Le procès Goldman
- 2023
- 1 Std. 55 Min.
IMDb-BEWERTUNG
7,0/10
3211
IHRE BEWERTUNG
Chronik des Prozesses gegen Goldman, einen französischen Linksrevolutionär, der wegen mehrerer Raubüberfälle verurteilt und auf mysteriöse Weise ermordet wurde.Chronik des Prozesses gegen Goldman, einen französischen Linksrevolutionär, der wegen mehrerer Raubüberfälle verurteilt und auf mysteriöse Weise ermordet wurde.Chronik des Prozesses gegen Goldman, einen französischen Linksrevolutionär, der wegen mehrerer Raubüberfälle verurteilt und auf mysteriöse Weise ermordet wurde.
- Regie
- Drehbuch
- Hauptbesetzung
- Auszeichnungen
- 5 Gewinne & 16 Nominierungen insgesamt
Empfohlene Bewertungen
I am not familiar with the case of Pierre Goldman but the movie is a good legal drama where emotions and dialogue are tense and engaging including great performances, atmosphere, and direction from Cédric Kahn. Kahn approaches the movie with a blend of drama and documentary style together which helps create the realistic setting and setting of the characters and event. The camerawork of 1:33:1 aspect ratio helps create an isolated feeling for the characters and the production is pretty good, while at times a bit cheap.
All of the performances were really good with Arieh Worthalter standing out with strong emotions and dialogue throughout. As well with the rest of the performances from the cast. The narrative is interesting with interesting themes and ideas explored, but it does prevent the movie from being excellent as some of the writing and narrative choices were a bit too thin and is the typical standard structure.
Throughout, the dialogue is well-written with a few being a bit too cartoonish, there are some pretty good balanced humor, and the pacing is tense. Despite some flaws, it is a good courtroom movie.
All of the performances were really good with Arieh Worthalter standing out with strong emotions and dialogue throughout. As well with the rest of the performances from the cast. The narrative is interesting with interesting themes and ideas explored, but it does prevent the movie from being excellent as some of the writing and narrative choices were a bit too thin and is the typical standard structure.
Throughout, the dialogue is well-written with a few being a bit too cartoonish, there are some pretty good balanced humor, and the pacing is tense. Despite some flaws, it is a good courtroom movie.
The way this was filmed is outstanding. It's hard to believe, being so used to the extremely disciplined and regulated American court room experience, that a court where a man's possible fate at the guillotine is tried - amazing fact in itself, so late in history- can be so "interactive", spontaneous, anyone can express a thought for all to hear, interruptions, chaos at times, many personal lives are of interest, the accused may speak at any time, in short, a totally different and incandescent system. It is this recreation and Worthalter's mercurial and passionate performance which make this movie so unique and a must watch. I gave it one less star than I would have otherwise because of historic liberties, most of which I cannot know, but at least one I thought was objectionable: the presence of Goldman's wife at the trial.
This film takes its audience back to the 70s and the political struggles that took place in the aftermath of the 1968's revolution in France.
As a young man accused of a double murder and numerous hold-ups, Pierre Goldman is depicted as a terrorist, radicalised by his communists parents (jews from Poland who left the pogroms back in the 20's) and by the people he met "along the way" in Poland, Cuba and Venezuela. As stubborn as impulsive, he seems to hold a grudge against the whole world, the cops and the heirs of aristocracy above all.
Will this be a enough to declare this man guilty of a murder ?
Will the French society of the seventies will decide to bury the values of the revolution of 1968 with this trial ?
Is he the scapegoat that everyone was expecting to blame the 68 revolution or a dangerous murderer ?
The fantastic adaptation of this trial will give some anwers for sure on that matter.
Beyond the suspense concerning the character, this film is to me a fantastic depiction of the French society of the 70's with the opposition betweeen conservatism ( those who clearly lean right and who are represented by DeGaule's supporters very keen to defend patriarchy and old bourgeois way of life) and some revolutionary's aspirations of the lefties (inspired by French intellectuals like Simone DeBeauvoir or other communists's supporters also present in the court).
Tensions, and moral values will pull their weight in this trial . The main character interpreted by Arieh Worthalter who definitely deserves an award for his performance (he finally got the Cesar) as well as the other actors (the lawyers, the witnesses, attorneys and prosecutor) are just perfect in the way they express themselves, in the tension and the moral stake they put in the middle of the room. The whole trial looks perfectly genuine and it's highly interesting to see what was at stake morally speaking back in those days.
