War Pony

Where the film succeeds is in this ability to make us feel on a dramatic ridge flirting with the precipice. Continuously: the resourcefulness, the negotiation, the daily quest for the right plan, for the money to find for the moment or the one after. Each individual linked to the other, By necessity or tradition. On one side, the comfort of the community, on the other its permanent violence, like two sides of the same coin. Drama can arise from every shot. Everything is survival and misery, but everything is also beauty and kindness. Anything could happen, But in the end we are left with motherly love.

"War Pony" is a cinematic masterpiece that captivates audiences with its breathtaking visuals and gritty realism. The film's beautifully filmed sequences transport viewers to a world of raw emotion and visceral action. The portrayal of characters and their struggles is nothing short of spectacular, evoking deep empathy and connection. The filmmakers' commitment to realism is evident in every frame, creating an immersive experience that lingers long after the credits roll. "War Pony" is a must-watch for anyone seeking an unforgettable journey into the heart of human resilience and the art of filmmaking.

Watched this film with no idea what it was about, other than being set on the Pine Ridge Indian Reservation. Completely blown away by the style and performances. Uncompromising, raw and compelling. If you like the series 'Reservation Dogs' then you'll enjoy this offering. The focus of the story shifts between two young male characters who are trying to get by with their daily lives. There's some alcohol consumption, smoking and dabbling with drugs, drawn from real life experience. The performances are top class and the film marks the very impressive directorial debuts of Keough and Gammell....

I tend to think of the United States as a rich country. One of the world's richest, in fact. And so do all Americans I've ever met. And I know perfectly well that large numbers of Americans are poor. But every now and then I need to be brutally reminded of just *how* poor the poorest Americans are, and how disproportionately these poorest Americans tend to be Native Americans or Black.

War Pony is exactly that kind of reminder, and it does that job beautifully. As far as I understand, the cast is entirely made up of amateur actors, who have grown up on the reservation. If that is true, their performance is very impressive indeed. Having said that, there are brief moments, where the acting comes up a bit short.

I'm very glad that I saw this film, and I happily recommend it. All privileged people will benefit from watching this movie, and all privileged Americans really ought to see it.

This starts off as quite an interesting observation of two young men growing up on the Pine Ridge reservation for the Oglala Lakota tribe in rural Dakota. It principally centres on the young "Bill" (JoJo Bapteise Whiting) who is juggling two girlfriends, two young children, and aspirations to buy and breed a rather mangy looking poodle! When he happens by a successful farmer whose car has broken down by the side of the road, he sees a way to make some extra cash. The two men click and pretty soon "Bill" is packaging turkey jerky by the bucketload! Meantime, the younger "Matho" (LaDainian Crazy Thunder) has been thrown out of his father's home after he and his pals compromised his cocaine business by adding a little epsom salts to their distribution network! Both stories see the men and their friends and families trying to get by in a community that seems to exist for the sake of it. Poodles notwithstanding, there seems little structure to their lives nor much point to anything. Opportunities are sparse and family loyalties only appear to endure when convenient. It's actually quite a depressing story that I couldn't help wonder might not have been worthy of watching at all, had it not been for the native American aspects to the production and plot. Despite that increasingly prevailing downbeat theme, there is something likeable about Whiting's characterisation of the wayward "Bill" - a man who does seem to at least want to escape the relentlessness of their existence. The ending is weak, though, and frankly really quite daft and as an whole, the film does drag a bit across the two hours of rather soporifically scored, slowly paced, drama. It's worth a watch, but it's not great.