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7,3/10
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Füge eine Handlung in deiner Sprache hinzuA fast moving odyssey into the subterranean world of the rarely explored province of Filipino genre filmmaking.A fast moving odyssey into the subterranean world of the rarely explored province of Filipino genre filmmaking.A fast moving odyssey into the subterranean world of the rarely explored province of Filipino genre filmmaking.
Gerardo de Leon
- Self - Director
- (Archivfilmmaterial)
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This was a an absolutely brilliant documentary on the history of film making back in the 70s and 80s in the Philippines.
Why the Philippines? Because it was cheap....very cheap and pretty much no rules with what you could do.
Most of the movies made then were b grade or grindhouse made for the drive ins. Though one big budget classic was made there ..... Apocalypse Now.
This documentary was made by the same people who made Not Quite Hollywood and Electric Boogaloo -The Wild, Untold Story Of Canno Films...both of witch are brilliant documentaries as well.
Great insights from Roger Corman, Pam Grier, John Landis, Joe Dante, R. Lee Emery Sid Haig, Chris Mitchum etc.
If you love 70s, 80s B movies this documentary is a must see!!!
Why the Philippines? Because it was cheap....very cheap and pretty much no rules with what you could do.
Most of the movies made then were b grade or grindhouse made for the drive ins. Though one big budget classic was made there ..... Apocalypse Now.
This documentary was made by the same people who made Not Quite Hollywood and Electric Boogaloo -The Wild, Untold Story Of Canno Films...both of witch are brilliant documentaries as well.
Great insights from Roger Corman, Pam Grier, John Landis, Joe Dante, R. Lee Emery Sid Haig, Chris Mitchum etc.
If you love 70s, 80s B movies this documentary is a must see!!!
This film is a documentary that celebrates trash cinema--specifically, the terribly cheesy American films made in the Philippines in the 60s and early 70s. Why did they go to this country? Simple--it was dirt cheap! So, cheap film makers like Roger Corman and Eddie Romero went there to create tons of terrible films--and the filmmakers knew it was going to be bad. There was no pretense--the films featured silly monsters, women in prison and the like. And, the films had tons of action, violence and boobies. Ultimately, however, there actually was a GOOD movie made there ("Apocalypse Now") and soon after this, the industry came to a halt due to violence and revolution...and ultimately the fall of the Marcos regime.
So is all this worth seeing and celebrating? Well, it depends on you. If you occasionally LIKE to see a terrible film (such as "Black Mama, White Mama"), then you'll like seeing the documentary (that's me!). You'll relive trashy but fun films or get ideas for movies to rent (though only about half the ones mentioned in the film are available from Netflix). But, if you are sane, you'll probably just wonder why anyone would want to remember these terrible films! Overall, however, the film is worth seeing if you are the type who can appreciate it--and I sure did. Just beware...the film is violent and infused with breasts!
So is all this worth seeing and celebrating? Well, it depends on you. If you occasionally LIKE to see a terrible film (such as "Black Mama, White Mama"), then you'll like seeing the documentary (that's me!). You'll relive trashy but fun films or get ideas for movies to rent (though only about half the ones mentioned in the film are available from Netflix). But, if you are sane, you'll probably just wonder why anyone would want to remember these terrible films! Overall, however, the film is worth seeing if you are the type who can appreciate it--and I sure did. Just beware...the film is violent and infused with breasts!
Very well made, thoughtful with plenty of fun clips. Always great to hear from ever delightful insiders Jack Hill, Roger Corman, Joe Dante and Sid Haig. Not to mention the still very gorgeous Marlene Clark, Judy Brown and Celeste Yarnell! Woulda loved to see even more of the goddess Pam Grier. Nice to see Filipino artistes I only read about, like Eddie Romero and Garcia. Obviously, fans of this genre have great patience and sense of humor and the film appeals at both levels. It runs at such a fast clip; I almost wanted to slow it down to digest and savor it all.
The only downside is admittedly very subjective, that being the inclusion of John Landis. Regardless of the outcome the trial re: the Twilight Zone film: JUST GO AWAY!! It's Stomach Churning to see him laughing on camera in Any interview. WHAT?! Landis gushes on the fun of " Irresponsible Filmmakers" and actresses showing T&A....Eeeewwww. Sure, he made some great films. However, plenty of people are just as enthusiastic and knowledgeable on B-movies. Mr. Holcomb and DeoCampo contributed erudite commentary and historical perspective. Does this dude not realize that 3 FAMILIES are still affected by the Very Preventable deaths that occurred under his watch?!?. Without Landis' presence, this film is Aces!
