Der Film folgt Catherine Ravenscroft, einer Fernsehjournalistin, deren Arbeit auf der Aufdeckung von Verfehlungen lang angesehener Institutionen beruht.Der Film folgt Catherine Ravenscroft, einer Fernsehjournalistin, deren Arbeit auf der Aufdeckung von Verfehlungen lang angesehener Institutionen beruht.Der Film folgt Catherine Ravenscroft, einer Fernsehjournalistin, deren Arbeit auf der Aufdeckung von Verfehlungen lang angesehener Institutionen beruht.
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The movies starts off annoying and shaky, but it slowly builds into an intriguing story. I don't know if Alfonso has an enemy on IMDB, that accounts for the brutal and unfair 1-star ratings, but they are completely out of line. .
At first it doesn't seem like an outright mystery, more like a tragic drama. But you start to get the feeling that there is more to the story than the seemingly obvious good vs bad characters. It gets darker and more complex with each episode. To the point where I felt I had to come back here to change my original review, and add stars.
The cockroach situation is disturbing and telling.
Now for the grey cat. A minute detail, but this may be the first show I've ever seen actually depict a real cat/human relationship. How a cat is always by your side. Curious, mischievous, entertaining and tender. I really appreciate a film that doesn't caste the cat as an aloof or even as a dark presence. The grey cat in this movie has more charm than all the humans combined, and steals every scene he is in. Hope he gets an Oscar!
It's a great series and I'm all in!
At first it doesn't seem like an outright mystery, more like a tragic drama. But you start to get the feeling that there is more to the story than the seemingly obvious good vs bad characters. It gets darker and more complex with each episode. To the point where I felt I had to come back here to change my original review, and add stars.
The cockroach situation is disturbing and telling.
Now for the grey cat. A minute detail, but this may be the first show I've ever seen actually depict a real cat/human relationship. How a cat is always by your side. Curious, mischievous, entertaining and tender. I really appreciate a film that doesn't caste the cat as an aloof or even as a dark presence. The grey cat in this movie has more charm than all the humans combined, and steals every scene he is in. Hope he gets an Oscar!
It's a great series and I'm all in!
Disclaimer" on Apple TV+ is a must-watch! The lighting and cinematography work beautifully together to create an immersive atmosphere that draws you in with every scene. The acting from the entire cast is stellar-each performance is nuanced and engaging, bringing depth to the complex storylines. A visually captivating and well-acted show that keeps you hooked from start to finish!
What truly sets "Disclaimer" apart is the seamless blend of tension and emotion throughout the series. The direction allows the characters to shine in moments of vulnerability, while the carefully crafted visuals enhance the storytelling. The lighting shifts effortlessly between dramatic and subtle, adding layers to the unfolding narrative. The cinematography is a standout, capturing both intimate close-ups and sweeping, atmospheric shots that heighten the suspense. Combined with an outstanding cast that delivers raw and powerful performances, this series is a masterclass in storytelling and visual artistry. A true gem on Apple TV+.
What truly sets "Disclaimer" apart is the seamless blend of tension and emotion throughout the series. The direction allows the characters to shine in moments of vulnerability, while the carefully crafted visuals enhance the storytelling. The lighting shifts effortlessly between dramatic and subtle, adding layers to the unfolding narrative. The cinematography is a standout, capturing both intimate close-ups and sweeping, atmospheric shots that heighten the suspense. Combined with an outstanding cast that delivers raw and powerful performances, this series is a masterclass in storytelling and visual artistry. A true gem on Apple TV+.
A visual interpretation of Renee Knight's novel by the simple genius of Alfonso Cuarón, approaching the material with a pure cinematic sensibility, where after only 2 episodes the viewer is addicted to the mystery within the story structure, revealing thin layers at a time on the darkness of human behaviour with an added tinge of masochistic humor.
The brilliance of the series is in the unusual casting of going against type, starting with Sacha Baron Cohen in a dramatic role as the pompous husband. And to top it all off is Kevin Kline as the conniving former private school teacher who finds a second lease in life with his torturous game of vengeance. Whereas Blanchett fits into any role and does it with abundance, as the actors go full tilt in this artful melodrama.
The brilliance of the series is in the unusual casting of going against type, starting with Sacha Baron Cohen in a dramatic role as the pompous husband. And to top it all off is Kevin Kline as the conniving former private school teacher who finds a second lease in life with his torturous game of vengeance. Whereas Blanchett fits into any role and does it with abundance, as the actors go full tilt in this artful melodrama.
After an intriguing start Disclaimer quickly becomes a collection of plotholes and unlikely behaviour, beautifully sown together by a great director. Unfortunately. Cuarón did not only direct the series, but also wrote the scenario. After a few episodes it just becomes annoying to see so many unrealistic events and reactions unfolding.
But as you know there much be some plot twist somewhere you hang in there to the last episode, only to be confronted with not only disturbing events but also a ending that tops all previous episodes in its level of unbelievability.
In contrast, the filming is extremely good. Cuarón knows what he is doing and uses all the tricks in his book to create great looking scenes.
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But as you know there much be some plot twist somewhere you hang in there to the last episode, only to be confronted with not only disturbing events but also a ending that tops all previous episodes in its level of unbelievability.
In contrast, the filming is extremely good. Cuarón knows what he is doing and uses all the tricks in his book to create great looking scenes.
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Never read the book, so judging the series as a standalone. The series is way too long, stretched way too much. It was intriguing and mysterious for the first few episodes, but by episode five, I was like, "Oh my god, just conclude it already.". Catherine's silence/constantly being interrupt while trying to tell her side feels like just a plot mechanism to keep the story going. Clearly setting up for a "twist".
The constant, detailed sex scenes are just ew. Literally porn. I don't mind sex scenes, but if I want to watch "detailed" sex scenes that last ten minutes, my first choice for that would not be Apple TV+.
The constant, detailed sex scenes are just ew. Literally porn. I don't mind sex scenes, but if I want to watch "detailed" sex scenes that last ten minutes, my first choice for that would not be Apple TV+.
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- WissenswertesIn a 2024 interview with The Playlist, Alfonso Cuarón spoke about how the 2 lead parts were cast: "When I was writing the screenplay, I thought of Cate Blanchett. I could only see Cate while I was writing. Luckily, Cate got involved in the project very early on. I finished the script and sent it to her. She agreed to do it, and then she became my creative partner. She was part of it, involved in every creative decision we made, all the way through the end of the show, including casting. She was the one who called me once we were discussing who could play Steven. She called and said, 'I'm just walking out of a dinner, and we were laughing and talking about Ein Fisch namens Wanda (1988)' And I instantly said, 'Wait, do you mean Kevin Kline for the part?' She said, 'Yes, Kevin,' and that was how the idea of Kevin came through. So I contacted Kevin, and he was kind of a bit surprised, intrigued, and daunted, but he accepted it. Remember something: Kevin is an American actor, and he was playing a very specific British man, right?"
- PatzerIn multiple episodes, Jonathon uses the same lens throughout the series, a medium length telephoto. Such a lens would be incapable of focusing on close-in subjects such as selfies with Sasha or in the bedroom with Catherine.
- VerbindungenReferenced in kuji: Lado Kvataniya: Analysis of Mechanisms (2025)
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- Barcha tasodiflar tasodifiy emas
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- Forte dei Marmi, Lucca, Tuscany, Italien(location / exteriors - beach scenes)
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- Laufzeit49 Minuten
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