Cleanskin - Bis zum Anschlag

what a great film, especially as I really was not expecting to enjoy it as much as I did. It did not start off like your usual kind of terrorist, hunt and eliminate movie. Almost a few stories going on at once, I thought it was good character development, you have to concentrate to keep up in between the present and past sequences, but that's what made this film different in its style and approach of the topic. I sure we can say that the main terrorist is certainly dead, no no chance of bringing him back, but I would like to see the character of the secret agent continued in a secondary movie with a new task at hand and a cleaned up loyal team (not to give to much away). for my part, I enjoyed this film, like the opening scene, and the end conclusion especially, didn't see it coming at all, although i'm probably not the quickest film analyst on here. Nice, gritty British thriller with an attractive directing style and plot build up.

This move pleasantly surprised me. I was expecting a rather mindless 'lets get the terrorists' themed action film but was instead treated to a film that, to a limited extent, tried to explore the motivations of the main characters whilst still maintaining the feel and pace of an action movie.

On the action side, it was quite good. The fight scenes felt quite real and were not over the top but still managed to have quite an impact. Where the film fell short however, was the other side, in the explaining motivations. It almost seemed to me that a 30-45min chunk of the film was left out in the middle. The part of the movie that drew me in the most was the bomber and how outside influences as well as his own personal feelings pushed him in the direction he ended up going in but, it needed more of that. As, to me at least, I couldn't attach myself to the leaps he made along the way which overall, ruined what would have otherwise been a very very interesting exploration of the subject.

Perhaps I'm asking too much of an action orientated film, but, I think the film makers in this instance, were doing the same.

I saw this film in my local Tesco store, the misses saw Sean Bean on the cover and before I knew it, it was coming down the conveyor belt. I was quite impressed with this movie, considering I had not seen it advertised previous. It has a lot of action and some of the stunts are better placed in one of the bigger US flicks so was really impressed by those. Sean has such a natural ease at playing these sorts of characters, and almost felt sympathy for both the hunter and the hunted as the film progressed. There are also a couple of other recognisable stars which almost play a lesser role considering their wider film experience, this was quite an interesting casting approach. We both agree that it was money well spent, but will probably go for a softer more light hearted movie in the weeks to come, good insightful viewing though.

A great performance from not only Sean but also the girl (Tuppence?), and it was nice to see Peter Polycarpou back on our screen!

cleanskin will appeal to a wide audience, not just those who are still recovering from 7/7 (which i couldn't stop thinking about whilst watching) and it's helpful seeing the side from the "good guy" and the side from the "bad guy".

having lived in London when i was younger, it was nice to see some of the landmarks i visited as a kid, so it seems they really went out of their way to keep the realism in the film. it could have easily been filmed in a film studio but it wasn't, which makes it home more for me.

Still the scenes linger in the memory after i watched them.

If you're expecting James Bond, or even Jason Bourne, you've come to the wrong place. This is a brutally realistic film about how both sides in the so-called 'War on Terror' bend every rule of civilized conduct in order to further their own questionable ends. It's a story about people who have absolutely no doubt that their ends justify the means... even though those 'ends' long ago ceased being particularly noble, if indeed they ever were.

The story concerns the journey of one Middle Eastern man from political agnostic to suicide commando. His compelling, if fairly obvious, tale is counterpointed against the gradual awakening of the British assassin sent to track him down, operating well outside the rules of police work or even espionage.

There are no laughs in this movie, no car chases. There is extreme violence, and a lot of incentive to question the purpose of that violence. The characters are strong, as is the message. Unfortunately, those who most need to hear that message are likely to either avoid this film entirely, or conveniently misunderstand it.