The only downside is admittedly very subjective, that being the inclusion of John Landis. Regardless of the outcome the trial re: the Twilight Zone film: JUST GO AWAY!! It's Stomach Churning to see him laughing on camera in Any interview. WHAT?! Landis gushes on the fun of " Irresponsible Filmmakers" and actresses showing T&A....Eeeewwww. Sure, he made some great films. However, plenty of people are just as enthusiastic and knowledgeable on B-movies. Mr. Holcomb and DeoCampo contributed erudite commentary and historical perspective. Does this dude not realize that 3 FAMILIES are still affected by the Very Preventable deaths that occurred under his watch?!?. Without Landis' presence, this film is Aces!
I watched a couple of women-in-prison movies the other day. Both were made in the Philippines. This documentary goes behind the scenes to show why and how Roger Corman type films were made there. Cheap actors and lax safety rules made for an ideal situation for making low budget films.
Blood, breasts, and beasts were the staples of films like Mad Doctor of Blood Island, Beast of Blood, The Big Doll House, Women in Cages, Black mama, White Mama,The Big Bird Cage, and the classic Vampire Hookers.
We see stars like Pam Grier learning the craft in these cheap films. Part of a new wave of women as action heroes, which was new to moviegoers.
The documentary was invaluable in understanding the background of filmmaking.
Blood, breasts, and beasts were the staples of films like Mad Doctor of Blood Island, Beast of Blood, The Big Doll House, Women in Cages, Black mama, White Mama,The Big Bird Cage, and the classic Vampire Hookers.
We see stars like Pam Grier learning the craft in these cheap films. Part of a new wave of women as action heroes, which was new to moviegoers.
The documentary was invaluable in understanding the background of filmmaking.
Starting from the the 1950's war pictures and ending in 1980, this documentary covers films made in the Philippines but made for American audiences or exported to America. Bomba films are not covered as they were not exported.
Interviewed are actors, actresses, directors, producers directly involved in these films or occasionally their relatives. Director John Landis curiously appears several times but I'm not aware of any involvement he had with Filipino filmmaking.
They go thru a host of low budget films, that used the Philippines location as they explain in detail was cheap. It is those particular details plus explaining the evolving political situation that steps this documentary up a few notches. Besides the films, some directors including Cirio Santiago, Bobby Suarez & others even explaining their styles & approach to the films. This is important as they influenced American filmmakers, notably Quentin Tarantino who were fans. Even Apocalypse Now was talked about.
They really stuffed a lot of related subjects and insights into this documentary. I also liked how they sometimes edited parts of interviews together as if the next person was responding to the previous one. It does help if you know or interested in filmmaking itself as that's the main focus. As a huge film buff, I was fascinated from beginning to end.
Interviewed are actors, actresses, directors, producers directly involved in these films or occasionally their relatives. Director John Landis curiously appears several times but I'm not aware of any involvement he had with Filipino filmmaking.
They go thru a host of low budget films, that used the Philippines location as they explain in detail was cheap. It is those particular details plus explaining the evolving political situation that steps this documentary up a few notches. Besides the films, some directors including Cirio Santiago, Bobby Suarez & others even explaining their styles & approach to the films. This is important as they influenced American filmmakers, notably Quentin Tarantino who were fans. Even Apocalypse Now was talked about.
They really stuffed a lot of related subjects and insights into this documentary. I also liked how they sometimes edited parts of interviews together as if the next person was responding to the previous one. It does help if you know or interested in filmmaking itself as that's the main focus. As a huge film buff, I was fascinated from beginning to end.
Wusstest du schon
- WissenswertesAll the footage of Quentin Tarantino interviewing Cirio H. Santiago had to be cut from the final finished version of the film.
- VerbindungenFeatured in Kain's Quest: The Arena (2017)
- SoundtracksLet's Go Where the Action Is
Written and Performed by Tommy Boyce and Bobby Hart
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- 1 Std. 24 Min.(84 min)
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