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5,7/10
1088
IHRE BEWERTUNG
Füge eine Handlung in deiner Sprache hinzuThe struggles of Mary and her husband adjusting to retirement.The struggles of Mary and her husband adjusting to retirement.The struggles of Mary and her husband adjusting to retirement.
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LATE BLOOMERS (dir. Julie Gavras) A rather tepid film concerning the emotional problems of growing old. William Hurt and Isabella Rossellini play an extremely rich married couple who question what they have done with their lives, and now that they are approaching sixty, time is running out. I find it difficult to empathize with people who have so much money, influence, and power, but feel that something is lacking. They certainly have more than the vast majority of humanity, yet they continue to fret. Why should I care? Of course, many are anxiously concerned if Rob Kardashian will actually make a commercial success of his new line of socks.
We were very disappointed in this film. We chose it because of Julie Gavras' father (Costga-Gavras), who made the very special "Z." Although we did not think that a director's ability would be genetic we did hope that some of her father's bravery and awareness would be available to the daughter. How wrong we were. The movie has just about zero social content. At times it seemed to deal with aging and a man's difficulty in staying current in his profession (architecture). Yet Hurt seemed to be cold and uncaring and the people in his family never confronted him on this. He assumed the role of a stiff, unemotional man with great ease because relatively little is called for in this role. I was fairly well bored by his character. At other times the movie dealt with a woman aging and feeling that she was becoming less attractive. She tries to do something about her sagging flesh, then gets discouraged, then gets active again. Just as we are about to be drawn into this drama the film became a family burlesque before shortly turning again as the main characters drifted apart and then drifted back together again, without explanation or further character development. William Hurt and Isabella Rosselini deserve a better film with a better script and a more mature director. The film seems thrown together, rather poorly edited, and concludes abruptly with what seems like a capitulation to the American audience. The pleasures in this film are too few and too far between. Woody Allen's "Whatever Works" covers much the same ground with much more intelligence, good humor, and plenty of laughs.
Great actors can make or break a movie. In this case they make the movie. A very light one, about getting old (as is suggested in the title of course). Still it's not like it is offering everything easily on the table and lets you have whatever it is you want. But the fact that it is shot digestible, makes it easier to watch.
And I. Rosselini (who was present at the Berlin International Film Festival, where the movie played) makes a good team with William Hurt. Both have problems (or issues) and try to resolve them. You might feel more for one of them based on your gender, but the good thing is, that it is not too black and white. Will certainly not appeal to people who like their movies to be fast, but if you like a good drama, you could do a lot worse than this ... :o)
And I. Rosselini (who was present at the Berlin International Film Festival, where the movie played) makes a good team with William Hurt. Both have problems (or issues) and try to resolve them. You might feel more for one of them based on your gender, but the good thing is, that it is not too black and white. Will certainly not appeal to people who like their movies to be fast, but if you like a good drama, you could do a lot worse than this ... :o)
Late Bloomers sounds like a good idea: a film about growing old, treated with humor. A director with a well-known name – Gavras – and actors such as Isabella Rossellini and William Hurt. The ingredients are all there and yet the final dish is unappetizing. What has gone wrong? I saw the movie at a special showing in London, with Ms. Gavras present. The theater – Cinema Lumière, at the French Institute - was absolutely full. After ten minutes, I knew it was going to be a struggle to stay to the end. Nobody was laughing. On screen, what should have been rapier wit turned out to be blunderbuss jokes. The approach was obvious and the humor was primitive, to say the least. Isabella Rossellini is Hurt's wife. She realizes one day that they have become, well, old. And she starts a campaign to minimize the effects of old age: she has handicapped kit installed in their bathroom, she buys for her husband a telephone with large, easy to see buttons, etc. This is supposed to be very funny. Worried that the suffers minor memory losses now and then, she follows her doctor's indications and goes to water aerobics, where lots of people in a swimming pool jump up and down, following an instructor's indications. She is out of step and jumps up when everybody else is jumping down. Again, supposed to be very funny. The whole film suffers from "in your face" attempts at being funny, which it ain't. When it ended, we had been told Ms. Gavras – the director – would appear on stage to answer questions and talk about the movie. Half the audience left the theater in a hurry, including my wife and me. We talked to a few of the people leaving the place and they all told us "It was bad enough to watch the movie
who wants to talk about it?". If only somebody like Woody Allen had directed this
Sorry folks but I fell asleep long before the end.
When I woke up my wife had changed channels.
So I would say this movie is hardly riveting.
Ok if you can stay awake !
When I woke up my wife had changed channels.
So I would say this movie is hardly riveting.
Ok if you can stay awake !
Wusstest du schon
- WissenswertesNomination au Prix Premier Rendez-Vous / Meilleure interprétation au Festival de Cabourg.
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- Budget
- 3.500.000 € (geschätzt)
- Weltweiter Bruttoertrag
- 1.399.101 $
- Laufzeit1 Stunde 35 Minuten
- Farbe
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- Seitenverhältnis
- 1.85 : 1
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