The Chicago Code

Police procedural drama at it's best! AWESOME!!!!!! From Sean Ryan (The Shield). Ryan's penned most of the episodes himself. Highly stylized, very commercial and easily accessible. Snappy dialogue, interesting use of narration and strong performances help elevate this show to programed viewing.

I felt the need to post this review (my first on IMDb) after reading the 1/10 review posted by a former member of the Chicago Police Force. Although I echo his sentiments that this show is not an accurate depiction of life on the streets of Chicago and I can see where real police officers might take offence; this is a prime-time network COP show. Surely this show is not nearly as offencive as CSI Miami is to crime scene investigators or how Michael Bay spat in the faces of WWII vets with his shocking "Pearl Harbor" (Thank god he's been restricted to playing with his toy robots and is no longer toying around with history).

Yes! It's highly sensationalized, over the top and not in any way true to life... BUT... That doesn't mean it doesn't rock. David Simon's "The Wire" was real political commentary that strove for gritty realism. It addressed real problems and suggested real solutions. THIS IS NOT "THE WIRE". High level corruption, the Irish mob and dirty cops are mere plot devices used to raise the stakes for our idealistic heroes. It's Hollywood drama boxed into 42 minutes or less a week. It's polished TV with great production value and lush exterior photography (filmed on location, unlike the creepy CSI labs that scream POORLY LIT STUDIO SET).

TV vet. and character actor Jason Clarke rocks! He embodies and breaths life into an otherwise over the top character. Jarek Wysocki (a man of true grit) is as unforgettable a character as Vic Mackey ("The Shield"). Sean Ryan is a great writer. His strength as a writer is in fleshing out overly romanticized heroes and anti-heroes. Realism and political commentary are secondary to character development. His dialogue and banter shine. Finally a network TV show that doesn't center itself around weekly licensed music montages (CSIs/Grey's Anatomy/Smallville/House = worst offenders).

Hair, make-up and costume departments need to tone things down. Cars and clothes are too new and far to expensive for honest, incorruptible public servants. A little more grit would serve this show well. The show's off to a great start. Let's hope they can keep the ball rolling.

There have only been two episodes so far, but I love the overall direction of the story line, as well as the writing.

I spent the first 6 years of my life in Chicago, and returned many times after that until I was around 30 or so. It's now been a couple decades plus since I've been back. Nonetheless, the city is instantly recognizable here--even though it seems to be shot so far mostly on the south side, and I've spent all my time there as a kid and young adult on the north side.

Chicago has a very distinctive visual personality made from a mix of fairly unique residential architecture, back alleys and of course, the omnipresent El, threading it's way through, and connecting together, various areas of the city. That so much of every episode is shot on location really helps give this story about the mix of corrupt politics with cops + robbers an anchor in reality--even if some reviewers here consider the plot line itself a bit light on reality, or even disrespectful to the real memory of the officers with whom they themselves served.

While I can't comment on that aspect, so far I love it for what it is--a thoughtful, fun and well acted action police drama with an exciting visual style. This one should be a winner for Fox.

Ron H

Personally I love the show and was sad to read it has been cancelled. I saw the premier episode and was hooked right away on the characters. I love the tension between the Superintendent and the Alderman. It reminds of the few really good shows that have been on over the years - i.e., Hill Street Blues; NYPD Blue. A previous review stated the he thought Jennifer Beals accent was not genuine but I have seen her in an interview and she stated she was born in Chicago.

Waseki is a great character. Perhaps a problem with some people who do not appreciate the show is that they are not paying attention to the excellent one- liners that he delivers.

My wife and I are very picky about the types of shows we watch, especially when it comes to crime dramas. They are a dime a dozen.

So, I went in to last night's episode with great skepticism and my finger ready to hit a different channel at a moment's notice.

But from the very beginning, this show grabbed us. Who cares if it is not "realistic" based on some anonymous Chicago cop review? It's a fictional drama. The show is well-casted, great dialogue, and a good storyline.

I love the narration by the different characters and the unexpected ending of the initial pilot that makes you connect with the characters and anticipate the next episode.

So far, so good.

Then FOX cancel it! Why? Because it did not appeal to the younger generation? What on earth does that mean? The rest of us didn't matter?

Pretty soon, nobody will watch series, as we all know, TV companies will do what they want. None of us matter.