Wake Before I Die

I went to Wake Before I Die with very high hopes. There are very few Portland films that acquire a budget, so I was curious to see how this feature turned out. Sadly the whole experience was a major let down. For a film with a budget, it looks very cheap. No attention to lighting, simple camera set ups, mediocre editing. Luckily there were several solid performances turned in by Prosser, McKeehen and a few others. My main problem with Wake was how dull it was. Portland seems to have an obsession with slow dramatic pieces. Dramas can be dramatic and still entertaining. This was not. Entertainment value seems to be something lost on the film world of Portland. Pieces like the clever Forge, the entertaining One Foot in the Gutter or the impressive feat James vs Reality sit on the sidelines while budgets are handed out to films like this one which have no mass appeal beyond the local film crowd.

We saw this at the Bagdad Theater along with the cast and crew and friends of the directors. Obviously all the huge high marks are coming from family members and die hard participants. If this had been their first movie I might be more generous in my opinion, but the awful truth is they've made a lot of movies and don't seem to get one bit better doing it. Maybe it's time for them to bring in some professionals or enroll in a good film school. Where they get the money for all this stupidity is their business, but in reality it's really no different than a lot of the awful big budget movies coming from Hollywood that get made just because they can and have the money to do it. The same effect here, just on a smaller scale and in Portland, which has a pretty smart film audience worth listening to.

As an outsider of Portland's film community, I feel my voice carries some merit in reviewing this film. I should also mention I review films for a living…but to be honest, to review this film would be a big waste of time. I will say the film itself is a big pile of crap. The music was about the worst of it, blaring at deafening volumes to cover moments of absent story. As an avid film watcher (part of my job), I watch a lot of movies: low budget, to even B movies. But faith-based movies go into their own category and cannot be measured by the standard of regular films -- they are in fact, baby-food for the film illiterate. Faith based movies are among some of the worst movies I've ever seen (stand back Tommy Wiseau), often catering to a lesser educated, superstitious audience who find entertainment in the most juvenile of movie plots. Again, I won't bore you with the irritating details but after I saw these other reviews, I felt it was my integrity to say the truth; these other reviewers are clearly family members or friends of the cast, because no normal film-goer would ever give this movie 10 stars…I mean Shawshank doesn't even have that many 10 star reviews. C'mon people, this movie was a joke…a bad one.

Modern and yet reminiscent of a Val Lewton thriller, this depiction of the age old battle between light and shadow, good and evil, hits the bull's eye through crisp narrative and cinematic style. Every performances is "spot on" perfect from the true to life depiction of family life in a church parsonage to the brooding underbelly of a cult gone mad. It takes its time, introducing the characters, endearing them to the audience before they are thrown into the midst of potential harm. The effect is spellbinding, drawing the viewers into a dreamlike world where almost anything can happen and sometimes does. Dig deep into the popcorn, take an extra long drag from the soda cup, and get ready for an entertaining experience amongst dancing cinematic shadows with this one! IT SHOULD BE NOTED that I originally wrote this review following the Cast & Crew showing last year. I must admit, since I've seen the completed film, I find it to be even more pleasing. Of course I am the Father of the filmmakers. But, I'm a Dad who has a rich history in all things cinema, and after 65 years I certainly know a good movie when I see it. No matter who made it.

I thought one of the best parts of this film was the young actor who played the pastor's son. Finding a watchable, and BELIEVABLE, child actor who can carry so much screen time is a challenge in itself, let alone in a smaller city like Portland where the infrastructure is not yet in place to churn out the hordes of well-trained young stars-aspirant that directors have access to in LA, for instance. So kudos to Elijah Nelson for his performance, and to the filmmakers for casting him.

Not a filmmaker myself, I refuse to really speak to the film's more technical aspects...besides saying that MAKING A GOOD MOVIE IS HARD, why don't YOU try it and then come back and spout opinions! I am proud of our local boys for using the Opif to create something fitting for mainstream cinema, with professional production values all around. I think many of the deficiencies mentioned by our aspiring film critics (like spotty writing, over-scoring, etc.) are typical pitfalls of a film that is written, directed, edited, and produced all by the same team of people. To quote a favorite acting teacher of mine, they "fall in love with their own material," and have a hard time taking the axe to their product to really whittle it into something marketable, concise, and of quality. As the local industry grows, however, I am sure filmmakers will be able to avoid this trap more and more often. Oregon has such a talented and qualified pool of film workers that second and third opinions can't help but start to mean something.