2 Tage New York

Marion (Delpy) is a new mom, but has broken up with Jack (2 Days in Paris). She leans heavily on co-worker Mingus (Chris Rock). Eventually they get together, but her dysfunctional family is coming....

This is Julie Delpy's sequel to her '2 Days in Paris'. The family is still the oversexed, inappropriate mess from the last film. Chris Rock is a little more put together than Jack, and basically plays the straight man in this. The same thing happens in both films. So it's inevitable that this feels less original. That is until we get to the soul.

The soul scene with Vincent Gallo is hilarious. I wish that Julie Delpy had pushed it more by showing the physicality. However, I think Chris Rock struck the wrong tone in the scene right after Vincent Gallo. It was time to push the comedy, but he kept it playing straight. Nevertheless, Julie Delpy was way out there and it was fun to see. This film is charming and funny. There is a bit of Woody Allen in this.

A good idea before watching a film sequel would be to check out the original, imagine watching Return of The Jedi without knowing that Darth Vader was Luke Skywalker's father (apologies if I've spoiled that for anybody). Well, I agreed to watch 2 Days in New York today without any idea that it was the follow-up to 2 Days In Paris, a French film about relationships, I found out. Horrified that I had been tricked into watching (what i assumed was) a Romance film, I was expecting the worst, but this was actually quite funny, not as funny as The Dictator, but certainly not a romance, more of a drama about mad families.

Chris Rock plays Mingus and Julie Delpy plays Marion, a couple in their late 30s who both have kids from previous relationships. They're a classic middle-class couple, living in a nice New York apartment and both with good jobs. However, Marion's family from France quickly arrives to visit her, and all sorts of madness ensues, from the younger sister who is constantly craving sex (with anyone), to the sister's boyfriend, who brings drug dealers back to the apartment. The film is like a sophisticated version of Meet The Parents, and without a doubt the only time I've seen Chris Rock in a serious role, playing a responsible guardian in the film rather than the comedian we all know and love, but it works. The film doesn't directly follow on from the original, (or so my friends told me, they could have just been lying), so you can watch it as a stand-alone film, I certainly enjoyed it. Surprisingly good.

7/10

I discovered Julie Delpy in the "Before..." trilogy and was thrilled to see she's written, directed and acted in these two "2 Days..." films. Seeing "2 Days In Paris" shortly before viewing this movie was helpful because there's so much that carries over from that original to this sequel.

Everything about this movie appeals to me. The entertaining mix of farcical humor (low art) and metaphysical inquiry (high art) is reminiscent of Woody Allen's best work. And the quality of the writing is high. The dialogue Julie crafts sounds authentic and makes the characters credible.

Also charming is her choice of cast-members. I'm a big fan of Daniel Brühl from his superb work in "Rush" (and "Inglourious Basterds"), so seeing him in cameos in these two films is a delight. And adding the infamous artist who plays the purchaser of Julie's character's soul is inspired. I leapt with joy at seeing that surprise.

Independent film exists for personal, well-crafted art and Julie Delpy is supplying us with some nice work. I'll follow her future efforts without exception.

Coming from someone who enjoyed "2 Days in Paris" but was annoyed by the forever cynical and far too whiny Adam Goldberg, "2 Days in New York" is an altogether better rehashing of its predecessor from writer/director Julie Delpy (but this time in New York and with Chris Rock). Starring Delpy, once again as the main character Marion, "2 Days in New York" also sees the same actors reprising their roles, including Alexia Landeau as Rose, the antagonistic sister and Alexandre Nahon as Manu, the horned-up ex-boyfriend (and in this film, Rose's current boyfriend). Delpy, the woman obsessed with exploring finite segments of relationships, has written and directed a film which is visually nowhere near excellent, but does contain an abundance of very witty dialogue that rivals the likes of Woody Allen…if Woody Allen was a neurotic French woman. Let me put it this way; only in a Julie Delpy movie could one hear a "Waiting For Godot" joke followed by a Salt-n-Pepa joke.

