18th July. That was the premier date of Metegol in Argentina. I was expecting this date since days, months, even since the last year. I was determined to go to watch it immediately in the premier date, I was highly anticipating it, as I'm a fan of all the works by Campanella. I watched El Secreto De Sus Ojos, Luna De Avellaneda, El Hijo De La Novia, and the TV series Vientos De Agua. This I'm writing after returning watching Metegol in the cinema.
This is truly a masterpiece that will be remembered as a classic for years and years to come!!!! It is usual from this director, as all his films have become some of the finest and most successful both in the box-office and by critics alike. Campanella has done it again. He has proved that he is made of what Oscar winners are made of. He has proved how an animated film could also be done. He is pioneering and leaving a mark in the history of films. And he is making proud his own country, Argentina.
Metegol (or Foosball, as it will be called in English-speaking countries) makes you immerse in the rich and legendary folklore of football from Argentina. Stories, tales, legends, anecdotes, songs, matches, everything is freshly caught in the screen, in the atmosphere, in the characters. The little town, the bar, the corner where the foosball laid. Everything is familiar, and everything makes you remember the times when you played and breathed those places...
Without doubt the best of the film are the characters. And specially the characters dialogs. Everything they say is a reference to famous folklore cites and famous players sayings. The film is packed with subtle references to several history episodes, like when Grosso shouts his goal to the camera, he is shouting it like Maradona did one of his in the 1994 USA World Cup. When the town major leaves the town, he leaves in a helicopter, like in 2001 did the Argentine president De La Rua (and then the 2001 Argentine crisis was unleashed). And I could continue with more and more references and trivia, but I think it will be tastier if you find them for yourself ;) The other thing of Metegol which is the best, is its animation. OH GOD, THE ANIMATION. You would think that Tangled has set the bar in animation films, with the 260 millions it has cost to be made. Metegol was made with a much lower budget, just 20 millions of dollars. But you don't realize the difference of budgets. In fact you don't realize this is not a film made by Pixar nor Dreamworks. Metegol makes the eye-candy enthusiast rejoice in the vividness of the sequences, and makes the spectators hold tight in their seats as the action-paced scenes go on. In animation academies and schools, one of the classic tests you would have is to make an animation of a ball jumping. In Metegol you see the ball jumping, bouncing around the corners, passing between legs, hitting the body parts, kicked, flying, zig-zagging, being head-butted, being stopped by a player's foot, being handled in several football tricks, and so on. This film truly will be shown in animation academies for years and years to come, pointing out what animation can do. All things considerate, 20 millions of dollars make this film the single one most expensive in the entire Argentine film history, so in a certain way in this film Campanella truly is betting high.
In a trip to Euro-Disney I ate in a restaurant in the park, which was decorated with baseball photos and American imagery. On a wall, there was a picture that said "to understand the American way of thinking, you have to understand the sport of baseball". So watching Metegol could be a nice introduction to Argentine culture, folklore and philosophy. And I will rephrase that one saying I read in a picture on a wall, "to understand the Argentine way of thinking, you have to understand the sport of football". ;)
