Mother, May I?

Emmett (Kyle Gallner) inherits the family home from his estranged late mother. He and his girlfriend Anya (Holland Roden) head off to the remote extensive home to prepare for a quick sale. They have an usual relationship which gets stranger when she seems to take on the personality of his mother.

The writer/director is Laurence Vannicelli. I don't know anything about him or his work. I do like the tone and the simmering tension of this movie. Most of all, I love these two actors. I want this to be great. At last, it simmers, but it never cooks. There is a way to get there, but the story takes a less compelling turn. The ending is somewhat poetic, but has no intensity. This is marginal.

I rated this film a six because it is actually far above average considering what most movies today are. However I just couldn't bring myself to give it more than that because I couldn't get into it. I understand the basic premise behind the movie and what the director wanted; I just didn't really care for it in the end. You aren't exactly completely sure what is going on throughout the film but I think that is what they were going for. Letting the viewers decide for themselves if they think their take is correct or not. It just felt a bit too tedious to me. I think the film could have done more to bring the whole thing together more coherently and then it could appeal to a wider audience because of that. Overall I'm not pleased I watched it but I can't exactly call it bad, because it's not. It's just not my cup of tea.

Mother, May I? Posits a couple who seem to psychologically tormented each other in efforts to "heal" from their dysfunctional parents and upbringing. This is played out as the male inherits his mother's house. Issues of abandonment, and abuse are explored as the "healing" is attempted.

The film takes an odd twist when the female starts acting like the late mother. This element begins a questioning of is this a supernatural possession instead of a twisted psychological game? Unfortunately, this plot point becomes lost as the interpersonal dynamics between the two main characters continues on their dysfunctional paths. Never mind what the conclusion is as it doesn't matter.

Acting is good even if the main characters are obnoxious and annoying. Production is good for a decent looking film. The overall point though is a trifling yawn.

In this movie, we follow a couple, Emmett (Kyle Gallner) and Anya (Holland Roden), as they visit Emmett's recently deceased mother's home. Soon, Anya begins to behave in a way eerily similar to Emmett's mother, who had abandoned him when he was a child, leading to a strained relationship. They originally came to the house to meet with a realtor and sell it, but with Anya's increasingly strange behavior, they now have something much more unsettling to deal with.

The premise had the potential to make for a decent movie, but the execution was dull and uninspired. The film focuses heavily on its characters, and both leads deliver solid performances. Kyle Gallner's involvement convinced me to watch this, as he is the male equivalent of a modern Scream Queen and usually chooses interesting roles. However, not even he could make this movie more engaging.

Labeled as a psychological horror, the film incorporates some psychological elements, but there is little to no actual horror. Instead, it consists mostly of dull conversations that escalate into arguments, leaving many unanswered questions. Even the final conclusion fails to captivate, making the 99-minute runtime feel like a waste. [3,8/10]

This is another one of those movies that has nothing seriously wrong with it beyond being a 100-minute movie with about 20 minutes of script, tops. Kyle Gellner is a very good actor who singlehandedly achieves some moments of real interest; Chris Mulkey is always a welcome presence, although wasted in a nondescript role. I wasn't familiar with the female lead, and she's decent enough. But the film makes her "possessed" by the male lead's dead mother (or is she really....???) too fast, too soon, and as written/played that character is a trite Mommy Dearest stereotype of haughty, controlling divahood.

There's no real plot, just a premise, and not enough psychological or directorial complexity to make the central ambiguity (is this a supernatural situation, or is the girlfriend just role-playing as part of her "therapy"?) at all interesting once we've grasped it. This is also one of those movies where you wait and wait, hoping that something will finally "happen"...and then it just ends. Pffft. Your time has been wasted, and that of the cast, though this very thin material is handled competently enough.

But should it have been handled at all? Not without extensive rewrites first. This director needs a screenwriting collaborator next time out. He's not a talented enough stylist to make something substantial out of almost nothing.