeiliche Untersuchung, die Geschichte einer trauernden Familie und der Wahlkampf für die Bürgermeisterwahlen in Seattle gehen ineinander über, nachdem die Leiche der 17-jährigen Ros... Alles lesenEine polizeiliche Untersuchung, die Geschichte einer trauernden Familie und der Wahlkampf für die Bürgermeisterwahlen in Seattle gehen ineinander über, nachdem die Leiche der 17-jährigen Rosie Larsen im Kofferraum eines versenkten Autos gefunden wurde.Eine polizeiliche Untersuchung, die Geschichte einer trauernden Familie und der Wahlkampf für die Bürgermeisterwahlen in Seattle gehen ineinander über, nachdem die Leiche der 17-jährigen Rosie Larsen im Kofferraum eines versenkten Autos gefunden wurde.
- Für 6 Primetime Emmys nominiert
- 3 Gewinne & 48 Nominierungen insgesamt
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9ivko
When I was twenty-four, I was the foreman for the jury of a murder trial. There was plenty of evidence, including eye witness testimony, that indicated the young man's guilt. After two days of deliberations and endless discussions, we voted to convict. On our way out of the courtroom, I remember distinctly the high spirits we were all in. We had done our job as citizens. We had helped take a bad man off the streets. We helped get justice for a murdered individual. There were a lot of smiles and handshakes and back-pats. Then on the way out we passed the convicted man's eight-month-along pregnant wife. She was sitting, alone, on a bench outside the courtroom, sobbing. The implications of our decision for her and that unborn child hit me all at once as we passed. I wasn't smiling anymore; none of us were. The thing is, I still believe we did the right thing. It was our job to vote on the evidence and that's what we did. But even so, I'd be lying if I said I slept soundly that night.
The reason I mention that long-winded story is to illustrate a point. Real life is messy. Even when we make what we truly believe are the "right" decisions we don't always feel all that good about them. Sometimes to do what we think is right we end up hurting, albeit unintentionally, someone else. Even worse, sometimes we hurt someone doing what we think is right and then find out later that we were wrong. And that, as Aristotle would say, just plain sucks.
But it is the imperfect, wonderful world we all live in. Which brings me to AMC's fantastic 'The Killing'. A Danish import, 'Killing' follows the murder investigation of young woman in Seattle, Washington. The story is told in thirteen 1 hour episodes through the perspectives of the people whose lives are impacted by the murder and subsequent investigation, with special emphasis on lead investigator Sarah Linden (played picture-perfect by Mireille Enos). Amazingly, despite a fairly large cast, there is nary a flat character to be found. All the players are fleshed out, fully realized people with deep complexity and back-story. This allows the show to rise above a simple whodunit police procedural and really delve into just what a murder means to the people in the victim's life. It is alternately dark and gritty, inspirational, and heart breaking to watch these people cope with the loss and fear that surrounds this girls murder.
And that brings me back to my original point. The reason I love this show so much is because, unlike the many many many police procedurals out there, it is no fairy tale with all the bad guys punished and good guys victorious. It makes you wallow in the mud with the characters, encouraging you to feel all the frustration and confusion that they feel. It makes you want what they want, only to remind you that even good people and good decisions have consequences that are far less than ideal. This is the kind of show that you think about after it's over, asking yourself if you would have done this or that differently. But that deeply unsettled feeling you get is the digestive price you pay for such a rich, not-written-for-kids storyline, and is so worth it. There is really nothing quite like it on TV right now; I highly recommend it.
The reason I mention that long-winded story is to illustrate a point. Real life is messy. Even when we make what we truly believe are the "right" decisions we don't always feel all that good about them. Sometimes to do what we think is right we end up hurting, albeit unintentionally, someone else. Even worse, sometimes we hurt someone doing what we think is right and then find out later that we were wrong. And that, as Aristotle would say, just plain sucks.
But it is the imperfect, wonderful world we all live in. Which brings me to AMC's fantastic 'The Killing'. A Danish import, 'Killing' follows the murder investigation of young woman in Seattle, Washington. The story is told in thirteen 1 hour episodes through the perspectives of the people whose lives are impacted by the murder and subsequent investigation, with special emphasis on lead investigator Sarah Linden (played picture-perfect by Mireille Enos). Amazingly, despite a fairly large cast, there is nary a flat character to be found. All the players are fleshed out, fully realized people with deep complexity and back-story. This allows the show to rise above a simple whodunit police procedural and really delve into just what a murder means to the people in the victim's life. It is alternately dark and gritty, inspirational, and heart breaking to watch these people cope with the loss and fear that surrounds this girls murder.
