Beats, Rhymes & Life: The Travels of a Tribe Called Quest
Originaltitel: Beats, Rhymes & Life: The Travels of A Tribe Called Quest
IMDb-BEWERTUNG
7,6/10
4147
IHRE BEWERTUNG
Füge eine Handlung in deiner Sprache hinzuMichael Rapaport documents the inner workings and behind the scenes drama that follows this innovative and influential band to this day.Michael Rapaport documents the inner workings and behind the scenes drama that follows this innovative and influential band to this day.Michael Rapaport documents the inner workings and behind the scenes drama that follows this innovative and influential band to this day.
- Auszeichnungen
- 4 Gewinne & 5 Nominierungen insgesamt
Phife Dawg
- Self
- (as Malik Izaak Taylor aka Phife Diggy)
Adam Horovitz
- Self
- (as Ad-Rock)
Adam Yauch
- Self
- (as MCA)
Cheryl Taylor
- Self
- (as Cheryl Boyce-Taylor)
Empfohlene Bewertungen
I'm troubled that some reviewers object to the fact that this film doesn't ignore the considerable tensions that existed within A Tribe Called Quest.
This is a documentary, not a propaganda film... the backstage dynamics between the members of ATCQ over the years (both positive and negative) are highly relevant to the film, assuming that it wasn't meant as a puff piece.
If anything, Rapaport held back a bit MORE than he should have, which is part of the reason why I don't give the film an even higher rating, as I would (for example) to the brutally revealing documentary Metallica: Some Kind of Monster.
Also, anyone who watches the film and doesn't get some sense of why the group meant so much to so many of us (in its artistry and in its spirit) just wasn't paying attention.
I do hope that the DVD extras spend more time on the extended Native Tongue Family... while it certainly isn't ignored in the film, the Native Tongue Family deserves at the very least its own mini- documentary.
This is a documentary, not a propaganda film... the backstage dynamics between the members of ATCQ over the years (both positive and negative) are highly relevant to the film, assuming that it wasn't meant as a puff piece.
If anything, Rapaport held back a bit MORE than he should have, which is part of the reason why I don't give the film an even higher rating, as I would (for example) to the brutally revealing documentary Metallica: Some Kind of Monster.
Also, anyone who watches the film and doesn't get some sense of why the group meant so much to so many of us (in its artistry and in its spirit) just wasn't paying attention.
I do hope that the DVD extras spend more time on the extended Native Tongue Family... while it certainly isn't ignored in the film, the Native Tongue Family deserves at the very least its own mini- documentary.
A Tribe Called Quest is one the most enduring groups of hip hop's Golden Age. Combining jazzy loops with hard-hitting snares and fronted by two unique MCs/ personalities in Q-Tip and Phife Dawg, they banged out three classic albums in the early 90s. They were intelligent, innovative and had great chemistry. I can still vividly remember the news that they broke up: it confirmed the end of rap's heyday, not unlike The Beatles' break-up effectively ended the feel good 60s.
So yes, they deserved a 90-minute documentary. And "Beats, Rhymes and Life" delivers at this most basic level, telling us about the Tribe's travels in a very straightforward manner, which is good for (casual) fans. Michael Rapaport hits the right notes here: he cuts between classic songs, classic clips and solid - sometimes funny - anecdotes by the Jungle Brothers, Black Thought, Prince Paul, Jarobi, Dres, Common, De La Soul, Red Alert and Chris Lighty, to name a few. Q-Tip gets the most airtime, and the man has charisma to spare.
However, the story arc also aims to please non-fans and revolves around the break-up. It focuses heavily on the tensions within the group - especially between erstwhile best friends Q-Tip and Phife - and the drama that surrounds it until today. This setup helps avoid the dreaded "old men reminiscing about the good old days" effect found in many documentaries, but it still left me wondering: is this really the essence of the Tribe? We all know the group process can drive people crazy - we've seen it in a million rockumentaries. Meanwhile, the protagonists barely get to talk about the things that made them special: their creative vision, the development of their monumental sound, the risks they took.
Still, recommended for everybody, especially fans of Seaman's furniture. The music will win you over - Madlib's original soundtrack also rocks!
