Ein frustrierter Zirkusmagier aus Kansas wird in ein magisches Land namens Oz transportiert, wo er eine Prophezeiung erfüllen muss, um der König zu werden und das Land mit seinen großen (abe... Alles lesenEin frustrierter Zirkusmagier aus Kansas wird in ein magisches Land namens Oz transportiert, wo er eine Prophezeiung erfüllen muss, um der König zu werden und das Land mit seinen großen (aber gefälschten) Kräften von den Bösen Hexen zu befreien.Ein frustrierter Zirkusmagier aus Kansas wird in ein magisches Land namens Oz transportiert, wo er eine Prophezeiung erfüllen muss, um der König zu werden und das Land mit seinen großen (aber gefälschten) Kräften von den Bösen Hexen zu befreien.
- Auszeichnungen
- 6 Gewinne & 31 Nominierungen insgesamt
Abigail Spencer
- May
- (as Abigail Leigh Spencer)
Empfohlene Bewertungen
Beautiful yet vapid prequel to "The Wizard Of Oz" that is plague by not only by the numbers script but the questionable judgment of the people behind the scenes of the making of the film. The CGI effects are good and the characters created by those effects are cute but they are not strong enough to hide the films real problems. The script is so by the numbers that you can envision the twist and the ending five minutes into the film. Prequels are generally predicable because it set before the events of a prior movie but this film just did not have any originality to it and was just lazy in its set up. The script is not the only problem here; some of the casting is also off by a large margin as well. James Franco was not the first actor to be considered to play the character of Oscar Diggs but you can see a hundred better actors who could have done the role justice before you can ever think of Franco in the role and he does not disappoint in proving how miscast he is. Franco is terrible, so terrible that he is distracting to the film. He definitely does not care about his performance and it shows. Franco just swaggers in as if he is above the material and the actors around him while in reality, his performance is worse that the script of this film. Making his character so unlikable that you really do not want to watch or care about him. While Franco is in his own little world, Mila Kunis just looks lost in her performance. She is not believable as the wicked witch of the west and just comes across as lightweight compare to her sisters played by Rachel Weisz and Michelle Williams who are both much better actors than this film deserved. Weisz in particular gives the film's best performance because she at least makes an effort with the lazy script she has to work with and just has fun with it. Her character is the typical Disney villain but in Weisz's capable hands, she becomes more and that does translate on screen. You as an audience member are swept off your feet by Weisz's enthusiasm for her role and the movie becomes better off because of it. Williams does the same, making her sweet tooth character a joy to watch as well and brings a real sincerity to the role which is a god sent because of how insincere Franco is in his.
It is a beautiful movie and the CGI does not give you a headache but other those things and the efforts of Weisz and Williams, The movie has too many strikes against it thanks to the script and the miscasting of Franco and Kunis.
It is a beautiful movie and the CGI does not give you a headache but other those things and the efforts of Weisz and Williams, The movie has too many strikes against it thanks to the script and the miscasting of Franco and Kunis.
Oz the Great and Powerful is, although admittedly very imperfect, a grand, colourful and often immersive adventure.
As usual, Sam Raimi's energy shines in the action and horror, with the Dutch tilts and sudden zoom ins bringing a sense of camp and unease into the tension. The flying monkeys brought back the trauma from the original in such an overkill fashion where their terror is mostly concealed and portrayed in silhouette until around the halfway mark. James Franco as Oz was a surprisingly good fit, with him able to pull off portraying a sympathetic con-man. Although portrayed mostly through CGI, the land of Oz looks dazzling most of the time, and then there are a few times where it looks distractingly too glamorous and over-polished. Make-up and costumes are mostly on point, harkening back to the aesthetic of the original with more modern capabilities, although the same could be said with a lot of other aspects of the film.
