Bauernopfer - Spiel der Könige

"Bobby won't crack, he will explode." Ever since he was a young boy Bobby Fischer (Maguire) has been obsessed with chess. His dream of becoming the youngest world champion ever has been crushed by the Russian's way of playing and he slowly starts to lose his mind. Wanting to prove to everyone, and himself that is is the best in the world he sets up a series of matches with Boris Spassky (Schreiber), the best player in the world. As the match draws closer Fischer begins to descend further into madness and it starts to affect his ability to play. I knew very little about the real story of Bobby Fischer before watching this so most of this was new to me. For a movie about chess I have to say the movie was actually pretty exciting to watch, and Maguire really surprised me with his acting. I'm not sure how historically accurate this is but watching it the tenseness was there and you really felt uncomfortable for and with Bobby. One of the surprise movies of the year that deserves a bigger audience than it will get. I really enjoyed this and recommend it. Overall, great acting and great drama. More movies like this should be made. I give it an A-.

This is a nice vehicle for Tobey Maguire who does a good job of portraying a paranoid schizophrenic, but that person is not Robert James Fischer. They got Maguire's hair style right but otherwise any resemblance between the tall, lanky, expansive Bobby Fischer and Maguire is slight. He probably didn't see enough footage of Fischer at that age. He didn't use any of Fischer's mannerisms that I noticed and of course Fischer was several inches taller. Liev Schreiber who played Spassky actually looks a bit like Spassky but is bigger and more robust. So we have in the movie Fischer vs. Spassky at the chess board but Spassky bigger than Fischer! As for games mentioned in some detail I had to go back to the first and sixth games of the match to recall what happened and to compare my perception with that of the commentary in the movie. The sixth game was a brilliant game as almost everybody agrees, but contrary to some popular opinion Fischer did not blunder away his bishop in game one. He and Spassky were in a clearly drawn bishop and pawn ending. He wanted more, but there was nothing he could do, so what he did was sacrifice his bishop for two pawns, not as some people think in an attempt to win the game but to show his confidence and to shake Spassky up a bit. Fischer thought the resulting position after many moves would be a draw. He was wrong but this is an example of Fischer psychology: I will make you play a hundred moves if necessary just to show you how strong I am. You will weaken not me.

Some reviewers pointed out some chessic type errors but there weren't that many and they were minor. Here's one they got right that may surprise some people. Notice that Fischer used the descriptive notation ("P-K4") while most other grandmasters even back in 1972 used algebraic notation ("e4"). And while there were chess clock on analyst boards where they serve no purpose at least the boards were set up right with the white square at the player's right hand, avoiding a common error in movies.

Probably the biggest error had nothing to do with chess but with the fact that Fischer's mental illness at the time of the Spassky match had not developed as much as the movie suggests. His personality was more rounded than displayed. He actually had a charming side. People liked him in spite his bad manners and selfishness. There's a YouTube video of him on TV with Bob Hope filmed sometime shortly after the match with Spassky that shows a very different Fischer than the one Maguire portrayed.

The bit with the girl (sarcastically she says to Fischer: "it was good for me too" as he studies a chess game in bed) was apparently director Edward Zwick's take on the nagging question of Fischer's sexuality, meaning yes he was heterosexual, but chess was just more interesting.

The real disappointment for me was that they did not make clear the really great triumphant of Fischer's preceding the championship match. He destroyed three of the top grandmasters en route to the title match, at one point winning 20 games in a row. Amazing. The greatest streak in grandmaster history. So he was a clear favorite although Spassky was the World Champion. That's why he wanted so much to win the first game and confirm immediately that he was clearly superior.

I was also disappointed that Fischer's life after winning the championship was not explored. I had hoped for a cinematic take on what happened to "The Wandering King" (the title of a book about his life by Hans Bohm and Kees Jongkind). Perhaps that material would be better presented in a documentary than in a popular flick.

Bottom line: worth seeing but not as good as I had hoped.

--Dennis Littrell, author of "The World Is Not as We Think It Is"

I was bit skeptic on whether I should watch this movie or not.There has been so much of slamming of this movie.It did not even have a wide release.But thank God, I dared to watch.It is one of most intense movies of recent times.From the beginning,your eyes remain glued to the screen.The historic match between Spassky and Fisher has been depicted so vividly, that at times you forget that you are watching a movie.Tobey Maguire has been criticized a lot for his portrayal of the legendary chess player.But I found him too good.His acting was as intense as this movie.The frowning, the clenching, the swing of mood everything was made so much believable.Liev Shreiber, too has done a commendable job as Spassky.The cinematography is excellent.The close shots deserve to be mentioned in particular.Finally, a good film from a brilliant director like Zwick after a pause.Do not miss this movie.

