IMDb-BEWERTUNG
5,7/10
6157
IHRE BEWERTUNG
Nachdem ein Babyphon einen anderen Kanal aufnimmt, beginnt Anna, den Alptraum, dem sie gerade entkommen ist, erneut zu erleben.Nachdem ein Babyphon einen anderen Kanal aufnimmt, beginnt Anna, den Alptraum, dem sie gerade entkommen ist, erneut zu erleben.Nachdem ein Babyphon einen anderen Kanal aufnimmt, beginnt Anna, den Alptraum, dem sie gerade entkommen ist, erneut zu erleben.
- Regie
- Drehbuch
- Hauptbesetzung
- Auszeichnungen
- 7 Gewinne & 8 Nominierungen insgesamt
Stig R. Amdam
- Ole
- (as Stig Amdam)
Torkil Høeg
- Nabogutten
- (as Torkil Johannes Swensen Høeg)
Camilla Augusta Hallan
- Kvinnelig doktor
- (as Camilla Augusta S. Hallan)
Empfohlene Bewertungen
Babycall is a sparse psychological mystery / thriller by writer / director Pal Sletaune, centred on a convincing and naturalistic performance by Noomi Rapace, with excellent support from Kristopher Joner as her character's awkward admirer and Vetle Qvenild Werring as her son Anders. As a claustrophobic mood piece, it is effective, and Rapace gives an accomplished performance, as should be expected by those who know her work. Events are bleak and the central character is troubled, and it is not a comfortable watch, but ultimately likely to be somewhat satisfying for fans of the genre, if perhaps only for the central performances, since horror is not a word that sits well in its description.
Both Noomi Rapace and Kristoffer Joner are acting the hell out of this movie. What great performances! It's too bad the the story isn't quite up to par. I liked the premise, a mom and child placed in protection to avoid being in reach of the child's abusive father. Because of what they have been through, the mother is over protective of her child. Kristoffer Joner plays a guy working at a nearby electronics outlet.
I'm sure the ending they had in mind was good, and that they were going for the kind of movie that you end up discussing afterwords with who ever you were watching it. But it all ends up executed in a confusing manner. I like some of the mystery, but not how it is presented.
I'm sure the ending they had in mind was good, and that they were going for the kind of movie that you end up discussing afterwords with who ever you were watching it. But it all ends up executed in a confusing manner. I like some of the mystery, but not how it is presented.
Wonder why nobody didn't compare this to the Japanese horror classic "Dark water".. The setting is kind of the same.. I loved Dark water, and I liked Babycall as well, even though it was a i bit more messy, and the plot felt a little too "constructed".. But its still good.. Noomi Rapage is great in the role of a young mother on the verge of mental breakdown.. As in many new age horror movies we have a mother moving into a suburban ghetto apartment, after having troubles with her ex husband abusing their son (just like in Dark water).. She hears some strange screams on her baby alarm, and the story starts to unfold.. The atmosphere and the puzzle is well made, but the plot to easy figure in big terms.. Screenplay and acting is good.. Story a bit too mainstream for my taste, but still thrilling at times for sure.. Noomi Rapage does a very good job, lots of tension.. The sceneries and the suspense works, but I missed a little originality to the story.. But bottom line, and enjoyable ride, that could have been better with a more simply story.. A little too many threads for it own good.. Still i give it 7 cause, its well done and I am a sucker for subttle slow semi horror movies...
THE MONITOR stars Noomi Rapace as Anna, a mother who is in hiding in order to keep her son safe from his abusive father. This all seems straightforward, but it's not.
Anna may be suffering from some severe mental issues that cloud the situation dramatically. Much of what occurs could be real or illusory. We're given pieces of the puzzle, only to have the puzzle itself continue to expand.
This film has an icy sense of dread and uneasiness right out of the gate. Anna lives in an enormous, box-like apartment complex set in a terminally grey atmosphere of heavy, perpetual gloom.
Ms. Rapace is fantastic in her harried, paranoiac role. She elicits both sympathy and a touch of fear from the viewer.
If you enjoy suspenseful, psychological-thrillers filled with mystery, then this should keep you guessing until the end...
Anna may be suffering from some severe mental issues that cloud the situation dramatically. Much of what occurs could be real or illusory. We're given pieces of the puzzle, only to have the puzzle itself continue to expand.
This film has an icy sense of dread and uneasiness right out of the gate. Anna lives in an enormous, box-like apartment complex set in a terminally grey atmosphere of heavy, perpetual gloom.
Ms. Rapace is fantastic in her harried, paranoiac role. She elicits both sympathy and a touch of fear from the viewer.
If you enjoy suspenseful, psychological-thrillers filled with mystery, then this should keep you guessing until the end...
7OJT
This is the tag-line of much awaited new film from Pål Sletaune (behind the great films "Naboer", "Amatørene" and "Budbringeren") is starring Noomi Rapace and Kristoffer Joner. Seven years since "naboer" or in English "next door", we get a film with similar ideas - a look into disturbed or distorted minds.
Single mother Anna moves with her 8 year old son to a big flat with secret address outside Oslo to get away from her violent husband. Anna is scared stiff that they will be found, and is under heavy watch by a couple of child care workers. She get's the idea of buying a baby call so that her son doesn't have to sleep in her bed, only to find that the baby call picks up another troubled child somewhere in the flat. Anna is really on the edge, and maybe her imagination is playing her as well!?
This psychological thriller goes under your skin in the sympathy for Anna and the other troubled minds in this film. You want her to relax, but still understand how difficult it is when you trust no one.
Really great play by Rapace. She gets under your skin. The film is slow paced in a couple of periods, only to speed up at times, just as real life would be in such a situation. The film is not like you think it will be, so this is not your standard thriller. I still think I'd like another ending to this, though maybe not happy...
Well Sletaune can put another great film under his belt. Always worthwhile and interesting to get sucked into his stories. Well done!
Single mother Anna moves with her 8 year old son to a big flat with secret address outside Oslo to get away from her violent husband. Anna is scared stiff that they will be found, and is under heavy watch by a couple of child care workers. She get's the idea of buying a baby call so that her son doesn't have to sleep in her bed, only to find that the baby call picks up another troubled child somewhere in the flat. Anna is really on the edge, and maybe her imagination is playing her as well!?
This psychological thriller goes under your skin in the sympathy for Anna and the other troubled minds in this film. You want her to relax, but still understand how difficult it is when you trust no one.
Really great play by Rapace. She gets under your skin. The film is slow paced in a couple of periods, only to speed up at times, just as real life would be in such a situation. The film is not like you think it will be, so this is not your standard thriller. I still think I'd like another ending to this, though maybe not happy...
Well Sletaune can put another great film under his belt. Always worthwhile and interesting to get sucked into his stories. Well done!
Wusstest du schon
- VerbindungenReferences Die Mumie (1932)
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- Weltweiter Bruttoertrag
- 1.417.397 $
- Laufzeit
- 1 Std. 36 Min.(96 min)
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