The Plot: The very beginning of "2 Days in New York" neatly ties up all loose ends from the previous Jack and Marion relationship and quickly delves into the story of Marion and her new African American (you've hooked me already) boyfriend Mingus (I know, what an unfortunate name) played by Chris Rock. Their relationship is described to be something of a fairytale (but not quite a Disney fairytale, because they are in an interracial relationship). But when Marion's very French family comes to visit, a series of catastrophically comical Woody Allen-esque happenstances ensue, which could result in a breakup; and more astoundingly yet another failed relationship for Marion.

While the chemistry between Rock and Delpy is very convincing here, Delpy's writing is still the driving force which allows this story to work so well. And the reason the writing works so well is, like a great piece of stand-up comedy, Delpy has created a film centered around a series of culturally comical skits dealing with the French/American interactions, or cultural relations. But more impressive (and maybe more importantly) this female Woody Allen has created a venue for Chris Rock to find a happy-medium between his weak dramatic abilities and his strong comedic skills.

Chris Rock as an Actor: I've never thought much of Rock (maybe the funniest comedian alive) as an actor. And who would blame me with a filmography which includes "Grown Ups", "Head of State" and "Osmosis Jones". But, with that said, a movie like "2 Days in New York" sees a type of role Chris Rock should be striving to get. The Mingus character is one that while conducive to a scene or two of Rock's babbling stand-up bit, is accentuated by loads of very subtle adult comedy and some very low key romantic moments, that which showcases Rock's acting potential in a non-slapstick fashion.

Final Thought: Even though, for some people, this entire film may feel like a retelling of its predecessor, only with the characters being a little bit older and the addition of Rock, the "2 Day" premise (as a whole) is still a very strong one that hasn't gotten old yet. In my opinion, even if all of the jokes are based on the familiar lost in translation sequences, Delpy's joke writing is so strong that through her films audiences can see the blueprints of what a good culture clash romantic comedy is suppose to look like. Long story short, if you are trying to decide between going to see "2 Days in New York" or "To Rome with Love", I'll put it to you this way: interracial relationships all the way.

Written by Markus Robinson, Edited by Nicole I. Ashland Follow me on Twitter @moviesmarkus

A follow-up to Julie Delpy's first directorial effort, "Two Days in Paris," that's quite a bit more entertaining, IMHO, than the original. The premise—JD and Chris Rock are Marion and Mingus, Downtown culture workers with two slightly troubled, adorable kids—doesn't quite fulfill its promise but fans of Richard Linklater's "Before" films might want to take a chance.

The main storyline chugs along pretty nicely: the couple endures a brief visit from her elderly flowerchild father ("he says that showers deplete the immune system"), tactlesss sister and sister's doltish boyfriend. Parallel plots involving a gallery opening (she's some sort of conceptual art photog) and a colossal Lucy-style whopper she tells a neighbor to get out of a minor scrape are a little draggy, though a couple of these filler scenes have a modest payoff later on. Delpy plays pretty much the same talky, frazzled, excitable character she does in the "Before" films; Chris Rock seems a little colorless (as it were), as if he's trying too hard to escape from his standup persona (the scenes where he soliloquizes to a cardboard-cutout Obama didn't do much for me).

Delpy's been accused of being a self-hating Frenchy, but I think the point is that people tend to behave as if the stuff they do in a foreign country doesn't really go on their permanent record—Sis swans around in a T-shirt that doesn't quite cover her butt, par example, Dad takes his keys to the lustrous flanks of a stretch Hummer (back home he only does that if they're parked on the sidewalk), boyfriend Manu commits every possible faux pas. The highpoint is a scene where Mingus, who writes for the Village Voice, is trying to score points with a dark-complected White House staffer (not played by Kal Penn) they run into in a café, and the sisters immediately start bickering while Manu babbles on about Harold and Kumar going to White Castle… Not a must-see at all but definitely watchable.

PS—a reviewer down below insists that Marion's French connections don't act right b/c they're "gritty" Bretons, not Parisians. Au contraire! Both films make clear that Dad's a gallery owner, Sis a child psychologist and Manu some sort of writer; they're from Paris.