Well, the reviewer before me absolutely trashed this film for its dramatic license, so now I don't know what to say.

This is the highly fictionalized story of Bobby Fischer, a chess fanatic and genius who rose to the very top of his field. He was part of a Russia vs. U.S. superiority struggle when he played Boris Spassky (Liev Schreiber), the world champion back then, in the '70s. It's unlikely he understood that; he didn't have a broad or worldly focus. The chess was all he cared about, that and money.

Biopics sometimes take a lot of liberties. Characters are made up, time is shortened, incidents are moved around, elements are put in for dramatic emphasis. That's why you can't take a biographical film as factual. It's better if you become interested in the person and read about him, as I did about Fischer, though I remember him.

Toby Maguire does a fantastic job as Fischer. Yes, Fischer was tall and Maguire is short. Frankly I wasn't made aware of Maguire's height while watching the film.

I believe the filmmakers were trying to give us a psychological story -- a complete genius with an IQ of 181 but one who also had mental problems. Lots of so-called geniuses are strange, I suppose, but Fischer was a real study in opposites.

He often made unreasonable, last-minute demands, made anti-Semite remarks, and accused the Russians of colluding against him. In the second game of his world championship against Spassky, he didn't show up. Nevertheless, his achievements in chess were remarkable, and many consider him the greatest chess player who ever lived.

His later life was a mess; he became reclusive; his passport was revoked and finally, Iceland took him in. By then he was off the wall completely.

Edward Zwick directed this film with a lot of zip and made it an intense and absorbing experience, as did the actors.

Look at this as the psychological story of a phenomenal talent whose emotional/mental problems interfered with his life and career. Don't take it as the detailed life of Bobby Fischer, his relationship with his mother, and who taught him what. The most interesting thing about him was his incredible talent.

Greetings again from the darkness. Being such a fan of the expert documentary film BOBBY FISCHER AGAINST THE WORLD (2011), I found it a bit challenging to clear my head and accept a dramatized approach to the story. This was after all, one of the most fascinating reluctant public figure during one of the most energizing signature events of the Cold War between Russia and the United States … it was even described as World War III on a chess board.

Director Edward Zwick (Glory, Blood Diamond) and writer Steven Knight (Locke, "Peaky Blinders") wisely focus the story on the infamous World Chess Championship match in 1972 between American Bobby Fischer and Russian Boris Spassky. This was 8 years prior to the "Miracle on Ice" when the USA Olympic hockey team upset the powerhouse Russian hockey team, but this chess match caused every bit as much media frenzy and national pride as that day in Lake Placid. This international attention is as important to the story as the psychological state of Bobby Fischer and his genius-level chess skill. And it's the media and citizenry reactions that provide the contemporary comparison to what we see too often these days thanks to social media … icons are born, chewed up, and forgotten.

Tobey Maguire plays Fischer, and despite lacking the height and physical presence of the real chess champion, he expertly conveys the paranoia, fear, and arrogance that burdened the man and created even more suspense for those of us keeping a watchful eye at the time. Liev Schreiber ("Ray Donovan") plays Boris Spassky, and even speaks his lines in Russian. Schreiber captures the iciness for which the Russians were known, but also interjects subtle personality and insight in a story where his adversary is constantly over-the-top. Chess strategy isn't so much the story here, as are these two men from different worlds forced together on a stage in Iceland – with the full attention of the world.

Supporting work is varied, but exceptionally strong. Robin Weigert plays Bobby's mother, and we get glimpses of why he later suffered from Mommy issues – in no small part to her intimate gatherings of Communist friends. Lily Rabe is touching as Bobby's sister and possibly the only person who ever had his best interest at heart. However, the real intrigue comes in the form of Peter Sarsgaard as Father Bill Lombardy, and Michael Stuhlbarg as Paul Marshall. Lombardy was Fischer's coach and confidant, and seemed to be the only one who grasped the severity of Bobby's mental state. Marshall, a well known attorney in the Music industry, is a shady fellow who seems connected to the government, and is really the driving force behind getting Fischer to play Spassky. More background and the motivation for these two gentlemen would have been welcome and filled a gap.

The story of the tortured genius always makes entertaining fodder – think Van Gogh, Mozart, and John Nash. Bobby Fischer certainly fits that description, but his story is frustrating because we just don't understand the mental issues that caused him to evolve from teenage chess prodigy to World Champion to literal anti-social outcast spewing hateful words (watch the end credit film clips). This film is a worthy primer for the man and the times, and a reminder that we are always searching for the next hero … the next person to hoist up on the pedestal, only to be replaced soon after with another, and then another. Perhaps the film says as much as about us as a people, as it does about Bobby Fischer as a person.