So yes, they deserved a 90-minute documentary. And "Beats, Rhymes and Life" delivers at this most basic level, telling us about the Tribe's travels in a very straightforward manner, which is good for (casual) fans. Michael Rapaport hits the right notes here: he cuts between classic songs, classic clips and solid - sometimes funny - anecdotes by the Jungle Brothers, Black Thought, Prince Paul, Jarobi, Dres, Common, De La Soul, Red Alert and Chris Lighty, to name a few. Q-Tip gets the most airtime, and the man has charisma to spare.
However, the story arc also aims to please non-fans and revolves around the break-up. It focuses heavily on the tensions within the group - especially between erstwhile best friends Q-Tip and Phife - and the drama that surrounds it until today. This setup helps avoid the dreaded "old men reminiscing about the good old days" effect found in many documentaries, but it still left me wondering: is this really the essence of the Tribe? We all know the group process can drive people crazy - we've seen it in a million rockumentaries. Meanwhile, the protagonists barely get to talk about the things that made them special: their creative vision, the development of their monumental sound, the risks they took.
Still, recommended for everybody, especially fans of Seaman's furniture. The music will win you over - Madlib's original soundtrack also rocks!
STAR RATING: ***** Saturday Night **** Friday Night *** Friday Morning ** Sunday Night * Monday Morning
Acclaimed director and massive ATCQ fan Michael Rapaport delves into the origins and history of A Tribe Called Quest, one of the most pioneering, influential hip hop groups to emerge since rap burst onto the mainstream with Rapper's Delight in the late 70s/early 80s. Rapaport charts how the groups evolvement started when they met up as friends, to mix beats in their spare time, and how they tried to just be simple entertainment, in contrast to some of the more inflamatory, anti-authoritarian hip hop groups that went before them (as well as explaining the origins of their odd name) before catching up with them on their 2008 reunion tour, where member Phife Dawg has made a comeback after treatment for diabetes.
There doesn't seem to be an awful lot of variety in music these days, with everything pretty interchangeable from everything else, and a lot of new stuff not having the confidence to break away from what went before it and trying to branch out on it's own. So it's a shame that a lot of this samey music does contain a strong hip hop flavour to it, since we have a film here that tries to tell the story of a group from a time when rap was coming into it's own as an art form and spreading it's wings and flying in the charts. There was a genuine, truthful message either way to it, whether they be ardent political statements or just spreading a message of chilling out and getting down.
It's clear Rapaport's a fan, and there is a genuine air of passion and depth about his subjects. But, as is clear in any group of friends, they were obviously some conflicting personalities and, while they managed to work together as a group, tensions could and did inevitably combust back stage. While neither Q-Tip, Phife Dawg, Ali Shaheed Muhammed or Jarobi White exactly gave off a Tupac Shakur vibe about them, it's clear their 'street attitude' was still there and they weren't afraid to throw the f word around liberally. Still, ATCQ were hardly a group that especially glamourized the nastier things in life, while not exactly spreading a message of peace, just distracting the youth from getting into trouble with their funky, jammy beats.
As a suburban white kid (but quite a big fan) there are some aspects of the culture groups like ATCQ represented that will probably always be anathema to me, but that's not to say it's hard to see why groups like them became as successful as they did or grew the fan base they did. ****
Acclaimed director and massive ATCQ fan Michael Rapaport delves into the origins and history of A Tribe Called Quest, one of the most pioneering, influential hip hop groups to emerge since rap burst onto the mainstream with Rapper's Delight in the late 70s/early 80s. Rapaport charts how the groups evolvement started when they met up as friends, to mix beats in their spare time, and how they tried to just be simple entertainment, in contrast to some of the more inflamatory, anti-authoritarian hip hop groups that went before them (as well as explaining the origins of their odd name) before catching up with them on their 2008 reunion tour, where member Phife Dawg has made a comeback after treatment for diabetes.
There doesn't seem to be an awful lot of variety in music these days, with everything pretty interchangeable from everything else, and a lot of new stuff not having the confidence to break away from what went before it and trying to branch out on it's own. So it's a shame that a lot of this samey music does contain a strong hip hop flavour to it, since we have a film here that tries to tell the story of a group from a time when rap was coming into it's own as an art form and spreading it's wings and flying in the charts. There was a genuine, truthful message either way to it, whether they be ardent political statements or just spreading a message of chilling out and getting down.
