Ein ganzer Kerl

Once again we have a case of 'the book is better than the film/miniseries'.

I've read the book twice, and believe me, the book is better than this 6 episodes series.

My biggest critique about the mini series is that the dialogues are really poor, and of little substance. And thus not believable. Short scenes with few information are put behind each other. This also means that we don't get much to know about the main protagonists, nor about how Charlie Croker ended up in such financial perils.

It is strange to see that a man so affluent as Charlie Croker has not many staff members (1 attorney, 1 secretary and 1 accountant). It is strange to see when he shows up at decisive meetings he doesn't have a lot to say, but huff and bluff and puff. Same goes for the bank accountants too actually. Their case is not well built up. These business scenes don't come across as very believable. It all feels a bit grotesque, cartoonesque... The best episode is the last episode, in which there is a long court scene in which the attorney brings a strong plea for justice, and later a memorable speech of Charlie in Georgia Tech Stadium. There should have been more scenes like this. Maybe my expectiations were a bit too high, but I was a bit dissapointed all in all.

I have always been a Jeff Daniels fan, but I also looked at him as a middle-of-the-road actor who could do lots of things well but nothing outstanding. The Purple Rose of Cairo, Fly Away Home, Pleasantville, Terms of Endearment, and of course Dumb and Dumber all are some of my favorite movies he was in.

But here in this six-part miniseries, set in Atlanta, he is the central character and the whole project depends on how well he channels Charlie Croker, and he does it admirably, and with both lots of menace and lots of humor.

Charlie, just turning 60, is a former Georgia Tech football star. He has developed himself into a big businessman who never shies away from debt. As this story starts he owes one bank $800 Million, and several smaller ones a few hundred million additional. Along the way he has made a few friends but also a few enemies and now some want to take him down, foreclose on his assets, see him bankrupt.

But if Charlie is nothing else, he is a fighter. The whole series is mostly about his enemies trying to get the best of him while Charlie fends off the attacks.

This is definitely an adult show, lots and lots of cursing and at least a couple of very graphic simulated sex scenes, but overlaid on all that is a very funny and entertaining presentation.

My wife and I watched it, streaming, and thoroughly enjoyed it.

BTW, if anyone still doesn't know, Jeff Daniels is a talented guitarist, song writer, and singer. For a good example do a web search on the four words "jeff daniels kelly clarkson", watch the video and you might be amazed.

The series builds up the story and characters pretty good. As tensions rise it's hard to know on which side you stand.

Acting by Jeff Daniels is superb.

And Tom Pelphery manages to make you see his POV and hate him at the same time.

I was just about to say what a great series it was, when the last episode ruined the whole series for me.

Not only was it 100% Deusex Machina but the last 10 minutes was a crude amateur-like attempt to surprise the watcher with an end twist.

It almost felt as if the last episode and specially the last 10 minutes of the series were written by a different person or team, one without experience.

Unlike excellent twists such as in The Usual Suspects or in Fight Club, this "twist" was so unlikely and ridiculous it not only fails to surprise but mocks the development.

I was so unimpressed and angered by the ending that the last 10 minutes de series went from a solid 9 to a 5. From a "you guys have to watch this!" to a "don't even bother".

Such a pity that the great acting and initial story was ruined by the last episode.

To see what you're being offered. Put the accents aside. Somewhere in the middle of this series - we're not looking at the problems of One Southern Man from the Past. We are being invited to look deeper - into the lives of real people in today's Atlanta, today's America.

The fluidity with which black and white characters interact - some color blind, others finely tuned, exquisitely conscious of every nuance. This is quietly striking - a surprise that lifts this story beyond standard television fare.

And finally - you have a stellar cast all embedded in their roles - inhabiting them - but gradually transcending them as the series proceeds. Without this ensemble - stunningly directed - this story would be perfect Tom Wolfe fiction: effective, compelling but odd-angled, perspectives altered for dramatic effect.

Luckily, we're treated to something more important: a mirror on our lives today. David Kelly has never been more present, less humorous, textured.

And whatever minor qualms we might have about accents, Jeff Daniels grounds the whole story by making a larger than life, borderline ridiculous anachronism the medium for telling this enticing series. Just sit back and enjoy it. It's a gift.

I read the novel when it came out in the mid '90s and enjoyed it very much. This series took a 700something page book and tried to shoehorn it into six 45minute episodes. The result seems disjointed and basically just incomplete. The first episode opens as if it assumes no character development is needed; that all of the viewers are already aqcuainted with the players and how they came to be who we now see. The novel has several sub-plots that intertwine well throughout, but this Netflix series offers us only two which really seem to have little connection with the other, other than some characters moving back and forth between them. My take is the series was budgeted much to small to spend the time and money to do Tom Wolfe's novel the justice it deserves.