Das Leben von Drogenschmuggler Julian, der in Bangkoks krimineller Unterwelt aufblüht, wird noch komplizierter, als seine Mutter ihn zwingt, denjenigen zu finden und zu töten, der für den kü... Alles lesenDas Leben von Drogenschmuggler Julian, der in Bangkoks krimineller Unterwelt aufblüht, wird noch komplizierter, als seine Mutter ihn zwingt, denjenigen zu finden und zu töten, der für den kürzlichen Tod seines Bruders verantwortlich ist.Das Leben von Drogenschmuggler Julian, der in Bangkoks krimineller Unterwelt aufblüht, wird noch komplizierter, als seine Mutter ihn zwingt, denjenigen zu finden und zu töten, der für den kürzlichen Tod seines Bruders verantwortlich ist.
- Regie
- Drehbuch
- Hauptbesetzung
- Auszeichnungen
- 14 Gewinne & 20 Nominierungen insgesamt
Kowit Wattanakul
- Choi Yan Lee
- (as Kovit Wattanakul)
Empfohlene Bewertungen
There isn't a lot of dialog because there isn't much of a plot. What there is, is at best, clumsy and predictable. I am not sure that it was even that believable.
There is however lots of silence, dark brooding nothingness, Thai Karaoke, lots of blood and questionable sexual relations of one sort or another. Perhaps these elements were supposed to fill the void. However it was not enough.
Great performances from all the cast but even they couldn't save it. At times Ryan Gosling just looked lost and bewildered and I don't think he was acting. I found it annoying and pretentious.
There is however lots of silence, dark brooding nothingness, Thai Karaoke, lots of blood and questionable sexual relations of one sort or another. Perhaps these elements were supposed to fill the void. However it was not enough.
Great performances from all the cast but even they couldn't save it. At times Ryan Gosling just looked lost and bewildered and I don't think he was acting. I found it annoying and pretentious.
First motif to see this film is the beautiful trip across various references. It is a majestic film about mother - son relation, about justice, revenge options and equilibrium. It is not an easy or comfortable movie. But it has a precious virtue - the details. Everything becomes a story itself. No doubts, not very comfortable but fascinating at whole. Because, in essence, it is a precise and profound inspired exploration of the themes and cinematography of the thrillers of the last decades. The Asian sensibility is the basic ingredient. So, just a beautiful work. ,
An absolute masterpiece. My favorite movie of all time.
Probably only in 30 years will the world fully appreciate it and recognize how far ahead in time it was.
I was expecting something more shocking. Don't get me wrong. This is violent and misogyny at it worst. But we've seen it all before. Especially the worldly movie reviewers that are so eager to give it a zero. If anything, it's the minimalist acting that's unique here. And not just the limited dialog but it's the movement. They don't even move that much.
The minimalist acting, the over saturation of color red, the grotesque violence, the misogyny, all of it adds to a unique feel unlike anything I've seen before. Even with all its oddness, it was compelling and mesmerizing. This is like nothing I've ever seen before and that's worth something to me.
The minimalist acting, the over saturation of color red, the grotesque violence, the misogyny, all of it adds to a unique feel unlike anything I've seen before. Even with all its oddness, it was compelling and mesmerizing. This is like nothing I've ever seen before and that's worth something to me.
This film is worth watching, it is very gripping and suspenseful. There isn't much dialouge at all, it is mostly just atmospheric. The plot is relatively simple, a chain of people killing others who are then linked to someone else. The ending is left open to your imagination too. There are some really gruesome scenes in this movie but this sort of thing was needed to keep the viewer gripped on the way the story was unfolding. Ryan Gosling was a very mysterious character again (as in Drive) and he portrayed this very well. The supporting cast were also good.
Overall I found this film to be quite good, was a relatively short film but I didn't feel it was 'dragging' like some said. I preferred 'Drive' but this one is still worth a watch.
7/10
Overall I found this film to be quite good, was a relatively short film but I didn't feel it was 'dragging' like some said. I preferred 'Drive' but this one is still worth a watch.
7/10
Wusstest du schon
- WissenswertesJulian (Ryan Gosling) only speaks seventeen lines throughout this movie.
- PatzerWhen Julian fought Chang, Chang kicked Julian in the left leg several times leaving Julian unable to walk normally, but later on Julian is seen stumbling on his right leg rather than the left.
- VerbindungenFeatured in Showreel: We've Got Keanu Reeves (2013)
- SoundtracksJai-Orn
("Falling in Love")
Lyric/Melody by Kanokwan Kung-noi
Performed by Fon Thanasuntornas (first recorded in the album titled "Jai-Orn , released in B.E.2543)
Top-Auswahl
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Details
- Erscheinungsdatum
- Herkunftsländer
- Sprachen
- Auch bekannt als
- Sólo Dios perdona
- Drehorte
- Emporium Suites - 622 Sukhumvit Road, Khlong Toei, Bangkok, Thailand(Crystal's hotel)
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 4.800.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 779.188 $
- Eröffnungswochenende in den USA und in Kanada
- 313.958 $
- 21. Juli 2013
- Weltweiter Bruttoertrag
- 10.658.332 $
- Laufzeit
- 1 Std. 30 Min.(90 min)
- Farbe
- Sound-Mix
- Seitenverhältnis
- 1.85 : 1
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