It's clear Rapaport's a fan, and there is a genuine air of passion and depth about his subjects. But, as is clear in any group of friends, they were obviously some conflicting personalities and, while they managed to work together as a group, tensions could and did inevitably combust back stage. While neither Q-Tip, Phife Dawg, Ali Shaheed Muhammed or Jarobi White exactly gave off a Tupac Shakur vibe about them, it's clear their 'street attitude' was still there and they weren't afraid to throw the f word around liberally. Still, ATCQ were hardly a group that especially glamourized the nastier things in life, while not exactly spreading a message of peace, just distracting the youth from getting into trouble with their funky, jammy beats.
As a suburban white kid (but quite a big fan) there are some aspects of the culture groups like ATCQ represented that will probably always be anathema to me, but that's not to say it's hard to see why groups like them became as successful as they did or grew the fan base they did. ****
I never really thought about the name of the group, but of course if you do a documentary and have such a weird band name, that will be one of the things explored. While this was to be expected, seeing so many high profile musicians giving their insight on how Quest affected them or the music landscape overall, is quite interesting to say the least.
And all that by one of the whitest Dudes/actors on this planet. Michael Rappaport created this and he really did good. I would think through the friends he has, he had quite the connections to other artists. Nicely edited, with a coherent line to follow for anyone watching. This could have been an episode of the Netflix show that explores Hip Hop, but let's just see this as an added extra
And all that by one of the whitest Dudes/actors on this planet. Michael Rappaport created this and he really did good. I would think through the friends he has, he had quite the connections to other artists. Nicely edited, with a coherent line to follow for anyone watching. This could have been an episode of the Netflix show that explores Hip Hop, but let's just see this as an added extra
10quizote
First off, a big thank you to Michael Rapaport for doing this. And he truly directed a wonderful documentary. I grew up on a tribe called quest, however, I am an African,living in Africa and those were the days before the Internet, so I really never heard any news surrounding the group. This documentary fills in all these gaps for me, finally made me understand what made ATCQ tick and such a brilliant hip-hop group. The director really did a great job balancing the views from both protagonists, Q-tip and Phife. Q-tip really comes across as a musical genius and Phife as the real funky diabetic (never understood this until watching this movie) and I had never heard Ali Shaheed speak, but I was hanging on to every word of his. I think M. Rapaport should have given Ali more time. And Jarobi, the y. Nice dude, from the documentary I'd wish, he had not left the group when he did, he fitted in just like anybody else.
Finally, the live shows were amazing. I wish I had had the opportunity to attend just one of them, anyway, if ATCQ ever come to Accra, Ghana, I'll be the first in line to buy tickets.
Great documentary, great story-telling from the director, highly recommended to any music lover out there.
Finally, the live shows were amazing. I wish I had had the opportunity to attend just one of them, anyway, if ATCQ ever come to Accra, Ghana, I'll be the first in line to buy tickets.
Great documentary, great story-telling from the director, highly recommended to any music lover out there.
Wusstest du schon
- WissenswertesBefore the end credits it's stated that the group had one more album to complete under their original recording contract. This obligation would eventually be fulfilled with their sixth and final studio album "We Got It from Here... Thank You 4 Your Service" which was released in November 2016.
- Zitate
Phife Dawg: But when it came to the black parties and the hip hop, once I saw them grab the mics and getting busy I risked my livelihood, getting kicked out of the house and everything just to be a part of it.
- VerbindungenFeatured in Ebert Presents: At the Movies: Folge #1.24 (2011)
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Details
- Erscheinungsdatum
- Herkunftsland
- Offizielle Standorte
- Sprache
- Auch bekannt als
- Beats, Rhymes & Life: The Travels of A Tribe Called Quest
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Bruttoertrag in den USA und Kanada
- 1.200.326 $
- Eröffnungswochenende in den USA und in Kanada
- 111.982 $
- 10. Juli 2011
- Weltweiter Bruttoertrag
- 1.200.326 $
- Laufzeit
- 1 Std. 37 Min.(97 min)
- Farbe
- Sound-Mix
- Seitenverhältnis
- 1.85 : 1
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