Although the CGI is used to great effect in many ways throughout the movie, it eventually ends up feeling a bit overused, especially in the final battle between two of the witches. The story revolving around how certain characters from the original film behaved before the events of that film ranged from feeling plausible to almost downright silly. Oz as the con-man was a good connection to the deceptive yet humble wizard in the original, yet the portrayal of the wicked Witch of the West as a heartbroken, temper-tamtrum-a-minute villain with an obsessive relationship to the wizard just doesn't feel like it matches up with the purely maniacal and unhinged character from the original. Each of the romantic aspects of the movie come off as weird fan-fiction where I feel like it just doesn't work. Sometimes a few of the actors looked like their heart wasn't really in it either.
Overall, though not particularly an amazing prequel, it's a technically impressive one with a good cast, decent story and great direction.
As usual, Sam Raimi's energy shines in the action and horror, with the Dutch tilts and sudden zoom ins bringing a sense of camp and unease into the tension. The flying monkeys brought back the trauma from the original in such an overkill fashion where their terror is mostly concealed and portrayed in silhouette until around the halfway mark. James Franco as Oz was a surprisingly good fit, with him able to pull off portraying a sympathetic con-man. Although portrayed mostly through CGI, the land of Oz looks dazzling most of the time, and then there are a few times where it looks distractingly too glamorous and over-polished. Make-up and costumes are mostly on point, harkening back to the aesthetic of the original with more modern capabilities, although the same could be said with a lot of other aspects of the film.
Although the CGI is used to great effect in many ways throughout the movie, it eventually ends up feeling a bit overused, especially in the final battle between two of the witches. The story revolving around how certain characters from the original film behaved before the events of that film ranged from feeling plausible to almost downright silly. Oz as the con-man was a good connection to the deceptive yet humble wizard in the original, yet the portrayal of the wicked Witch of the West as a heartbroken, temper-tamtrum-a-minute villain with an obsessive relationship to the wizard just doesn't feel like it matches up with the purely maniacal and unhinged character from the original. Each of the romantic aspects of the movie come off as weird fan-fiction where I feel like it just doesn't work. Sometimes a few of the actors looked like their heart wasn't really in it either.
Overall, though not particularly an amazing prequel, it's a technically impressive one with a good cast, decent story and great direction.
Oz the Great and Powerful .. or maybe not so great, but still highly watchable.
Franco plays the little man behind the curtain, while Kunis, normally a favourite of mine, appears to be stuck in that tornado. Neither manage to defy gravity but the rest of the cast were pleasant, especially Weisz - even with her Emperor-like green force lightning.
It would have been a more visually stunning Oz had the effects been simplified. Conversely, the story lacked depth and with some rather clumsy dialogue (especially for Kunis), it was all perhaps a little too light and "Disney".
Doesn't quite get the ruby slipper, but maybe 3 out of 5 wands.
Franco plays the little man behind the curtain, while Kunis, normally a favourite of mine, appears to be stuck in that tornado. Neither manage to defy gravity but the rest of the cast were pleasant, especially Weisz - even with her Emperor-like green force lightning.
It would have been a more visually stunning Oz had the effects been simplified. Conversely, the story lacked depth and with some rather clumsy dialogue (especially for Kunis), it was all perhaps a little too light and "Disney".
Doesn't quite get the ruby slipper, but maybe 3 out of 5 wands.
In 1905, in Kansas, the small-time circus magician Oscar "Oz" Diggs (James Franco) is a weak, greedy, selfish and womanizer conman without character. He gives music box to the women that he seduces, and when a strong artist finds that his wife has a box in her belongings, he chases Oz through the circus. Oz flees in a balloon, but a tornado strikes his balloon and he lands on the Land of Oz.
Oscar meets the gorgeous Theodora (Mila Kunis) and she believes that he is the powerful magician from an ancient prophecy that will release her land from the Wicked Witch. Theodora tells that her sister and she are good witches, but the Wicked Witch had killed the king. Now the people are waiting for the magician to be their new king after defeating the witch. Theodora is seduced by Oz and brings him to the City of Emerald. When he sees the king's treasure, he decides to seek out the Wicked Witch and destroy her magic wand to get rid off her and become the king. Oz meets Glinda (Michelle Williams), who is supposed to be the Wicked witch, and soon he learns that Theodora's sister Evanora (Rachel Weisz) is the evil one indeed.
