Geständnisse

Kokuhaku (or Confessions) is a real winner from Japan. Just like the title, the movie is about the Confessions of a group of people. After each confession, a new detail is added into the story until it became a complete story at the end.

I feel empty. Very disturbing. The movie remains dark and cold from the beginning until the end. A great thing in this movie is that you don't know who you should hate. Yes, it's obvious that they have done something terribly wrong, but after each confession, they suddenly became the victim, and then after the movie finished, you ended up feeling the sympathy for every characters.

The acting in this movie is absolutely fabulous. Just look at those eyes of the students. Cold and heartless. I watched it with my mouth wide open. The plot is perfect. I don't know what to complain. There are even some bloody scenes added to it, which make the movie more interesting.

I love it.

Despite having already read the book and knowing fully well what was coming, I was still shocked. Confessions is a disturbing film, a morbid film and what happens is mind-blowing. It is disheartening, scary even, to see middle school students who are close to demented, with no heartfelt mercy or sympathy, who can kill freely for baffling reasons. At the same time, the adult characters are just as heartless. The teacher, Yuko Moriguchi (played by Takako Matsu) is intimidating – her only purpose in life after the death of her daughter is revenge; far from the typical adult mentor and role model that we are so used to seeing.

But the reason why I gave a higher rating to the film than the novel was because the director, Testuya Nakashima, did a marvelous job at taking a mediocre book with stagnant flow and transforming it into an intelligently crafted suspenseful film that maintains realism and proper flow. The 'blue' look (most obvious in the classroom scenes) and the ominous, monotonous soundtrack just adds to the film's darkness. Though the initial confession by Ms. Moriguchi is rather long winded, the rest of the film will consistently confuse, startle and even upset audiences. You will see children involved in relentless bullying and even cold-blooded murder – the middle school students' performances are astonishingly convincing. By the end of the film, you may feel cheated at such a disgusting and horrifying ending. You will be astounded and maybe even depressed at mankind's depravity – if that was the intention of both the author and director, they succeeded in playing a cruel joke on us all.

It's the kind of feeling all over again that makes it a delight to relive moments of a film that's just so steeped with brilliance. It's dark and it's disturbing, a psychological thriller to rival some of the best out there, tackling themes of poetic justice and revenge that's coolly served in perfect tones of subversion, grabbing you by the scruff of your neck with its extended hook from the start and lasting some thirty minutes, before things kick into full gear for a chilling, violent ride that's unflinching in its violence, laced with strong characters filled with perverted motivations all round.

Written and directed by Tetsuya Nakashima and based upon the novel by Kanae Minato, the story's extremely hypnotic and sprawls points of views from multiple characters, each weaved intrinsically with one another and all being uncannily hypnotic in its stylish execution. The hook wraps up everything you'd come to expect from a great thriller, and that riveting introductory classroom scene alone is worth the price of an admission ticket many times over, orchestrating its sound contrast design to perfection where it seems a teacher is unable to control her class, and is nonchalantly attempting to do so until a bombshell is dropped to elicit an automatic silence, and fear.

Takako Matsue (of The Hidden Blade and Villon's Wife fame) plays a schoolteacher whose young daughter was murdered by students identified in her class. Rather than challenging the judge's verdict and knowing jolly well that a juvenile is protected by the law against capital punishment, the plan she devices is so devious that it turns the class upside down turning classmates against the guilty, and yet still hitting them where it hurts most, slowly observing and scheming any exploited weaknesses. Probably the best strategy anyone can adopt when dealing with unspeakable evil, and it is this execution of her plan that forms the remainder of the film told from different perspectives in confessional style (hence the title), where a deeper character study gets presented, while smartly fusing social observations about the restlessness of today's misguided teenagers in wanting recognition and being one up against their peers.

Mothers seem to come into play, and the film provokes thought into this aspect of human nature that's so universal. A mother loses her child, another maintains her protective blindness fending provocative charges against her son, while yet another proudly obsesses with wanting the best from her kid that it becomes detrimental to his development. One knows about the power of Mother's Love and the extent they will go to protect their brood, and here the school teacher's severe loss becomes the catalyst for revenge best served cold, while also becoming pawns in a plan best unraveled when you watch the film.

Nakashima's assured direction keeps you glued to every gorgeous frame thanks to its beautiful cinematography and shots that make it picture perfect, supported by an excellent soundtrack to bolster the dark mood created visually, and I just fell in love with the plenty of slow motion used which brings a sense of calming rhythm that betrays the dark undertones that were constantly brewing in the narrative. There doesn't seem to be a wasted frame or scene in the film, each moving the narrative forward in an engaging manner, keeping you guessing what's the next curve ball to be thrown, and silently rooting for justice in whatever form to be meted out, and on the other hand cannot help but to check yourself since they're kids to begin with, albeit guilty ones whom the teacher chooses a punishment that will resonate deeply throughout their lives, which is obviously a very long road ahead.

The predominant cast of teenagers also performed their roles admirably since one can imagine the kind of thought process they have to go through to play characters who are basically mentally unsound for doing what they did, and frankly these aren't things that are far fetched given notable crimes committed by juveniles here too. The violence can be unsettling here for those with weak stomachs, not so much whether there's plenty of gore put on screen, but psychologically when you're made to crawl under the perpetrators' skins seeing things from their viewpoints.

Confessions lives up to every critical acclaim garnered thus far, and I too love this film enough to put it firmly in my shortlist as the best film of the year, where all the technical elements that make up filmmaking gelled perfectly together with excellent performances all round. A movie gorgeously filmed that justifies why I go to the movies. A definite recommendation!

A good review doesn't always have to be long, and there are really just a few words needed to describe this movie. Stunningly beautiful cinography, dark, disturbing, and yet Great! That being said, don't dive into this thing if you plan on watching a good fast revenge flick, because this was mentally challenging. You always have to sit analyzing everything that's happening from beginning to end, and there's really not a lot of breakes.

I had read a few of the reviews here before watching this movie, but I had no idea the movie was going to be like it was, watch it to find out, most definitely worth 2~ hours of your life.

This little stormer of a movie really takes Asian extreme movies in another direction. A revenge movie that will keep you intrigued and interested till the end. The Far East market has been the home of great originality in the terror & horror film markets, and this is one great highlight in that vein.

The film begins in a school classroom where the teacher tells her pupils that she is leaving, and then begins to tell a long tale revolving round her life and the tragic death that haunts her (her "Confession"). This leads to serious repercussions for some of the pupils. Twists and turns in the story then unfold for the viewer as we are retold further confessions to piece it all together.

A very cerebral movie, the direction masks the revenge story at its heart with a very art-house look and indie soundtrack. A very original film, the acting is exceptional especially from the young school kids. Our lead lady who plays the class teacher is mesmerising as she leads the opening long confession scene. It was a very well delivered scene by her and sets the tone beautifully.

The film begins quite psychological but it then does slide into more graphic detail. Takes you by the hand and leads you down the dark heart at its centre. You don't ever seem to know what to expect.

It's great to have such a fresh original movie. Acting, story and direction are superb. A film I'd highly recommend to all who enjoy dark hearted movies.