In Europe, the 1970's are years of rebellion, violences and massive opposition between liberalism and communism. It is this struggle of ideas that is portrayed in this film.
A fantastic adaptation and reproduction of a trial that most of us have forgotten but that could have changed France for good.
As a young man accused of a double murder and numerous hold-ups, Pierre Goldman is depicted as a terrorist, radicalised by his communists parents (jews from Poland who left the pogroms back in the 20's) and by the people he met "along the way" in Poland, Cuba and Venezuela. As stubborn as impulsive, he seems to hold a grudge against the whole world, the cops and the heirs of aristocracy above all.
Will this be a enough to declare this man guilty of a murder ?
Will the French society of the seventies will decide to bury the values of the revolution of 1968 with this trial ?
Is he the scapegoat that everyone was expecting to blame the 68 revolution or a dangerous murderer ?
The fantastic adaptation of this trial will give some anwers for sure on that matter.
Beyond the suspense concerning the character, this film is to me a fantastic depiction of the French society of the 70's with the opposition betweeen conservatism ( those who clearly lean right and who are represented by DeGaule's supporters very keen to defend patriarchy and old bourgeois way of life) and some revolutionary's aspirations of the lefties (inspired by French intellectuals like Simone DeBeauvoir or other communists's supporters also present in the court).
Tensions, and moral values will pull their weight in this trial . The main character interpreted by Arieh Worthalter who definitely deserves an award for his performance (he finally got the Cesar) as well as the other actors (the lawyers, the witnesses, attorneys and prosecutor) are just perfect in the way they express themselves, in the tension and the moral stake they put in the middle of the room. The whole trial looks perfectly genuine and it's highly interesting to see what was at stake morally speaking back in those days.
In Europe, the 1970's are years of rebellion, violences and massive opposition between liberalism and communism. It is this struggle of ideas that is portrayed in this film.
A fantastic adaptation and reproduction of a trial that most of us have forgotten but that could have changed France for good.
I saw this movie in Preview... the picture talks about the trial of Pierre Goldman, (Half-brother of the french singer Jean-Jacques Goldman) for the murder of two female pharmacists, in the 70's. This movie seems to be a little bit long, cause of the dialogues... The lead character has to defend himself against differents lawyers. Some want to condemn him the others try to free him. Arieh Worhthalter embodies this protagonist with so much passion, his performance is stunning... all the supporting characters are good too. If you like movies which take place at Court, this movie is for you, if you don't, be careful because there are a lot of talking, who can annoy you in the end. But, it still a powerful movie, well directed, well acted, etc...
From france! Arieh worthalter is pierre goldman, a man accused of several robberies and violent crimes against pharmacists in france. While in prison, he wrote a book. Later, his verdict is suspended, and referred to be retried in 1976. But goldman doesn't want to call witnesses, or friends on behalf of his character. He simply states that he is innocent. Will that be enough to exonerate him? Part of his defense is that he was a jew, trying to discover his own family history. Will that be enough? About an hour in to the re-trial, it devolves into a shouting match. The defendant just starts calling everyone racist, and the spectators start repeating it. Why they didn't clear the courtroom is beyond me. Good drama, i guess. An interesting case, for sure. We do find out the results of the trial. Very interesting to watch. For more details, please refer to wikipedia dot org. The family had specific objections to this version of the story. Directed by cédric kahn. He has won numerous film fest awards. Mostly well done.
Wusstest du schon
- WissenswertesThe movie was mostly shot on the court room set, a set created on a tennis court with a canopy, meaning the whole movie was shot in natural light. Three cameras were following the main characters at all times, in medium shots. In the final movie, close-up shots are almost non-existent.
- Zitate
Pierre Goldman: I'm innocent because I'm innocent.
- VerbindungenReferences Im tödlichen Kreis (1976)
Top-Auswahl
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Details
- Erscheinungsdatum
- Herkunftsland
- Sprache
- Auch bekannt als
- The Goldman Case
- Drehorte
- 340 Rue des Pyrénées, Paris 20, Paris, Frankreich(interiors: court room set)
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 2.600.000 € (geschätzt)
- Weltweiter Bruttoertrag
- 2.922.295 $
- Laufzeit
- 1 Std. 55 Min.(115 min)
- Farbe
- Seitenverhältnis
- 1.37 : 1
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