IMDb-BEWERTUNG
4,9/10
7540
IHRE BEWERTUNG
Zehn Personen treffen in einem abgelegenen Berghotel ein, das völlig verlassen ist. Ohne Benzin für die Rückreise bleibt ihnen nichts anderes übrig, als einzuchecken und die geheimnisvolle U... Alles lesenZehn Personen treffen in einem abgelegenen Berghotel ein, das völlig verlassen ist. Ohne Benzin für die Rückreise bleibt ihnen nichts anderes übrig, als einzuchecken und die geheimnisvolle Umgebung des verlassenen Hotels zu erforschen.Zehn Personen treffen in einem abgelegenen Berghotel ein, das völlig verlassen ist. Ohne Benzin für die Rückreise bleibt ihnen nichts anderes übrig, als einzuchecken und die geheimnisvolle Umgebung des verlassenen Hotels zu erforschen.
David de Lautour
- Noah
- (as David De Latour)
Samantha Jacober
- Charlotte
- (as Samantha Jacobs)
Nathan Lorbietzki
- Man in Black #2
- (Nicht genannt)
Empfohlene Bewertungen
But do bare in mind the fact that it is more scifi than horror, so don't start playing it expecting a roller coaster of spooks, not even your typical jumps, it does provide some nice tension, raises a few questions, but leaves with no real explanation and does kinda make you feel empty.
Why would I recommend it to anyone? Well, it's a nice change of pace, you get to put an eye on something a tad bit different, and exploit new or let's just call them, rarely used subjects. The approach is boldly, the actors are not your typical never seen on screen before faces, the acting tho could have been better, either the budget was not big enough to assure a proper execution, or at one point, sadly the writers felt tired and decided to stop. The potential in this one is better than I have seen in a lot of productions, but like so many before it, it drowns right at shore.
So it is up to you in the end, you can take a chance and see what the little fuss is all about, or decide to pass it, but you might find out someday, maybe not even that far in the future, that others are talking about it and you missed your chance to participate in their discussion. Have it your way!
Cheers!
Why would I recommend it to anyone? Well, it's a nice change of pace, you get to put an eye on something a tad bit different, and exploit new or let's just call them, rarely used subjects. The approach is boldly, the actors are not your typical never seen on screen before faces, the acting tho could have been better, either the budget was not big enough to assure a proper execution, or at one point, sadly the writers felt tired and decided to stop. The potential in this one is better than I have seen in a lot of productions, but like so many before it, it drowns right at shore.
So it is up to you in the end, you can take a chance and see what the little fuss is all about, or decide to pass it, but you might find out someday, maybe not even that far in the future, that others are talking about it and you missed your chance to participate in their discussion. Have it your way!
Cheers!
Seems like 2014's been a great year for horror, at least, between this, Honeymoon, and Coherence. Much like Coherence, the premise of this is absolutely terrifying in a way not many horror films tend to be. The premise for this is simpler, and much more straight-forward, but it's quite effective. Some of the dialogue is a bit cringe-worthy, but right from the start the characters don't act like they've never seen a horror film, a lot more aware than you're used to in this type of film. The performances are also aces. What you don't know is way more frightening than what you do. I strongly recommend this, extremely entertaining and intriguing.
I profess myself a horror movie junkie. Especially for atmospheric, stereotyped, low budget movies. This meets all requirements. Rather than relying on blood and gore to frighten, this is all about atmosphere and watching closely (in fact, I had to rewind and watch one scene all over to see what I missed the first time). Typically, I don't balk at horror movie stereotypes (after all, the simplicity of the genre is part of its charm), but here they were...off. The director gave characters who were clearly mid to late 30s the typical stereotypes of young twenty-somethings. That took a bit of getting used to, but if you can ignore it, then the atmosphere and mystery and tension are all well done. The main reason for the 7 is the huge omission of why we watch movies. There is a reason there's a nice plot triangle (introduction, rising action, climax, falling action, conclusion). I was thoroughly involved throughout the falling action...and then credits. What? It seems laziness and, in a way, a waste of my 90 minutes when a full part of the plot structure is omitted.
After a mildly intriguing start, this clunker pops and fizzles through every cliché imaginable. Nobody on screen learns a blessed thing about the mysterious goings on at an abandoned lodge and neither do you, dear viewer. While a few intriguing clues are sprinkled through the film, they lead nowhere. It's a good thing somebody produces a gun halfway through this disappointment, because it gives the sad sacks stuck at the lodge a chance to fire bullets into each other, instead of merely swearing and beating each other up. If your idea of fun is watching a succession of unlikable people go off-screen and disappear like Barbara Eden in I Dream of Jeannie, then this one's for you.
