Insidious

Insidious is totally in my list of favourite horror movie. I will not say that this will be the greatest horror movie ever but the cinematography is great and makes the whole mundane plot seems interesting and manage to crap the hell out of me.

I hate it when some so-called horror movies use old cheap tricks like the creepy music or sound effects to compensate their poor performance. I watched many scary movies and Insidious is the one that really made it sound and seems so real that it allows audience relate to it. I was expecting to see some people died in horrible way where their guts and bloods are everywhere and floor splashed with red tomato juices. You'll never have to see that kind of scene in here, they keep it as close as possible for you to relate in your real life and in your room while you are struggling to sleep.

Insidious is the third film in my (reverse order) mini-marathon of James Wan horrors after Malignant (which I loved) and The Conjuring (which I hated). It starts off as basically the same film as the latter: Renai (Rose Byrne) and Josh (Patrick Wilson) are a young couple with small children that has recently moved into a new home, when one morning, their oldest son Dalton doesn't seem to wake up. Turns out he's in a "sort-of coma" (it's unlike anything the doctors have ever seen!). When other weird stuff starts to happen around the house (old-timey children running around, things moving around on their own, banging on doors at night etc.), Renai starts to become convinced that their new home is being haunted by malevolent presences. And unlike your average horror movie protagonists, the family doesn't ignore the obvious signs and actually moves houses. But when the problems don't stop after they have moved, they call in the help of two young ghostbusters and, later on, a psychic called Elise. Stop me if you've heard this before.

But this is where Insidious starts to diverge from The Conjuring (I know it was released before that film, but I watched them in reverse order). My biggest problem with The Conjuring was that it uses the "based on a true story" angle to legitimize its horrors. It tries very hard to claim its paranormal phenomena as being of this world, by using a "real life case" of "real life paranormal investigators" Ed and Lorraine Warren. And the more deadly serious it got in its treatment of the paranormal, the more ridiculous (and less scary) I found the whole thing to be. Insidious, on the other hand, makes no attempt to claim its supernatural presences as part of our world. An explanation for the strange occurrences that have been happening to the Lambert family is offered by Elise, in which esoteric phenomena like astral projection and out-of-body experiences are mentioned as well as another dimension occupied by spirits and demons ("The Further"). It's a very exposition-heavy few minutes and of course it's all silly nonsense, but at least it's original and fun and it firmly sets the film in its own fictional universe where we gladly suspend our disbelief and accept that anything can happen.

A detail that I liked is that we don't have to go through the tedious business of the protagonists doubting each other or the imminent danger itself. When Renai tells her husband that she can feel the evil presences in their new home, Josh is initially skeptic, but just a few minutes later (after a particularly eventful night) the family are seen moving houses. Again when Elise explains her theory about Dalton being trapped in the Further: Josh's (very normal) first reaction is to call her out for being dangerous and exploitative (as one would), but after being confronted with a piece of evidence (one of his son's drawings that is a bit too specific to ignore) he is quickly persuaded.

Ultimately, Insidious' main goal is to scare the bejesus out of you and it absolutely achieves that. From the opening credits scene (which I really liked) the filmmakers do a good job of establishing a creeping sense of dread that slowly gets under your skin, balanced with some more classical jump scares. While I rolled my eyes at the abundance of clichés in The Conjuring, even these more "traditional" scares in Insidious just worked for me. Then there's the intense finale, which may run just a bit too long, but is extremely unnerving anyway. The whole set piece inside the Further is a beautifully realized nightmare, with some seriously creepy imagery that gives this dark realm an appropriately surreal feel.

In summary, Insidious is an entertaining horror film by James Wan that doesn't reinvent the genre, but offers an original twist on the classic haunted house story. It does a good job of building its own world, while maintaining a tense atmosphere throughout and sporadically making you jump out of your seat. The film thankfully avoids annoying horror movie clichés to extend its plot, like the protagonists who are oblivious to the dangers around them. Finally, there's a satisfying (if slightly overlong) climax, in which some indelible images are exhibited that'll be burned into my retinas for some time to come. Overall, I'd still rate Malignant higher: that film just went completely balls to the wall, which made it ridiculously enjoyable to me. And although this film certainly doesn't look bad, the cinematography of the former was even better in my opinion. But I definitely liked Insidious a whole lot better than The Conjuring, which was completely unoriginal, took itself way too seriously and didn't manage to entertain or scare me at all.

Haunted houses and questionable children have composed many a horror film, but there's a reason they work. When they do so despite years of being recycled, it's usually thanks to talent. "Saw" director James Wan found something of promise in "Saw" writer Leigh Whannell's story "Insidious" and the same must've gone for stars Rose Byrne and Patrick Wilson. Horror films rarely get that infusion of talent, and as such, "Insidious" does not get lost in that dark dimension of forgettable horror.

Josh (Wilson) and Renai (Byrne) Lambert have moved into a new home with their two young boys and infant girl. Like always, paranormal oddities occur in small doses here and there until one morning they find their son Dalton in a coma. A few months pass and they move Dalton back home. The freaky incidences increase and eventually Renai sees the ghosts. She convinces Josh to move them into a new home, but it gets worse, so they bring in a paranormal expert (Lin Shaye) who provides them with some shocking revelations about the state of their son.

