The Waking of a Nation

Most shows about historical events focus on the big moments, but this one is different. It's not just about the Jallianwala Bagh massacre-it's about the tensions that led to it, the people who tried to stop it, and the system that covered it up afterward. That's what makes it so gripping.

Kantilal Sahni is such an interesting character because he starts off believing in the system. He thinks the Hunter Commission is there to find the truth. But as he listens to testimonies and sees how the British manipulate the investigation, he realises he's part of something much bigger-and much more dangerous. Watching his moral struggle unfold makes the story feel incredibly real.

The courtroom debates are some of the best moments in the series. The arguments, the frustration, the moments where you can see the truth slipping through the cracks-it's all so well done. The production quality is top-notch, from the costumes to the historical details that make colonial India feel alive.

It's rare to find a historical drama that feels this immersive. This isn't just about remembering history-it's about understanding how it was shaped.

The Waking of a Nation is an emotionally charged historical drama that brings together a stellar cast to tell one of India's most painful stories. The massacre itself is just one piece of the puzzle-the series explores the individuals who fought, suffered, and sought justice in its aftermath.

Sahil Mehta and Bhawsheel Singh Sahni are fantastic as Allahbaksh and Hari, portraying the everyday people who found themselves caught in the storm of colonial oppression. Nikita Dutta's Poonam brings emotional depth, showing grief in its most silent yet powerful form.

Among the British figures, Paul McEwan's Michael O'Dwyer stands out for his cold, calculated presence. He doesn't raise his voice, yet his words are enough to make you angry. Carl Wharton as Lord William Hunter is equally compelling, bringing an air of superiority that makes the courtroom battles even more intense. The role of Hansraj, the British informant, is particularly interesting, showing the internal betrayals that made resistance even more challenging.

The cinematography captures the brutality of the massacre without glorifying it, while the courtroom sequences are as intense as the physical confrontations. Every frame is designed to pull you into this moment in history, making it impossible to look away.

I accept the cinematic inaccuracies that have been pointed out in many reviews of this movie. I too did get bored with the movie dragging so much. However, I would like to highlight that the incident described in the movie happened more than a 100 years ago and in these years no director had the will and courage to enlighten us on the reality. All Indians have only heard of and criminalized General Dyer in our heads. Had it not been for movies like Sardar Udam and this one, our youth would still be behind the veil. So I would encourage all to see this movie as it is really an eye opener........

The most powerful thing about this series is how it makes you feel the weight of history, not just as an event but as something shaped by those in power. The Jallianwala Bagh massacre is often remembered as a single moment, but this show digs deeper, exposing the political tensions and motivations that led to it.

Kantilal Sahni's role as a member of the Hunter Commission adds so much depth to the story. He isn't a freedom fighter or an activist, he is just a man doing his job-until he realises that the job isn't about truth, it's about control. His slow realisation that justice isn't the goal, but rather the justification of power, is what makes this series so compelling.

The courtroom sequences are some of the best I've seen in a historical drama. The performances are gripping, making you feel the frustration of seeing history being rewritten right in front of you. The massacre itself is portrayed with restraint, not for shock value but as a moment that shifts the course of the story entirely.

This series doesn't just tell you what happened, it makes you feel the helplessness, the anger, and the resistance that followed.

The Waking of a Nation is a gripping series that does more than recount a historical tragedy-it makes you feel the weight of the injustice, the pain of loss, and the resilience of those who endured it.

Sahil Mehta and Bhawsheel Singh Sahni are exceptional as Allahbaksh and Hari, their chemistry making the tragedy of their fate hit even harder. Nikita Dutta's Poonam is a quiet but commanding presence, portraying sorrow with such depth that her grief lingers in every scene she's in.

Paul McEwan as Michael O'Dwyer is chilling in his calm cruelty, embodying the worst of colonial arrogance. Carl Wharton as Lord William Hunter brings a controlled menace to the courtroom sequences, making every legal battle feel like a fight for dignity. Hansraj, the British informant, is another key figure, showing the devastating consequences of betrayal from within.

The cinematography captures both the chaos of the massacre and the quiet despair that followed. The contrast between the bloodshed in Jallianwala Bagh and the cold, calculated proceedings in the courtroom is striking, making the injustice feel even more unbearable.