Meanwhile Evanora lures he sister that is jealous and uses a spell to turn her into a wicked witch. Oscar learns that he is the only hope for the inhabitants of Oz that believe that he is a powerful magician and his only chance to defeat Evanora and Theodora is using illusion since he has no magic power.
"Oz the Great and Powerful" is an entertaining fantasy movie, with beautiful special effects and great cast. The beginning in black and white turns to bright colors when Oz reaches the magic kingdom and the images are wonderful. It takes too long for the unethical lead character to redeem and become a good man. For viewers that enjoy fantasy movies, "Oz the Great and Powerful" is a highly recommended movie. My vote is seven.
Title (Brazil): "Oz: Mágico e Poderoso" ("Oz: Magic and Powerful")
Oscar meets the gorgeous Theodora (Mila Kunis) and she believes that he is the powerful magician from an ancient prophecy that will release her land from the Wicked Witch. Theodora tells that her sister and she are good witches, but the Wicked Witch had killed the king. Now the people are waiting for the magician to be their new king after defeating the witch. Theodora is seduced by Oz and brings him to the City of Emerald. When he sees the king's treasure, he decides to seek out the Wicked Witch and destroy her magic wand to get rid off her and become the king. Oz meets Glinda (Michelle Williams), who is supposed to be the Wicked witch, and soon he learns that Theodora's sister Evanora (Rachel Weisz) is the evil one indeed.
Meanwhile Evanora lures he sister that is jealous and uses a spell to turn her into a wicked witch. Oscar learns that he is the only hope for the inhabitants of Oz that believe that he is a powerful magician and his only chance to defeat Evanora and Theodora is using illusion since he has no magic power.
"Oz the Great and Powerful" is an entertaining fantasy movie, with beautiful special effects and great cast. The beginning in black and white turns to bright colors when Oz reaches the magic kingdom and the images are wonderful. It takes too long for the unethical lead character to redeem and become a good man. For viewers that enjoy fantasy movies, "Oz the Great and Powerful" is a highly recommended movie. My vote is seven.
Title (Brazil): "Oz: Mágico e Poderoso" ("Oz: Magic and Powerful")
A Fresh Take on the World of Oz - 8/10
I've often wondered why Oz the Great and Powerful receives such mixed reviews. Going into it, I understood it wasn't meant to rival the timeless charm of the 1939 classic The Wizard of Oz or the beloved Broadway phenomenon Wicked. Instead, I approached it with an open mind, and I was pleasantly surprised by how much I enjoyed this visually stunning and emotionally engaging prequel.
This film offers a fascinating origin story of how the Wizard arrived in Oz and laid the foundation for the events we know so well from the classic movie. While it may not be considered "true canon," it feels far closer to the spirit of the 1939 film than Wicked, especially with its creative use of book-inspired characters like the China Girl.
Speaking of the China Girl, she absolutely stole the show for me. Her character was not only visually remarkable but also emotionally impactful, bringing out a softer, more vulnerable side of the Wizard. Her story added depth and warmth, turning what could have been a simple CGI companion into one of the movie's standout elements.
What I loved most was the film's respectful nods to its source material. From subtle homages to the original film to clever integration of book references, there are countless details that fans of the Oz universe will appreciate. It also provides a unique take on the relationships and rivalries between the witches, offering another layer of intrigue to Oz's complex history.
If you're looking for a vibrant, imaginative return to the land of Oz, this movie is definitely worth your time. It's not a musical, aside from one brief moment that feels like a loving tribute to the 1939 classic, but it doesn't need to be. The dazzling visuals, engaging story, and well-placed Easter eggs make it a delightful experience for both new and longtime fans of Oz.
Currently streaming on Disney+, Oz the Great and Powerful is a magical adventure that deserves a second look. Give it a watch-you won't be disappointed!