Like "Paranormal Activity" (a film thats producers have credits on this film unsurprisingly), the idea is to mount tension through paranormal phenomena and expert suspense. Wan provides a number of perfect angles and color to achieve the various moods. As much as you've been spooked this way by films before, you can't simply shirk the way the film creeps in — Wan won't have any of it. In fact, nothing here in terms of scare tactics will come as a revelation; many with a higher jumpiness tolerance will likely find it boring in many regards. No gore or horrific images to be found here — "Insidious" does it old school.

Once Shaye's character Elise and her two employees arrive on scene, the story mutates from paranormal suspense to other-worldly mystery. Elise explains what's going on — something that involves Dalton's soul being lost in a realm called The Further — and now they must rescue him. Whannell constructs an interesting mythology here and the story goes from horror to more of a mystery/thriller with demonic elements. In a sense he borrows from science fiction in establishing the rules of what's going on. It's mostly interesting, but in many instances flat-out weird to the point that horror purists might not like it.

The best way to describe "Insidious" is first half "Paranormal Activity" and second half something akin to Sam Raimi's "Drag Me To Hell," which equates to a nice balance between self-seriousness and horror fun. The "X" factor would be the performances. Byrne keeps Renai from becoming an obnoxious scaredy cat as her role's importance dwindles in the latter half of the film, in which time she still keeps Renai relevant. Wilson's character is no typical over- macho father figure or anything. Together they provide an unusual boost for horror, which typically strives for random faces with questionable experience.

In general, "Insidious" possesses a professionalism not often seen in the genre; most horror films go for cheap across the board from the budget to the talent to the thrills. Although "Insidious" lacks distinctiveness in terms of story, not an ounce of it can be perceived as immature or hollow. What a rare (but not unusual) treat.

~Steven C

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Of all the genre's that Hollywood has to offer, the most tattered of the bunch is without a doubt the horror department. I am so sick of these wannabe 'so called' horror flicks that belong on late night lifetime channel. Im sick of the same old parlor tricks and scare tactics that have been used for the past 10 years. And i am even more sickened by the fact that they keep making the same crap year after year. You would figure after great horror flicks like "The Decent" and "Paranormal Activity", studios would start realizing what actually works and what audiences want to see. Hopefully in the coming years, this genre' will come back to life.

When it comes to horror movies, i think the two most crucial elements are the cinematography, and the musical score. Actually, i prefer there to be no music at all. Almost all the great horror movies never use it, because they rely on scaring the audience with disturbing images, not raised music that makes everyone jump. If i want that, I'll go to a haunted house. When i go to see a horror flick, i want it to leave a lasting impression. However, movies like this are the one exception.

This film had such amazing cinematography, that i didn't even care about those 'raised music' sequences. I rarely get creeped out at the theater, and this movie scared the crap out of me. I'm talking' sweaty palms, eyes wide open, my body sunk all the way down in my chair scared. And for those of you who have read my reviews in the past, i hardly ever say that about a horror flick. And what really sold it was the cinematography. This film is packed with tons of really creepy and disturbing images. So much in fact, that you will hate walking into your dark house alone. Yes, they do use the same scare tactics, but since everything in the movie looked so damn creepy and demented, i for once didn't want the lead female to hurry up and open the basement door and get it over with.

The storyline is pretty decent. It's not an amazing concept or genuinely creepy on it's own. But it does a decent enough of a job to keep your interest and sell what your seeing unfold on screen. And it's safe to say that this is a very different take on your typical haunted house.

Bottom Line......holy crap, i just realized that this movie is only PG-13. Is it possible for a movie to be scary as hell and only be rated PG-13? The answer is yes, and this is a prime example of that. You know when a horror movie has done it's job? It's when it scares you both in the theater, and hours later when you try to sleep at night. Tonight, i will have lots of trouble sleeping. I can easily say that this will probably be the best horror movie of the year.

Just came back from watching an advanced screening of " Insidious " tonight with my wife, we both liked it a lot. When it comes to Horror films, there are always the same Horror formulas which film makers really can't escape when making a Horror, because there aren't much they can work with and they are limited to that same formula. So Insidous borrows many of its ideas from other Horror films, one comes to mind is 1982 film " Poltergeist ", but here we have a family of 5, Patrick Wilson and Rose Byrne play the parents of 2 boys and a little baby girl. after a slow build up, a small accident occur and their older son falls into comma or so it seems !! soon after, weird things start to happen at the house and the mother suspects evil spirits are in the house !!

A simple story that as i said was done before, however, I thought it was done differently here, there was a better atmosphere and some elements of the plot stood out as being fresh that made this film unique somehow. As scares goes, this was definitely scary, there were several moments in the film that gave me goosebumps !! there were also the classic jump out of your seat moments too. Some scenes were creepy and the mixing of music and sounds were done superbly to add to the Horror. so the movie does deliver as far as scares are concerned.

Acting was superb too, all cast involved did a very good job, particularly Rose Byrne whom I'm fond of after watching her in the excellent TV show " Damages ". Patrick Wilson was also good here.

the atmosphere was creepy, the director managed to catch nice footage of the house and other elements of the film.

So in summary, get ready and grab your loved ones and go catch this movie this Friday, it entertains. very enjoyable and scary, and even though it borrows ideas from other Horror films, it never imitates, it stand out as a new and fresh take on traditional Horror !!