A Lot Like Christmas

At the first sight, it deserves a lot of critics. Not only for predactibility or for huge unrealism but for waste of good parts, especially the explanations of Scott to his sister about the need to sell the farm and the good image of the clash between paseism and pragmatic present.

But the film is saved, in some measure, off course, by same , so familiar "firefighters"- Frances Flanagan,Dolores Drake and Christopher Rusell , the last in same armor of the kind guy from big city with precise mission but , in same measure, with so many virtues, making him new version of Prince Charming ( his look helps in significant measure ).

So, what you expect, step by step. And nothing more else.

6.2 stars.

Clay, a regional marketing director of a garden supply store (sorta like Home Depot or Lowe's supply center) is sent to utilize his skills in Hudson Springs, a town that doesn't necessarily respond to that sort of big business. The town is full of people who enjoy small town ideals and good old fashioned Christmas spirit. Jessica and her brother run the Roberts Farm, a Christmas tree farm in this town and they are now dealing with this rival big store that competes with their sales of trees, plants, and gardening supplies. Jessica likes Clay but is unaware he represents the superstore. He does his best to be cryptic and keep that information from her, because they are attracted to each other, and he knows it will ruin their chances at something more. When the truth is revealed it's a very big explosion of anger and seething disdain.

Her hatred for him is laughable if I'm being honest. I don't think this is a realistic response and do people do this in the real world? The whole first half of the film is the two of them barely getting acquainted and the second half comprises the war she wages on him and his company. The last two minutes is nice, otherwise this is a bland movie with a very limited plot. I had a difficult time getting through this movie and it didn't feel 'A Lot Like Christmas'. The title, is clever. They own a Christmas tree lot, ha ha. They wasted some good actors, cinematography, and music on a dead end plot.

Tidbit of trivia: the Roberts farm has an old red pickup truck used in another movie by the same actor, but in the other movie it was his delivery truck for his bakery business. About every 5 Hallmark movies, I see a house, building, street, vehicle, costume, or other object that is reused. I suppose Hallmark could do worse.

I thought this was going to be yet another big-bad-executive-comes-to-the-small-town-to-ruin -it holiday movie. But in A Lot Like Christmas, the Big Bad executive is Clay Moore, who is one of those guys who everybody likes. He comes into town from Manhattan looking for a Starbucks. He asks these two elderly men that are sitting on a bench and they tell him that of course there is no Starbucks in that small little town, but there is a local diner. After getting the directions, Clay asked them if they wanted anything. They give him a big order which Clay remembers! Clay is just a nice guy who can talk to anybody about anything, buys random strangers breakfast, and helps older women with their groceries, etc ect etc

There were so many cool things about this movie. I loved the fake falling snow. The mayor was an African American woman. There was thankfully just two small town traditions. Too many can ruin a movie.

Jessica and Clay meet when she hits him with a tree she is cutting down on her family's farm. Oh and one of the things I look for in all of these Hallmarkish romances is a dance scene btw hero and heroine. After Jessica declares Clay her enemy, they have this we're-not-dancing-together dance to Jingle Bells, which was sooooo cute!!!!

And did I mention how much I loved Clay--with his lilac shirts and purple suits!

Christopher Russell plays against his usual type as a big city corporate big wig. He usually plays rugged back to nature types. He has come to Maggie Lawson's small town to open a big box store, which threatens to put the local Mom and Pops out of business. Most especially Maggie's Christmas Tree lot. They meet and are immediately attracted to each other without knowing whom the other is. Disaster looms.

Christopher Russell is excellent in this: funny and sincere. Maggie was OK, although her character comes across as trying too hard with the hot new man in town. But really, who can blame her? He is gorgeous and nice. If not handled well however, this enthusiasm can come across as desperation. Unfortunately the story was dull with nothing on the horizon that could remotely be of interest. When she learns his true identity, she turns on him and will do anything to beat him at his own game. She commences to cut off her nose to spite her face. Christopher remains good-hearted and easygoing, which makes her antics all the more unattractive. When her little brother explains to this genius that she has bankrupted the business with all of her expenses outstripping their sales, it finally comes the inevitable sad end. Did she just blame Christopher for her own stupidity?

But wait! Thanks to her sudden inspiration of turning her farm into an event venue, the farm is miraculously saved. Like the next day. When very clueless (but still lovable) Christopher learns that the corporation he works for is based on lies, he decides the small town life is more his speed, and the romance is saved as well.

Should you look for originality, you may take a negative view of this film. Big business crushing "mom and pop" enterprises, business competitors attracted to one another are themes that abound in shows. This time, though, they are developed with the appropriate tones. Love and hate situations, resentments among friends, hopes and dismays are rendered soberly, therefore credibly. Maggie Lawson and Christopher Russell are a good match and make their story appealing. Good will and kindness prevail, as expected in a Christmas movie. The result is not a home run, but a solid Holiday movie, one that it may be worth watching. GAC seems to have found the thread lost by Hallmark in many of its recent productions.