Nach der Ermordung von Präsident John F. Kennedy kämpft sich die First Lady Jacqueline Kennedy durch Trauer und Trauma, um ihren Glauben wiederzufinden, ihren Kindern Trost bieten zu können ... Alles lesenNach der Ermordung von Präsident John F. Kennedy kämpft sich die First Lady Jacqueline Kennedy durch Trauer und Trauma, um ihren Glauben wiederzufinden, ihren Kindern Trost bieten zu können und das historische Erbe ihres Mannes zu bestimmen.Nach der Ermordung von Präsident John F. Kennedy kämpft sich die First Lady Jacqueline Kennedy durch Trauer und Trauma, um ihren Glauben wiederzufinden, ihren Kindern Trost bieten zu können und das historische Erbe ihres Mannes zu bestimmen.
- Für 3 Oscars nominiert
- 44 Gewinne & 170 Nominierungen insgesamt
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Essentially this is a film where I liked everything, but didn't love much. The only things that I absolutely loved was Natalie Portman's acting as Jackie Kennedy. She really exuded her character and became Jackie Kennedy. it was great! The other thing I loved was John Hurt as the priest which was a lovely surprise.
Overall, this was a simple film but it wasn't daring. It didn't risk take like other films would and therefore in that regard may be a bore for some.
We could make the argument that JFK didn't have much of a positive legacy, given his poor record on civil rights (upon which Johnson sought to improve) and an undeclared war on Cuba. Even so, the era was seen as the culmination of the possible. I recommend the movie.
Larraín also directed 2012's "No", about the TV campaign that led to Augusto Pinochet's defeat in the 1988 election.
It's telling in the universe of the film that Jackie herself is first obsessed with redesigning the White House in what is ostensibly a superficial act of decorating, but then is revealed to be, in reality, attempting to reflect more than the legends of past presidents but also the men who shaped them. A reminder that all legends start with a simple human being doing things only a person can do. A grandiloquent gesture of political humanity for a house full of ghosts.
There's a lot else to like here. Natalie Portman's performance does indeed capture Jackie Kennedy's persona, but also the legend of her and the real woman behind it all. Watching the real White House tour video on YouTube showed me how accurate Portman's breathy accent and meticulous demeanor really were. Beautifully composed, with notes of elegance and grotesqueness in equal measure. And a wonderful, tragic, near other-worldly score by Mica Levi.
I appreciate when I leave a film feeling as though there's still so much left to unpack and to uncover about it, meaning that I wasn't able to completely discover all of its aims and goals in one viewing. To me that's the sign of a very well thought out film, a film that will leave a lingering impact. That's exactly how I came out of this. I'm sure not everyone here will take to it, but count me as one of its fans.
Wusstest du schon
- WissenswertesAfter Natalie Portman was cast, to Pablo Larraín's wishes, he asked screenwriter Noah Oppenheim to tear out any pages of the script that didn't contain scenes with Jackie Kennedy, as he wanted this movie to be entirely about her and her experiences. The 120-page script was trimmed to one hundred pages, all containing Jackie.
- PatzerJackie has the list of funeral attendants read out to her, including "Crown Prince George" of Denmark. Denmark at the time did have a Prince George, but he wasn't Crown Prince. Rather they had a Crown Princess, the later Queen Margrethe. And the only Danish dignitary who attended the funeral was the Prime Minister, Jens Otto Krag.
- Zitate
The Priest: There comes a time in man's search for meaning when he realises that there are no answers. And when you come to the horrible and unavoidable realization, you accept it or you kill yourself. Or you simply stop searching.
- VerbindungenFeatured in WatchMojo: Top 10 Movies of 2016 Already Getting Oscar Buzz (2016)
- SoundtracksAffection No. 3
Composed by Paul Zaza (as Peter Dufferin)
Published by Parry Music
Courtesy of Latin Music Publishing, Inc.
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Details
Box Office
- Budget
- 9.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 13.960.394 $
- Eröffnungswochenende in den USA und in Kanada
- 278.715 $
- 4. Dez. 2016
- Weltweiter Bruttoertrag
- 29.778.202 $
- Laufzeit1 Stunde 40 Minuten
- Farbe
- Seitenverhältnis
- 1.66 : 1