Young Adult

This is one of those films you read about and really look forward to; but, once seen, you realize that, while good, it's not quite worthy of the build up.

Charlize Theron is quite good and makes the most of the script she has to work with. As always, hers eyes, facial expression and body language all help her bring life to the role.

Patton Oswalt also does a star turn as a bit of conscience for Charlize's character.

The story is well told, albeit a bit of a stretch. For someone reaching back to her past for a lost love, Charlize's character is quite believable; it's her long ago beau, Patrick Wilson, that's not quite up to snuff. Given that these two play off each other for a great deal of the film, it would be nicer to have had a better performer opposite her.

That said, it's worth watching, though probably a bit depressing for many viewers.

Radiohead's hit 'Creep' seems to have inspired this whole movie. The main character is the definition of a creep and then there's another character that tags along with her that is a weirdo. It all makes sense now.

The best thing about this movie has to be Theron's performance. She's a great actress with obviously the most intriguing personality and makes the movie entertaining enough to not move from your seat.

However, I think the movie lacks from becoming truly interesting. The plot becomes boring and predictable after the first 20 minutes and the evolution is considerably slow.

It is far from being a great movie but thankfully it is not that long that you find yourself you can't even bear one more second of it. Instead it is quite appealing from the main's character pov and you find yourself wanting to know more about her.

'Young Adult' is the fourth feature of Jason Reitman, whose movies have always had a refreshing indie feel. When I look back to his filmography, I think they all have these protagonists who are in process of self- discovery. Over the course of events, they found the new one/lost one of themselves. 'Young Adult' also joins this culture.

Marvis Gary, played confidently by Charlize Theron, is an adult writer of 'Y.A. (Young Adult/Teen) Literature' living in a big city, far away from home for a long time. Her daily routine seems to be like all the lonely writers- writing, sleeping, eating, drinking, and then sleeping again. Course changes when she receives an invitation from her ex, Buddy, for a baby naming ceremony and then she is back, back to the memories of her 'glorious' past, as she likes to think of it. Marvis has always been a popular girl in high school, we learn that from numerous conversations. Now she is a struggling (her series is about to be canceled) writer living alone in a city and dealing with a recent divorce. It's no surprise that she wants to relive her popularity and more specifically, get his ex back. I think, because of living in this teenage world while writing literature and also having fame during here teenage, she's still stuck in that phase. She's still a 'young adult.' Which might be the reason why she still thinks that life can change the tracks and get her and Buddy back, like in the movies. We learn that Buddy is a happily married man and a father. And soon, over the course of events, Marvis also comes out of her illusion and teenage dreams and faces reality. Like I said, it ends with a self-discovery.

Reitman knows what he's doing. Like all of his other movies, he doesn't try to stuff you up with heavy emotions. Even the most melodramatic events would be presented with a light and refreshing approach in his movies. That's where his vision stands out. And Charlize Theron does a wonderful job supplementing Jason Reitman's vision.

Greetings again from the darkness. Writer Diablo Cody and Director Jason Reitman reunite for the first time since their breakout hit "Juno". In that fine film, we were treated to many optimistic and sarcastic life lessons from a very likable, and easy to cheer for, teenage girl. This time around we get the caustic, childlike self-centeredness of a mid-30's alcoholic sadly trying to recapture the magic of her high school years as the prom queen dating the coolest guy.

Ms. Cody and Mr. Reitman deserve much credit for steering clear of the Hollywood traditions of redemption, remorse, and turning over a new leaf. In fact, we probably dislike Mavis (Charlize Theron) even more as the movie ends than we did in the film's first 5 minutes, if that's even possible. It takes courage as a filmmaker to have a lead character who is disliked through the entire movie, not just by the people in her life, but also by the audience. It also takes a special actress to pull this off. If you saw Theron in her Oscar winning role in "Monster", believe me when I say that she is equally unsympathetic here ... though she does commit fewer actual crimes.

This film is erroneously marketed as a smart comedy. While there are some funny elements, it's difficult to find much humor in someone who is so unstable and narcissistic. Wisely, the script provides us with Matt (Patton Oswalt) as the voice of reason. He sees through the Mavis mask and speaks directly in his attempts to divert her from her plan. That plan is to break up the marriage of her high school sweetheart (Patrick Wilson). Oh yeah, he just happens to be happily married (Elizabeth Reaser) with a newborn baby.

The best scenes of the film are between Mavis and Matt. She is oblivious to her negative effect on others, while he shoots her straight while avoiding his own harsh reality. See, Matt was the victim of a vicious hate crime, which left his leg (and other things) mangled. His own view of life is why he can see right through Mavis and her issues. While I so admire the basis of the script, I just believe there is a missing element. The element of hope and optimism. Heck, even when Mavis admits she "might be an alcoholic", her parents shrug it off and change topics. Sometimes crying out for help just isn't enough.

The film is worth seeing for the performances of Theron and Oswalt, as well as for the unique script. Just don't get tricked into believing it's some laugh riot with a fairy tale ending. Mavis is a ghost writer for teen novels, and she writes the latest as she lives this nightmare of a trip back home. My only real question ... is she mature enough to write for teens?

Depressed upon discovering that her former high school beau is happily married with an infant daughter, a young adult fiction writer sets out to win her old boyfriend back in this dark comedy from Jason Reitman and Diablo Cody. For a film marketed as a comedy, the laughs are few and far between, but that is not necessarily a bad thing as 'Young Aduilt' challenges one to think about whether what the authoress is going through is humorous, sad, pathetic, absurd or all of the above. Given how despicable her character is (wanting to tear apart a happy marriage; constantly dismissing an injured former classmate), Charlize Theron miraculously comes off as sympathetic the whole way through. It takes some suspension of disbelief to accept that she really does think that her plan will work, but Theron is always convincing in her quiet scenes and her growing sense of longing and regret is easy to relate to. What also works quite well is how Theron realises for the first time on her quest that the popularity of her book series is truly declining. Her world seems to be coming apart at the seams, and there is also a lot to like in how she uses her quest as fuel for penning her final novel at the same time. The book series is what she has used in order to delude herself into believing that she is still young, and with it on the decline, she finally has to grow up. 'Young Adult' is really a very apt title for the film in this regard. Patton Oswalt delivers has a solid supporting turn here too, but this is Theron's film the whole way as she renders her sour character with a nefarious plan utterly human.