Eine Gruppe scheinbar gewöhnlicher Menschen aus Südlondon entwickelt unerwartet Superkräfte. Sie scheinen keine Verbindung zueinander zu haben, außer dass sie schwarz sind.Eine Gruppe scheinbar gewöhnlicher Menschen aus Südlondon entwickelt unerwartet Superkräfte. Sie scheinen keine Verbindung zueinander zu haben, außer dass sie schwarz sind.Eine Gruppe scheinbar gewöhnlicher Menschen aus Südlondon entwickelt unerwartet Superkräfte. Sie scheinen keine Verbindung zueinander zu haben, außer dass sie schwarz sind.
- 1 BAFTA Award gewonnen
- 2 Gewinne & 4 Nominierungen insgesamt
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I quite enjoyed the show overall up until the ending, but it was so frustrating how stupid the characters were. They were literal idiots which was so frustrating. Things happened because they were stupid or did stupid things. It was really frustrating to watch. Things happened because the plot needed them to happen even if it didn't make any sense. I would probably rate the series a 8-9 if it werent for the lazy writing.
Why can't people talk like normal people and communicate important things in a few seconds instead of letting interruptions get in the way?? It is fake tension and lazy writing that adds nothing to the story.
The ending wasn't suprising, but it could have been written better.
Also time travel just ruins everything. Never ends well.
Why can't people talk like normal people and communicate important things in a few seconds instead of letting interruptions get in the way?? It is fake tension and lazy writing that adds nothing to the story.
The ending wasn't suprising, but it could have been written better.
Also time travel just ruins everything. Never ends well.
This show is really impressive. It's British and set in the mileu of black Londoners of varying classes and backgrounds. The characters are varied and interesting and the performances are outstanding.
The story moves along at a steady pace without awkwardly slamming on the brakes to tell people's backstory, like so many other shows. Having the individuals discover their powers as the story unfolds keeps it interesting.
The language is almost entirely black London patois, so I'm glad I've got subtitles switched on, but I don't find this at all distracting - in fact it adds to the seeming authenticity of it.
The cinematography is concise, effective, and unobtrusive, and it avoids the shaky-cam faux-journalistic style that makes so many shows unintelligible.
The way that the main characters work together is very deftly handled and the clash of cultures and motivations is always plausible and never jarring.
The fact that it's English, and not a bunch of Californians mugging for the camera is really a fresh take. I can't stop bingeing it.
The story moves along at a steady pace without awkwardly slamming on the brakes to tell people's backstory, like so many other shows. Having the individuals discover their powers as the story unfolds keeps it interesting.
The language is almost entirely black London patois, so I'm glad I've got subtitles switched on, but I don't find this at all distracting - in fact it adds to the seeming authenticity of it.
The cinematography is concise, effective, and unobtrusive, and it avoids the shaky-cam faux-journalistic style that makes so many shows unintelligible.
The way that the main characters work together is very deftly handled and the clash of cultures and motivations is always plausible and never jarring.
The fact that it's English, and not a bunch of Californians mugging for the camera is really a fresh take. I can't stop bingeing it.
I'm not sure why there are so many low ratings, I thought this was a breath of fresh air in the superhero genre. Kind of top boy meets misfits, low key British drama with mostly black cast. I feel that the low ratings must be from Americans who expect super over the top storylines.
Supacell is a unique take and I felt it captured the reality of what would happen if south london gang members all of a sudden had superpowers- of course they'd be using them for their own selfish needs, humans generally would. I thought it was an interesting thought experiment and it was a delight to watch. I hope there'll be a second series!
Supacell is a unique take and I felt it captured the reality of what would happen if south london gang members all of a sudden had superpowers- of course they'd be using them for their own selfish needs, humans generally would. I thought it was an interesting thought experiment and it was a delight to watch. I hope there'll be a second series!
There have been a million series about superheroes and the powers of the main cast. Nothing new here. But, the overall story is unique. London is a nice spot. Showing us the different black immigrant classes is a very refreshing take - virtually everything I can think of set in London pretend they don't exist. The gangster undertones/stories are also interesting, if only to see how it differs from the US. I think the characterizations are pretty good, and the acting is excellent. All that said, this isn't a masterpiece of TV. But it is way more entertaining than the Marvel drivel of recent years.
Well, what can I say? After watching the trailer, I binged the entire first season of Rapman's Supacell in one sitting. I'm excited to do the same for season 2 and see where the story goes. It reminded me of Top Boy and Misfits but with its own unique style. If you enjoyed those series, this is definitely worth a watch. The show has intriguing characters and a compelling storyline.
If you're a film junkie like myself then you'll appreciate the time and effort that Rapman and everyone else put in to make this happen.
I enjoyed it. Not my place to say where it could have been improved. It is what it is.
Thank you.
If you're a film junkie like myself then you'll appreciate the time and effort that Rapman and everyone else put in to make this happen.
I enjoyed it. Not my place to say where it could have been improved. It is what it is.
Thank you.
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- WissenswertesThe series was announced as commissioned by Netflix in November 2021 with Mouktar Mohammed and Henrietta Lee of New Wave as executive producer and associate producer. The executive producers are Anna Ferguson and Steve Searle of Netflix with Mark Hedges as series producer. The production used a specialized ARRI 35 camera which has been designed to show Black skin in the best and most complimentary way.
- PatzerIn the final battle scene Michael begs Dionne to get in the car and drive to hospital. But he had already shown that in battle he could grab people in an instant and take them anywhere and be straight back. Considering the whole season was about saving Dionne's life it was odd he didn't just teleport her to safety then head straight back.
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