Die Kanabis-Züchter Ben und Chon stehen dem mexikanischen Drogenkartell gegenüber, das ihre gemeinsame Freundin entführt hat.Die Kanabis-Züchter Ben und Chon stehen dem mexikanischen Drogenkartell gegenüber, das ihre gemeinsame Freundin entführt hat.Die Kanabis-Züchter Ben und Chon stehen dem mexikanischen Drogenkartell gegenüber, das ihre gemeinsame Freundin entführt hat.
- Auszeichnungen
- 7 Nominierungen insgesamt
Aaron Taylor-Johnson
- Ben
- (as Aaron Johnson)
Nana Ghana
- Bicycle Delivery Girl
- (as Nana Agyapong)
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There are many bad things about this movie, but let's list the good things first. The plot makes sense, kind of. It's nicely shot, and the beach looked pretty. And... I guess John Travolta looked as though he was having fun? Which is more than I could say for the poor buggers who had to sit through this mess.
Your two leads, ladies and gentlemen, are Aaron Johnson, last seen being upstaged by a preteen girl, and Taylor Kitsch, who Hollywood keeps casting as the lead in blockbusters which then tank spectacularly at the box office. You know why that is, Hollywood? It's because Taylor Kitsch has no charisma. None. The furniture was more interesting than he was, and had more emotional range. Even he's better than Johnson, a black hole of tedium from which nothing interesting can escape. These are two of the blandest leads I've ever seen, and I've seen movies that starred rappers.
But dear God in heaven, they are much, much better than Blake Lively. I haven't seen much else of her acting, so I can only think she can do much better than this. But here she's playing a 30-year-old ingénue, a woman-child who knows Shakespeare but doesn't know what 'savages' means. She's meant to be sexy and alluring, but she comes across as so boundlessly stupid that no man could seriously find her attractive. I don't think that's her fault, but the no-nudity clause that made the sex scenes in this movie so absurd? Yeah, that was her fault.
Even that isn't the worst. There's still... that voice-over. The narration that infests this whole movie, but especially the early scenes, is some of the worst writing I've ever heard. 'I had orgasms, he had wargasms' is a phrase that will live with me until I die. And now, even if you haven't seen the movie, it'll haunt your nightmares, too. You're welcome.
Your two leads, ladies and gentlemen, are Aaron Johnson, last seen being upstaged by a preteen girl, and Taylor Kitsch, who Hollywood keeps casting as the lead in blockbusters which then tank spectacularly at the box office. You know why that is, Hollywood? It's because Taylor Kitsch has no charisma. None. The furniture was more interesting than he was, and had more emotional range. Even he's better than Johnson, a black hole of tedium from which nothing interesting can escape. These are two of the blandest leads I've ever seen, and I've seen movies that starred rappers.
But dear God in heaven, they are much, much better than Blake Lively. I haven't seen much else of her acting, so I can only think she can do much better than this. But here she's playing a 30-year-old ingénue, a woman-child who knows Shakespeare but doesn't know what 'savages' means. She's meant to be sexy and alluring, but she comes across as so boundlessly stupid that no man could seriously find her attractive. I don't think that's her fault, but the no-nudity clause that made the sex scenes in this movie so absurd? Yeah, that was her fault.
Even that isn't the worst. There's still... that voice-over. The narration that infests this whole movie, but especially the early scenes, is some of the worst writing I've ever heard. 'I had orgasms, he had wargasms' is a phrase that will live with me until I die. And now, even if you haven't seen the movie, it'll haunt your nightmares, too. You're welcome.
If I was asked for one word to sum up this film it would be - Naïve.
Every character in this movie is clueless as to how the rest of the world operates and seems to live in their own eternal bliss of their microcosmic world. This in itself made the film very hard to relate to.
I have been an Oliver Stone fan for years, holding out hope that Natural Born Killers will someday be recognized for the art it is, however, this film was his "popcorn flick," and left me sorely disappointed. Acting was sub-par (even del Toro seemed to phone in some scenes and I have the utmost respect for his ability), the direction was sporadic and jumped from bubblegum to blitzkrieg in a matter of frames.
Save your precious two hours and watch Sicario or Traffik or The Adventures of My Little Pony in Juarez.
Every character in this movie is clueless as to how the rest of the world operates and seems to live in their own eternal bliss of their microcosmic world. This in itself made the film very hard to relate to.
I have been an Oliver Stone fan for years, holding out hope that Natural Born Killers will someday be recognized for the art it is, however, this film was his "popcorn flick," and left me sorely disappointed. Acting was sub-par (even del Toro seemed to phone in some scenes and I have the utmost respect for his ability), the direction was sporadic and jumped from bubblegum to blitzkrieg in a matter of frames.
Save your precious two hours and watch Sicario or Traffik or The Adventures of My Little Pony in Juarez.
