Nice Guy Johnny

I found this movie refreshing and hilarious. At first, I was put off by the amount of profanity and sexual innuendo, but all the characters grew on me. I thought it was an excellent script, filled with unexpected moments and unique characters. What's most refreshing is knowing that most of these actors were fairly new to the acting industry. I loved the English care taker. He was funny-looking and a great character to throw into the mix and to reveal a lot of secrets. Matt Bush is charming and Kerry Bishe brings a whole new meaning to natural beauty. Anna Wood is reminiscent of Juliette Lewis in one her less crazy moments, although she has her own outburst.

This film is trying to be a fantasy of innocent romance. Personally, I think the rhythm, predictable storyline, and the scenery delivers. No, I don't expect to be a perfect romance story. I expect to be a 6 to 7 out of 10 love story.

The biggest mistake is the leading male actor, he spoils the whole film. He has a strange body shape, his acting is not convincing. He looks like a little brother of Kerry Bishe, instead of a couple. Casting as a 25 years old bachelor, I expect he has a bit more maturity. As a whole, he doesn't bring the best of Kerry Bishe. However, the innocent and unusual stunning look of Kerry is best captured in this film.

I personally think this is above average of Edward Burn's films.

Johnny (Max Bush) lives in the Frisco area and has a late night job as a sports radio host. This is a position he loves. But, it doesn't pay well and there are no prospects for advancement. Therefore, he must abide by a promise he made to his overbearing fiancé. As his 25th birthday approaches, he will apply for a job in her dad's moving box manufacturing business, back in New York City. As he truly is a nice guy, Johnny believes in fidelity and keeping his promises. But, when he hits Manhattan and stops for a drink at his Uncle Terry's (Edward Burns) bar, he immediately is face to face with the opposition. Uncle Terry doesn't want him to give up his dream job, doesn't trust his fiancé and thinks his nephew is too young to marry. As Terry throws out statements trying to break Johnny's resolve, John stays true to his word. UNTIL, Terry takes him to a stay in the Hamptons, where he meets a beautiful tennis instructor (Kerry Bishee). Soon a conversation turns into a beer on the beach and so on. Will Johnny come around to his uncle's way of thinking? This intelligent, vibrant film is another winner from Burns, who acts, writes, and directs his work. Known for countless other films, like The Brothers McMullen, She's the One, Sidewalks on New York, and the great Looking for Kitty, Burns is in a class by himself. This viewer's only wish is that he continues to keep making movies until he can't stand up any more. The cast here, not well known, is great while sets, costumes, script and direction are absolutely wonderful. The only minor problem for some viewers will be the use of profanity, quite often. Nevertheless, if you can ignore this element, the movie is a great exploration of life's choices. NGJ is a more than nice, more than entertaining, and just right view for the near future.

Johnny (Matt Bush) is a nice guy, or a push-over, depending on how you see it. But he's also a pretty good character. Very handsome, sweet, and well, nice; he's a good romantic comedy hero.

It's basically a twenty-something finds himself romantic comedy. It's nothing you haven't seen before, but it is cute, funny and romantic. Matt Bush and Kerry Bishé have great chemistry and their romance is engaging.

Writer, director Edward Burns has both matured and gotten in touch with his younger self. He's no longer playing the main character in his romantic comedies, and here he has adequately written for a guy in his mid-20s. The plot and dialogue are obvious and predictable, but that's not necessarily a bad thing here. If you're looking for a twenty-something finds himself romantic comedy, then "Nice Guy Johnny" is certainly watchable.

This picture had some sweet moments. I'm actually o.k. with the lead looking so young and sounding even younger, because in real life he is the age that he was playing. That made things more interesting.

Even short, skinny, passive guys can find girlfriends. Especially if the guy is a gentleman. If the actor had been more "normal," this movie would have been more common.

The fiancée was also well cast. Not a beauty. Just a generic spoiled East Coast girl. Of course a controlling girl is going to choose a puppy dog guy.

While I am totally turned off by "free spirited" girls, I think the gal who played this did it quite efficiently. When she confessed that she had never been in love, I believed her. That was one of the poignant moments.

The reason this blonde went for this guy is because she had already been burned by the "player" type too many times. Even though he is a wimp, he's a good listener and trustworthy and that appealed to her. Plus, opposites attract. She could change him.

Having said all that, there wasn't sufficient character development. There had to be more background on how this guy became the way he is, what his parents are like, why he's wearing a cross, and why he likes sports.

Was he a frustrated athlete? We saw that he couldn't play tennis. Did he always wish he could be an alpha-dog like athletes? What did the blonde tennis girl mean about her dad wanting certain things for her? What happened with her ex in Los Angeles? Ed Burns turned in his usual almost-amoral player persona. That guy he always plays does however have a heart for those who are truly close to him. It would be easy to say that his character just wanted to have a partner in crime so he wouldn't feel guilty, but in truth, he saw that his nephew needed help.

There's also a terrific scene with an older actor who plays the lead's future father-in-law. The guy could not have made much money for this, but he gave it his all.

The photography is good, the plot predictable, and the length a bit too long, but the sweet moments redeemed this one and saved it from oblivion. T