Breath of Fire

This series is extraordinarily well done and manages to avoid the usual sensationalism that is a standard feature of most documentaries about cults. In large part this is due to the interviewing style of Hayley Pappas, whose compassionate and empathic approach elicited heart-felt and deeply moving responses. There were a couple of things that might have enhanced the series. I thought the "comic relief" of the bit explaining Kundalini Yoga was a bit silly, and the use of models and dancers dressed up to look like female yogis struck me as odd and unnecessary. The producers also left out a huge piece of the Kundalini Yoga culture, which was the music. Granted, the musical sound track was quite good, but for many in the cult, the music was a large part of the appeal. Overall, however, I give the producers high marks.

I am a kundaliniyoga teacher but I had already left the Yogi Bhajan strict style of yoga around 2015-2017. Living in Sweden I was far from the toxic ashram environment but it was very informative to see the documentary. I would have liked more about Yogi Bhajan and less about Guru Jagat but I understand she was also a charasmatic leader and that for many viewers she is more interesting since she was active more recently.

I am currently foing Relgious Studies at a university in Sweden and I think it is important to know the history of some of these "cults" (cult has a specific definition within academic studies but here I refer to the more generic meaning).

I recommend the documentary.

As someone with personal experience of this cult I found the series to be very good. It's important for this information to reach people as the cult is still doing their best to rope new people in. I was fortunate enough to see through them during teacher training as the facts didn't add up a lot of the time. I know the organisation is using their standard damage control about disgruntled former employees/students as can be seen in some of the reviews here. I have seen some of the communications sent out to the teachers about what to say with regards to this series. However, the number of testimonials from survivors and the legal documents speak for themselves.

The abuses and crimes in Yogi Bhajan's Kundalini Yoga world were hidden for far too long. This documentary proves that history can repeat itself if truth-telling is not done.

Breath of Fire will make it more difficult for this group's current leaders to sweep their dark history under the Yoga Mat.

Highlights for me: the picture painted of GuruJagat's past, the revelation of the actual criminal Harijiwan (nick-named toner-bandit), and the sensitivity with which the testimony of the survivor of sexual abuse is brought.

The documentary makers did a great job on so many different levels. A big thanks to all those who contributed!

Breath of Fire takes on the daunting challenge of trying to convey the dysfunction, enabling, and vast criminality of a man named Harbhajan Singh Puri, who later re-imagined himself as Yogi Bhajan.

The focus of Breath of Fire is Katie Griggs aka Gurujagat Kaur, who was emblematic of many of Yogi Bhajan's manipulative techniques, which they both used effectively to dupe their followers. Her teacher, Harijiwan Singh is mentioned only briefly, and is another nefarious "guru" who is still leading what remains of Gurujagat's followers.

I would have preferred to hear more of the stories of the victim/survivors and far less from talking-heads who had only a peripheral knowledge of the community.

Katie Griggs mother, Nansy Steinhorn-Galloway, was especially heartbreaking to witness as she comes to terms with all that transpired.

The early followers of Yogi Bhajan, Peter Blachly and Leah Lamb-Allen were particularly compelling, painting a rich picture of the early days of the 3HO organization and what they found attractive about this new lifestyle that Yogi Bhajan was offering.

Mahani Khalsa's story was gut-wrenching to hear. So many of the children, born to the first wave of devotees, were brutally harmed. They deserve their own documentary to begin to adequately tell the world what happened to them.

At times, the use of weird, circus-like music, screaming yogis with horror music, and glib commentary, was strange and unnecessary. The stories held their own without all that nonsense.

I recommend this documentary for its truth-telling and for its exposure of the hypocrisy and grift that is rampant in "new age-well-being" spaces.

It has reached a worldwide audience, which is cause for celebration.