Der Duft von Zärtlichkeit

A nice, clean movie. It's very loosely based on Jane Austin's novel. But, since it takes place in 21st century America, changes had to be made. After all, out society doesn't have such misogynist inheritance laws. And sexism no longer works for why these sisters can't get high-paying jobs. So, in this version, they lose their father to prison instead of death. Their wealth goes to expensive appeals and reimbursing victims, instead of a half-brother. And the name Dashwood has been blackballed from every notable business. So, Elinor enters a bit of a Cinderella story, as a janitor working for a boss who looks down in her. And Marianne has some growing up to do, learning to live without luxury and to get a job.

It's not a perfect movie. It has a few cheesy moments. I think the sisters' problem might have been solved if they just legally changed their surnames. Elinor believes the word of a thief, and Marianne foolishly gives a cad a chance to interfere with her romance. But it's still an enjoyable movie, worth watching at least once. I've actually watched it three times now.

Based on the novel by Jane Austin, "Sense and Sensibility" the movie does not actually capture the characters and does not even attempt to address the philosophical question, sense vs sensibility that makes the book what it is.

All the characters are there but the acting is insipid, the dialogue stilted and the directing amateur. Whoever did the costume should find another job because the dress of women who "grew up going to golf tournaments and garden parties" looks like it came from Walmart.

Watching awkward scenes with people who don't seem to have any feeling about what they are saying is embarrassing to say the least and I only left it on while I was busy in the kitchen or I would have had to switch it off. My husband already switched it off 5 minutes in after watching a character have a secretive conversation about her boyfriend while sitting a hand span away from him.

Don't waste your time.

Anything resembling Jane Austen was purely coincidental. This is really a goody-two-shoes Hallmark knock off. The characters were not completely or even partially developed. The costumes were a joke. The music was annoying.

The acting is at an atrocious high school play level.

This film is an extremely drab and slow moving version and only a hint of the real story peeks through.

Even if you don't know the original story, this over simplistic script

blatantly telegraphs the outcome.

I gave it 2 stars because the only interesting aspect is the beautiful Utah outdoor scenery,

otherwise this is a waste of 89 minutes of your life.

The start of the movie is a little lousy and drastic however as you move further into the characters, the movie starts to gain momentum and catch your heart.

Especially after the entry of the two male characters, the movie picks a nice touch romance and misunderstanding..nothing too innovative but well handled.

The acting of all the main characters is very good. Although Nick Zano does not have a lot of role to play in the movie, he does make an impression with his acting, especially in the scenes in the copy room, showing confidence of a successful professional and awkwardness of someone who just started dating.

The climax of the movie could have been a little elaborate, although it does its job. I would highly recommend watching the movie at leisure.

Jane austen fans will get the joke in the title; one of the characters actually makes lotions from flowers. Sisters elinor and marianne (ashley williams, marla sokoloff) are on their own when dad goes to prison for fraud. There's a bit of tongue in cheek.. at one point, the interviewer crumples up the daughter's resume and just tosses it in the trash. Pretty rude. And it's sometimes confusing... people rarely say anyone's name, so it's difficult to know who anyone is. This is about a family trying to stick together. Mom seems to spend all her time with the third sister, who is quite ill, so we don't see much of them. The story is a fun update to austen's older story. Some good acting, some bad acting. Directed by brian brough. Although the writing credit says written by jennifer jan and brittany wiscombe, they do acknowledge jane austen.