I got a kick out of reading the popular Hated It reviews about Savages. It's all very funny. It's the same with some other films that Oliver Stone made in recent years. But is Savages really that bad? In my opinion it's not that bad. It's a fine film actually. But its flaws can be irritating. When I began watching the film I wondered if I turned on a dirty movie. But no. That was just Chon (Taylor Kitsch) and Ophelia (Blake Lively) having their special time. Maybe it's not that special because later Ophelia has the same time with Ben (Aaron Taylor-Johnson). I hope Stone included these scenes just to show that these three are very close. Fine. A little later though viewers are treated to what passes as a commercial promoting the use of marijuana. Fine. The three lead actors show little range throughout the film. But I didn't think that this was a problem because it keeps the film entertaining instead of too dramatic. It's entertaining but it's not easy to watch sometimes. It's a simplified, glossy, watered-down and often violent representation of the War on Drugs and Mexican drug dealing. The Mexican Drug War is still ongoing and several dozen thousand people have been killed because of it. For anyone who doesn't know I'll mention that the war is just a result of America's economic policies. So-called free trade drove millions of Mexicans out of work and into poverty and crime. On the other side of the world, in Afghanistan, the Americans and the British have deliberately increased opium production for export to neighboring countries, especially to Russia. Genocide as a result of drug use and drug trafficking is an old British trick that goes back centuries. It's an interesting topic but I don't pay much attention to it. Savages is kind of a peek inside, though it doesn't get into the seriousness of the issue. Even if Kitsch, Johnson, and Lively aren't sympathetic leads the film still has memorable performances from Salma Hayek, Benicio del Toro and John Travolta. The screenplay by Shane Salerno, Don Winslow and Stone can be considered a cheat. It doesn't just raise a question mark at the very beginning of the film, which I didn't like. It also tarnishes the ending. I would have just preferred the upbeat version without the downbeat version. But, like I mentioned, it's an entertaining film that does have something to say. Its running time is a little over two hours, however the time goes by fast. For me Savages turned out to be an engaging film. Dan Mindel's appealing cinematography is a benefit too. I didn't think that I'd like it when I saw the trailer, but it's a well-directed crime thriller. I recommend it.
Chon (Taylor Kitsch) and Ben (Aaron Taylor-Johnson) coexist in a drug filled love triangle with O (Blake Lively). They become successful high grade weed dealers north of the border. Their lives get complicated when the Mexican Baja Cartel leader Elena (Salma Hayek) muscles in on their business.
Oliver Stone is putting all his skills into making a flashy crime action. But it just seem more flash than substance. Mind you, I appreciate the flash. There isn't anything original to the story. Certainly Oliver Stone has done better. Yep, there is definitely better Oliver Stone works out there.
Oliver Stone is putting all his skills into making a flashy crime action. But it just seem more flash than substance. Mind you, I appreciate the flash. There isn't anything original to the story. Certainly Oliver Stone has done better. Yep, there is definitely better Oliver Stone works out there.
Reading the reviews i'm not sure why people were expecting this movie to be like an Oscar winner or something? Going in I wasn't expecting it to be an Oscar winner, if you were expecting this movie to be about a Mexican cartel and not have violence in it then you know zero about Mexican cartels and that is an understatement.
Funny thing was i was expecting this movie not to portray Mexican cartels in their real light, but after watching the movie, yup they are as ruthless as the movie portrays and glad Hollywood portrayed them like that instead of sugar coating the threat they pose to the world.
If you are looking for a violent action movie based on an American drug ring vs a Mexican cartel well you probably have one of the better movies when it comes to that. If you are looking for gone with the wind, sound of the music or something like that best look else where. Me, I highly enjoyed the movie, it delivered better than i thought it was going to deliver. People will complain about the violence but again this is about a Mexican cartel, not the boy scouts. There is nothing i hate more than a movie that isn't true to it's roots, but this movie stays true to what Mexican cartels are all about when it comes to business.
Funny thing was i was expecting this movie not to portray Mexican cartels in their real light, but after watching the movie, yup they are as ruthless as the movie portrays and glad Hollywood portrayed them like that instead of sugar coating the threat they pose to the world.
If you are looking for a violent action movie based on an American drug ring vs a Mexican cartel well you probably have one of the better movies when it comes to that. If you are looking for gone with the wind, sound of the music or something like that best look else where. Me, I highly enjoyed the movie, it delivered better than i thought it was going to deliver. People will complain about the violence but again this is about a Mexican cartel, not the boy scouts. There is nothing i hate more than a movie that isn't true to it's roots, but this movie stays true to what Mexican cartels are all about when it comes to business.
Wusstest du schon
- WissenswertesChon cutting a guard's artery with a knife while asking for the time was one of the tactics told to Taylor Kitsch by his real life SEAL technical advisor.
- PatzerAfter Chon stabs Dennis' hand, the scar appliance on Chon's right neck has torn away from his skin.
- Alternative VersionenThe Region 1 and Region A Blu-ray have a extended edition of the film.
- VerbindungenFeatured in The Tonight Show with Jay Leno: Folge #20.161 (2012)
- SoundtracksGo Hawaii
Written by Erik Paul Kowalski/Casino Versus Japan
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Details
- Erscheinungsdatum
- Herkunftsland
- Offizieller Standort
- Sprachen
- Auch bekannt als
- Savages - Im Auge des Kartells
- Drehorte
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 45.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 47.382.068 $
- Eröffnungswochenende in den USA und in Kanada
- 16.016.910 $
- 8. Juli 2012
- Weltweiter Bruttoertrag
- 82.966.152 $
- Laufzeit
- 2 Std. 11 Min.(131 min)
- Farbe
- Sound-Mix
- Seitenverhältnis
- 2.39 : 1
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