A Horrible Way to Die - Liebe tut weh

A very mature, organic, moody, restrained, dark, character driven drama/thriller that took its time going down a tense, sometimes terrifying path. The movie was filmed in a very artistic, independent, simplistic way that connects the viewer with the characters in a personal way that makes the ordeal effective and all too real which makes the sinister acts very disturbing and chilling. The film has a very familiar theme that we've seen before as a serial killer escapes from prison and begins to kill again but to me it hasn't quite been done like this before and makes the thriller different from the norm and ends on a surprising and powerful note. The movie did have suspense in it and some bloody scenes but it's done in a less is more way making it have a classic feel but this movie is smarter than that and relied more on character depth, performances and story than anything else which it mostly succeeded on. Overall if you like your serial killer movies to have a more deeper meaning and not over the top like it was back in the day you might find something to appreciate about A Horrible Way To Die but don't expect a lot of gore, scares and action but more on mood, atmosphere and suspense and even at that it a pretty slow burn of a movie but a decent one at that. 6 out of 10

Other than knowing a brief plot outline of an escaped murderer on the hunt of his ex-girlfriend, I had no idea what I was getting into when going to see Adam Wingard's latest, A Horrible Way To Die. Just so you're aware, as far as plot goes, that is all you have to know before heading off to see this film. As for an overall visceral pleasing experience… well, as they say, beauty is in the eye of the beholder. As long as the beholder isn't epileptic or easily prone to motion sickness, that is. Both of which I am not, enabling me to absolutely love this film.

Constant shots of close-ups and not just on the actors' faces but knuckles, waists and other body parts (get your mind out of the gutter) as well as random objects around them effectively brought me into the characters' personal space with an intimacy most other mainstream films lack. Never is the camera shaky either, it's more of a purposeful fluidity, like imitating the human eye as it occasionally wanders while in conversation with another person. A good example of a film to compare the camera movement to would be Gaspar Noe's Irreversible. I don't me to drone on and on about one technical aspect of the film, but when something even the most casual moviegoers can not ignore is applied in such a non-gimicky way it's praise can not go unnoticed.

So, now that my praise for the way in which the film was shot has gone on the record I'll briefly dive into other elements of the film, mainly acting, plot and score:

Acting - The two stars of the film, Aj Bowen and Amy Seimetz, both turn in a-list performances. Can't wait to see these two make the leap into Hollywood and gain the larger attention that they both deserve. Plot – Keeping the story simple and absent of any convoluted sub-plots might be too dull for some to sit through… sucks for those people. Personally, I was ready for it to be an hour longer. Score – Nothing too extraordinary here, but it works for what it's trying to accomplish. Overall I'd say A Horrible Way To Die is a great way to spend 85 minutes

A Horrible Way to Die was in a 3 DVD movie box presented by Night Vision. I bought two of these boxes months ago, and I started the Psycho Killers box.

The name paints a totally different picture of the film than what it truly is. Most of the actually deaths in this movie don't seem that horrible when you only see some mild gore here and there. Yes, a horror movie doesn't necessarily need that much gore, but when a movie has a title like this, you're expecting that. Also A Horrible Way To Die is a very straight-forward title, but the movie is far from it. The movie is quite short yet it's very slow. It takes too long for anything to happen, which makes it seem more like a seriously boring art drama.

The "seriously boring art drama" feel was also enhanced by the way this film was shot. While it enhanced the creepy, haunting atmosphere, it also annoyed the hell out of me. That kind of shaky shots are good every once in a while, but not all through the movie. It's not easy to look at, and therefore not easy to follow. It wasn't just the visual side that was hard to follow. Of course I don't believe in chronological narrative anymore, because breaking the story with flashbacks work most of the time, but in A Horrible Way to Die it was sometimes really hard to tell when something happened. Of course this was enhanced by the cinematography, because you can't always see the characters and what they look like, and then realise when that scene took place and all that.

The writing of this film is good though. The dialogue is as amazing as it tends to be in horror movies, it's so real. The story itself is not bad, apart from the story being so slow. The good writing can be seen in little things, like amazing twist, dialogue and whatnot. The slowness itself is not a sign of bad writing in general, but when you watch a horror movie it's frustrating when everything happens at the last minute. But the story might work well as a novel.

A Horrible Way to Die is an interesting movie to say the least. While it's not actually good and I didn't enjoy watching it, it definitely stands out from the horror movies I've watched.

A difficult movie to watch could be another title. At least for some this will hold true. AJ Bowen made a name for himself with other movies and has quite a few fans, though even they (most of them at least) would agree that saying "Enjoy" this movie might be a wrong word to use. It's not the time structure or the different stories that make it difficult to watch itself nor the fact, that it still is predictable, but that it is very grim, with actually almost nobody the audience can identify with. Therefor choosing AJ to play the lead was actually a very good idea, that helps the movie a lot.

The final resolution of the movie and some of the characters is too convenient and predictable as mentioned, but if you can overlook that, you will get a thriller that knows what it wants. It is beautifully shot, though that means that it looks dirty in this case and dark. If that floats your boat, you should check the movie out. Otherwise rent with care

A guy has a kidnapped girl in his trunk. He drives out somewhere during winter and chokes her to death. A girl assists an AA meeting. Another of the attendees introduced himself to her and slowly they begin a relationship although she's traumatized and repressed. How these two stories relate we come to find out in flashbacks as this movie progresses.

Turns out that the killer is a convicted serial killer who managed to escape while being transported somewhere. He steals cars and as the manhunt intensifies and his face is plastered all over the news, he threatens people to drive him across state lines.

The couple becomes intimate and she reveals her secret to the guy. She was the serial killer's girlfriend. She called the police on him after she followed him and discovered he had rented a storage unit to keep the bodies. But there is a twist in the relationship between her and the new guy.

A Horrible Way to Die is a good title for a horror movie, except that it doesn't have anything to do with this movie. The idea comes up somewhere when the killer asks his gf how she would like to die. But that's about it. We don't see any horrible killings. There is some after-the-fact gore, but nothing special. It's a small budget movie that doesn't look or sound like it is. Wingard knows how direct and he knows hot to tell a story. And this movie looks very nice and sophisticated. Wingard has to employ a variety of tricks to overcome the main problem- the short script. So we get a lot of different and strange camera techniques that may seem out of place but that give this film its unique tone and atmosphere. We get moving but not shaky camera, out of focus, odd placement of the camera, things in the way. And almost all of it works, except for the distracting Christmas lights that the girl for some reason has everywhere in her house. The story works, even the way it's told, the surprise. The actors all do a good job, in particular Seimetz. And the film transmits the closeness and intimacy of the characters. It's just not enough- not enough horror, not enough violence, not enough gore- after all this movie involves a serial killer.