And that brings me back to my original point. The reason I love this show so much is because, unlike the many many many police procedurals out there, it is no fairy tale with all the bad guys punished and good guys victorious. It makes you wallow in the mud with the characters, encouraging you to feel all the frustration and confusion that they feel. It makes you want what they want, only to remind you that even good people and good decisions have consequences that are far less than ideal. This is the kind of show that you think about after it's over, asking yourself if you would have done this or that differently. But that deeply unsettled feeling you get is the digestive price you pay for such a rich, not-written-for-kids storyline, and is so worth it. There is really nothing quite like it on TV right now; I highly recommend it.
Suda has created a sublime mystery/ thriller. This series has excellent direction, cinematography, writing, setting, score and acting. All the actors involved deliver superlative performances. Enos and Kinnaman command the series. The plot is set in a rainy and dark Seattle which sets the mood for the series. The plot revolves around the mysterious murder of a young women. Teaming up to solve the case are two detectives with much different styles and both with turbulent backgrounds. One is a seasoned by the book detective, Sarah Linden and the other is a younger street smart detective, Stephen Holder who is transferred from the narcotics division. Together they make a perfect team viewing the mystery from different perspectives and styles. During the case they encounter obstacles at every angle and the case reaches as high as the most elite individuals in Seattle. The plot is consistent, flawless, intense, clever, ingenious, violent, memorable and unique. The series is duplicitous and a has a cathartic ending that brings complete closure, including the partnership of Sarah and Stephen. This remains one of the best series in it's genre to this day.
10iashaik
I am writing this after the first season finale, and I came to this without expecting much and what a shocking pleasant surprise it was and absolute gem of a thriller.
I rarely give a rating of 10, there would always be some part that would be missing and something goes wrong in any department, nothing ever went wrong with this.
The whole first season is one murder case, so you can expect some slow pace, and slow pace doesn't always mean a drag, and "The Killing" is the best example for that, the pace is deliberately set to slow, to let all emotions, settings to sink in, the show gives you very subtle clues and you would swear that know who killed "Rosie Larsen" and think it is your idea, which is most often first proved right then wrong :) The acting, direction, screenplay, music a absolute top notch, a lessen that other crime thrillers (CSI, Criminal Minds, Suspect Behavior et. al.) should take a note of this epic of a thriller.
If you haven't watch it yet you are missing an epic.
I rarely give a rating of 10, there would always be some part that would be missing and something goes wrong in any department, nothing ever went wrong with this.
The whole first season is one murder case, so you can expect some slow pace, and slow pace doesn't always mean a drag, and "The Killing" is the best example for that, the pace is deliberately set to slow, to let all emotions, settings to sink in, the show gives you very subtle clues and you would swear that know who killed "Rosie Larsen" and think it is your idea, which is most often first proved right then wrong :) The acting, direction, screenplay, music a absolute top notch, a lessen that other crime thrillers (CSI, Criminal Minds, Suspect Behavior et. al.) should take a note of this epic of a thriller.
If you haven't watch it yet you are missing an epic.
Having watched the Danish original "Forbrydelsen" it was with great anticipation and some apprehension that I finally got to see the American adaption to this outstanding and huge successful drama. I was both surprised and amazed. "The Killing" has managed to maintain the somber and somewhat dark ambiance of the original while still incorporating enough elements to make the current version plausible. Kudos to the cast of this version which has kept the integrity of the original and so far, it looks every bit as good as I could have hoped. Although the plot takes its time to unfold, it's well worth the wait. Soon you will be trying to guess who killed the beautiful High School student and realize that nothing is as it seems, each episode offering a different perspective (and suspect) until the tantalizing conclusion. Get hooked!! ;)
I love a good whodunit series and this one was excellent; kept me guessing at every twist and turn and there was a lot of both. This drama pulled me in and didn't let go until the last scene which had me holding my breath. Story lines were gritty and not over-the-top. The acting in this thing was old-school good like when directors gave a damn about their craft. The two lead characters were extremely well developed; I always knew who they were and Kinnaman and Enos played off of each other like two virtuosos, stuff was really magic. Seasons 3 and 4 were the best two for my money but seasons 1 and 2 made me stick around for the latter two. I fancy myself a film snob, I'll give films 15 or 20 minutes before I'm bored and surfing for something else. If I watch an entire episode maybe there's something there, I stuck around for all 4 seasons and had withdrawl symptoms when it ended. I can almost promise you that you will never guess whodunit.
Wusstest du schon
- WissenswertesThe series has gained notoriety for being canceled on two occasions only for the show to be revived. The show was initially canceled by AMC in 2012 after its second season but was renewed later in the year due to a strong pitch from creator Veena Sud. After its third season in 2013 the series was canceled yet again by AMC and was nonetheless later revived by Netflix who ordered a fourth and final season.
- VerbindungenFeatured in The Wright Stuff: Folge #15.60 (2011)
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