I enjoy "different" horror movies. I'm not interested in torture porn and gore and people getting chopped up. I want something INTERESTING, whether it's Lovecraft or weird time travel or alternate dimension or thought-created nightmare stalkers - there has got to be a "WHOAH!" for me to enjoy horror movies.
This movie was one of those, with the caveat that, though I won't spoil the ending, if you loathe movies that leave some lingering but relevant questions, you may not cotton to this film.
But like me, if you can separate this "style" of movie-making, which I've seen some just call "lazy", the actual progress of the people and actions in the film were compelling and it is definitely a mystery type horror movie, though not a room-to-room-magnifying-glass type.
If you saw and liked Coherence and I see people are comparing this to Phantoms (I haven't seen that yet, somehow), or if you like the "unknown/invisible", creeping ominous threat movies like Mr. Jones or Resolution, I think you may enjoy this film.
I'm not saying it's perfect - there's a good amount of irritation at a few of the way things go down or people behave, that I felt kept it from being more fluid, and while the acting is by and large at least decent and believable, there are some boneheaded decisions - but not like most horror movies, at least not as frequent - it really doesn't get a chance to build to that level before the horror is in play.
I did like the dialogue for one of the characters, who was a modern sci-fi and horror movie type that was constantly referring to what was going on as something from Stephen King or aliens or zombies or "the spirit of an ancient Indian burial ground", which made me laugh - he seemed the most "real", well, until later, but that's not germane to the point.
Anyway, a lot of people on forums and other sites are giving this a really low rating, and while, for the overall and idea of a complete story, I can kinda see why... I still think what there IS there is good and different and not anything close to "usual horror movie stuff".
I would have given it an 8/10, but I had to stop at 7 because of the unsatisfying or at least not well-enough intimated ending, because I agree with some people that say the "figure out what YOU think it means" is one thing, an artist can't show you a pristine, untouched canvas and say "just IMAGINE the awesome picture YOU want there!".
This movie was one of those, with the caveat that, though I won't spoil the ending, if you loathe movies that leave some lingering but relevant questions, you may not cotton to this film.
But like me, if you can separate this "style" of movie-making, which I've seen some just call "lazy", the actual progress of the people and actions in the film were compelling and it is definitely a mystery type horror movie, though not a room-to-room-magnifying-glass type.
If you saw and liked Coherence and I see people are comparing this to Phantoms (I haven't seen that yet, somehow), or if you like the "unknown/invisible", creeping ominous threat movies like Mr. Jones or Resolution, I think you may enjoy this film.
I'm not saying it's perfect - there's a good amount of irritation at a few of the way things go down or people behave, that I felt kept it from being more fluid, and while the acting is by and large at least decent and believable, there are some boneheaded decisions - but not like most horror movies, at least not as frequent - it really doesn't get a chance to build to that level before the horror is in play.
I did like the dialogue for one of the characters, who was a modern sci-fi and horror movie type that was constantly referring to what was going on as something from Stephen King or aliens or zombies or "the spirit of an ancient Indian burial ground", which made me laugh - he seemed the most "real", well, until later, but that's not germane to the point.
Anyway, a lot of people on forums and other sites are giving this a really low rating, and while, for the overall and idea of a complete story, I can kinda see why... I still think what there IS there is good and different and not anything close to "usual horror movie stuff".
I would have given it an 8/10, but I had to stop at 7 because of the unsatisfying or at least not well-enough intimated ending, because I agree with some people that say the "figure out what YOU think it means" is one thing, an artist can't show you a pristine, untouched canvas and say "just IMAGINE the awesome picture YOU want there!".
Wusstest du schon
- WissenswertesThis is the first film to be directed by Travis Oates who's best known for doing Piglet for Disney's Winnie the Pooh films.
- PatzerAt approximately 16:10 into the movie, shortly after Alex says he's not moving the car away from the pump until he gets gas, a couple people can be seen walking through the woods behind Claire's right shoulder. They could be either crew or some hikers that got caught in the shot.
- VerbindungenReferences Das zauberhafte Land (1939)
- SoundtracksRocky Mountain High
Written by John Denver and Mike Taylor
Performed By John Denver
Courtesy of Cherry Lane Music
Top-Auswahl
Melde dich zum Bewerten an und greife auf die Watchlist für personalisierte Empfehlungen zu.
- How long is Don't Blink?Powered by Alexa
Details
Box Office
- Weltweiter Bruttoertrag
- 104.549 $
- Laufzeit
- 1 Std. 32 Min.(92 min)
- Farbe
- Seitenverhältnis
- 2.39:1
Zu dieser Seite beitragen
Bearbeitung vorschlagen oder fehlenden Inhalt hinzufügen