Oz - Eine phantastische Welt

Return To Oz was the first horror film i ever saw, and i love it today just as much as i did when i was 5. yes, i do believe Return To Oz is a horror, but one that children should see. it is horror just as the brothers Grim are horror. it is horror because everything in the eyes of a child can be very frightening. and yes, i do believe this horror is better than The Wizard of Oz, despite what all my contempories might believe. as a kid, i could not get over the fact the Judy Garland was too old, that they would not stop singing and dancing. come on, this was my childhood, i needed a good rush, not a bunch of eye-candy and disturbing munchkin voices. little dorothy walking down a corridor of decapitated head in ornate display cases, afraid that she might wake them, that the decapitated body would come in search of her in her terrifying gothic splendor-this moment has stayed with me, has always frightened me, but i'm glad that i experienced it, it is healthy for a child to be afraid, humility is something everyone needs to embrace, and this film with its lush terror and build up to a phenomenal climax as apocolyptic as anything today still inspires me toward something the silly set pieces and hammy emotion of Wizard of Oz, cannot do. Return to Oz is a lost masterpiece, terrifying, energetic, creative, and wonderful.

The first time I saw this movie I was about 6 or 7. It really scared me, I remember having nightmares of Mombie for weeks... I also remember rewatching it week after week. Now 10 years later I've rediscovered it and it's still chilling. Not because it was meant to be a horror, but because the imagery and plot is so vivid and captivating I can't help but feel like I'm really drawn into another world. Very few movies have done that for me... this is right up there with movies like Willow, Labrynth, and The Neverending Story. If you like musicals, bright colors and munchkin's dancing around, then stay away from this one, but if you want to go on a journey of pure imagination that will leave you breathless on the edge of your seat, rediscover Oz for yourself!

To truly understand and appreciate "Return to OZ", you've got to know two things.

First off, this is NOT a follow-up to the classic MGM movie. This can't be emphasized enough. It is actually a synthesis of the first five or so sequels to the BOOK. (This isn't a dig at the movie, mind you. If you don't like it on some level or other, you can't be human. It's just that the movie was based on the book in the respect that the characters in the movie had the same names as the characters in the book.)

Secondly, L. Frank Baum's original, printed-page OZ is, quite possibly, the most messed up imaginary universe ever created. There's a land of beings who throw their own heads at you as weapons. There's a land of sentient vegetables who raise *people* in their gardens (think "Motel Hell" and you've got the idea). To top it all off, it turns out that Dorothy's buddies are really good at killing things; in particular the dear, heartless Tin Man who bloodies up his hatchet with unsettling apathy.

What I'm trying to get at here is that "Return to OZ" is an OZ movie that is much more faithful to the books. Much more "THIS is how long you have to be alive!" than "We represent the Lullaby League". I think it goes without saying that you'd be legally insane to show it to little kids, but fantasy fans, OZ enthusiasts, and fans of cult movies should hunt it down as soon as possible.

By the way, please note that the old-school herky-jerky puppets and claymation monsters in this movie are scary as all get out. Compare this to the awful remake of "the Haunting" with it's stupid cartoonish CGI creatures (and this isn't a dig at computer animation, but since the technique is inheritely realist, it's not scary). There is a lesson here.

Most of the comments on this film seem to be from people who saw this when they were little, and haven't been able to forget it. The imagery of this film lingers long after first view, and its marked stylistic and thematic differences to Wizard Of Oz have a hypnotic effect on a certain type of viewer.

In Return, the central theme is one of deep unhappiness with reality and a wish to return to fantasy, where as Wizard focuses more on the concept of "there's no place like home". I admire and am still deeply effected by this film because, in some ways, it is braver than Wizard. It isn't afraid to deal with the conflict - that the misery of a grey Kansas is very real.

It expresses a rippling dissatisfaction that seems more in keeping with Baum's original works, and is all the more satisfying for it. In particular, I enjoyed the parrallels between the real world and Oz- for what it suggests about our world- and the Nome King's conversation with Dorothy. For a children's film, there is great depth in both, and most of the film can be interpreted on several different levels. The implications of the corridor of heads alone is enough to send any first year pysch/lit student into a whole mess of garbage.

But don't be fooled. This also an excellent children's film, that deserves more attention than it got.

Be warned: this film may be found a little too frightening for the young ones. It's a shattered vision of the Land of Oz with the jovial munchkins conspicuously absent, and it opens with Dorothy in an insane asylum (!). What's surprising to me is I rented this film with the mindset that it was going to be complete trash, that a sequel to "The Wizard of Oz" was blashphemy. I stand corrected. This adaption is an effectively satisfying interpretation of the popular children's story. Child actress Fairuza Balk (now in such crap like "The Waterboy") is a very convincing Dorothy Gail, more so than Academy Award winner Judy Garland in the original. But it's the little things that keep you entertained: a severed trophy head, brought to life, quips, "If I had a stomach, I know I'd be sick!" when free-falling through the air; the evil Princess Mambi has an interesting collection on display in her palace; and the realization that the cause of Oz's decline into this dismal state may be directly attributed to Dorothy's departure in the prequel. One disappointment: Toto is left behind in favor of a talking chicken. I know, I know . . .

Grade: B