I've often wondered why Oz the Great and Powerful receives such mixed reviews. Going into it, I understood it wasn't meant to rival the timeless charm of the 1939 classic The Wizard of Oz or the beloved Broadway phenomenon Wicked. Instead, I approached it with an open mind, and I was pleasantly surprised by how much I enjoyed this visually stunning and emotionally engaging prequel.
This film offers a fascinating origin story of how the Wizard arrived in Oz and laid the foundation for the events we know so well from the classic movie. While it may not be considered "true canon," it feels far closer to the spirit of the 1939 film than Wicked, especially with its creative use of book-inspired characters like the China Girl.
Speaking of the China Girl, she absolutely stole the show for me. Her character was not only visually remarkable but also emotionally impactful, bringing out a softer, more vulnerable side of the Wizard. Her story added depth and warmth, turning what could have been a simple CGI companion into one of the movie's standout elements.
What I loved most was the film's respectful nods to its source material. From subtle homages to the original film to clever integration of book references, there are countless details that fans of the Oz universe will appreciate. It also provides a unique take on the relationships and rivalries between the witches, offering another layer of intrigue to Oz's complex history.
If you're looking for a vibrant, imaginative return to the land of Oz, this movie is definitely worth your time. It's not a musical, aside from one brief moment that feels like a loving tribute to the 1939 classic, but it doesn't need to be. The dazzling visuals, engaging story, and well-placed Easter eggs make it a delightful experience for both new and longtime fans of Oz.
Currently streaming on Disney+, Oz the Great and Powerful is a magical adventure that deserves a second look. Give it a watch-you won't be disappointed!
Wusstest du schon
- WissenswertesThe Tin Man is the only one of Dorothy's three companions in Das zauberhafte Land (1939) not to be directly referenced in this film. The Tinkers are a loose reference to the Tin Man, written in for this adaptation. A Quadling also says that he can work with iron.
- PatzerWhen Oz and Theodora flee from the crash site, Theodora's boots are flat; moments later, when he boosts her into the cave, the boots have high heels.
- Crazy CreditsThe opening credits are seen in a 1930s nickelodeon, with certain credits having their own qualities:
- James Franco's credit appears in a puff of smoke
- Mila Kunis' credit appears alongside a couple dancing (whose shadow turns into that of the Wicked Witch)
- Rachel Weisz's credit is held by monkeys
- Michelle Williams' credit is contained within a bubble
- Zach Braff's credit appears with a puppet of Finley
- the make-up credits Greg Nicotero and Howard Bergman are seen with an eye mask
- VFX supervisor Scott Stokdyk's credit is seen within an optical illusion
- composer Danny Elfman's credit is seen with a trumpet
- the costume designers' credits are seen fitting clothes on an elephant
- production designer Robert Stromberg's credit is seen in China Town
- cinematographer Peter Deming's credit is seen with the projector
- the screenwriters' credit is seen within a tornado
- and director Sam Raimi's credit is seen within a crystal ball.
- Alternative VersionenThe film was also shown in 3D. Some shots displaying 3D effects are exclusive to the 3D version, being altered or removed in the 2D cut.
- VerbindungenFeatured in Fantástico: Folge vom 17. Februar 2013 (2013)
- SoundtracksAlmost Home
Performed by Mariah Carey
Written by Simone Porter, Justin Gray, Lindsey Ray, Tor Erik Hermansen (as Tor Erik Hermansen), Mikkel Storleer Eriksen (as Mikkel Eriksen), and Mariah Carey
Produced by Mariah Carey and Stargate for 45th & 3rd Music LLC
Courtesy of Island Records
Top-Auswahl
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Details
- Erscheinungsdatum
- Herkunftsland
- Offizielle Standorte
- Sprache
- Auch bekannt als
- Oz, el poderoso
- Drehorte
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 215.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 234.911.825 $
- Eröffnungswochenende in den USA und in Kanada
- 79.110.453 $
- 10. März 2013
- Weltweiter Bruttoertrag
- 493.311.825 $
- Laufzeit2 Stunden 10 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 2.39 : 1
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