Adrienne
- 2021
- 1 Std. 38 Min.
IMDb-BEWERTUNG
7,4/10
1009
IHRE BEWERTUNG
Als Muse von Hal Hartleys Indie-Klassikern und als Autorin/Regisseurin des von der Kritik hochgelobten Films Waitress war Adrienne Shelly ein leuchtender Stern am Firmament des Indie-Films.Als Muse von Hal Hartleys Indie-Klassikern und als Autorin/Regisseurin des von der Kritik hochgelobten Films Waitress war Adrienne Shelly ein leuchtender Stern am Firmament des Indie-Films.Als Muse von Hal Hartleys Indie-Klassikern und als Autorin/Regisseurin des von der Kritik hochgelobten Films Waitress war Adrienne Shelly ein leuchtender Stern am Firmament des Indie-Films.
- Auszeichnungen
- 1 Nominierung insgesamt
Fotos
Andy Griffith
- Old Joe
- (Archivfilmmaterial)
Adrienne Shelly
- Self
- (Archivfilmmaterial)
Empfohlene Bewertungen
She will always be the "100% Indie actress" <3, along with fdirector Hal Hartley, it was for me, the Indie cinema era at their prime, before it became more comercial.
Sad and shocked to learn about Shelly's fate all these years later.
I'm not rating this because there's not really anything special about the doco. Technically it's a simple presentation. I see it more as something for fans of Shelly to find out what happened to her. I felt I needed to learn what happened, as I liked her work from the 90s. It doesn't feel right to give it a score out of 10.
Trust is such a classic. Shelly owns her role in that movie. This doco is a fitting tribute, it shows home footage of Adrienne's life, her work and friends. Shelly's daughter seems to have similar voice characteristics to her mother, that crystal clear tone.
For human life to be violently taken that way, is a great shame of society. We have a long way to go. When it's someone like Shelly who is taken, it makes it more important to do something positive in response. I think this doco and the other work in memory of Shelly is that positive response.
I'm not rating this because there's not really anything special about the doco. Technically it's a simple presentation. I see it more as something for fans of Shelly to find out what happened to her. I felt I needed to learn what happened, as I liked her work from the 90s. It doesn't feel right to give it a score out of 10.
Trust is such a classic. Shelly owns her role in that movie. This doco is a fitting tribute, it shows home footage of Adrienne's life, her work and friends. Shelly's daughter seems to have similar voice characteristics to her mother, that crystal clear tone.
For human life to be violently taken that way, is a great shame of society. We have a long way to go. When it's someone like Shelly who is taken, it makes it more important to do something positive in response. I think this doco and the other work in memory of Shelly is that positive response.
Andy, thank you for sharing Adrienne with us. Your documentary shows us more about Adrienne than we knew. She was such a talented, beautiful and smart woman. I throughly enjoyed her work and fortunately I can watch her films to my heart's content. Of course I wish she was still here. Waitress is a film I've seen at least a half dozen times. Her writing was so on point and the characters were developed perfectly. It was a natural process for you to make a documentary about her since you're in the business. You're expression of love for Adrienne comes through in every scene. I wish for you and your daughter a happy life.
While I thought Adrienne was fairly well done, it also felt self-indulgent.
What happened to her was, of course, tragic. But, how many people experience the same or worse (e.g., genocide of an entire family... loss of a child to drive-by shooting, etc.) that never get to celebrate their loss via a film, much less, feel justice was served--closure, that Andy has. Not only was the perpetrator caught, and immediately, and is set to spend 25 years in prison, even then, Andy feels it's not enough.
It is the lack of gratefulness, all things considered, that is irritating. He doesn't have to endure years of sleepless nights wondering how his loved one met their fate. He doesn't have to feel angst over the lack of justice. And, he doesn't have to walk through life on his own, as someone who lost their entire family does. He has many reasons to feel gratitude and to move from victim to forgiveness. And yet, he practices and models non-forgiveness to their daughter, and stays in a victim role--15 years later.
Even those whose entire families were brutally slaughtered in African nations, find a way to forgive those who senselessly took everything they held dear. Even those wrongly imprisoned for decades, find a way to move past victim/bitterness. And others, whose refusal to let their losses define them, go beyond forgiveness to show compassion. They are the ones who are free. Andy is imprisoned.
Lastly, I felt it irresponsible that Andy essentially imposed the gravity of his sense of losing a mother, for a daughter, onto their daughter. Sophie 'would have' felt her own loss, had she been allowed to find it on her own.
What happened to her was, of course, tragic. But, how many people experience the same or worse (e.g., genocide of an entire family... loss of a child to drive-by shooting, etc.) that never get to celebrate their loss via a film, much less, feel justice was served--closure, that Andy has. Not only was the perpetrator caught, and immediately, and is set to spend 25 years in prison, even then, Andy feels it's not enough.
It is the lack of gratefulness, all things considered, that is irritating. He doesn't have to endure years of sleepless nights wondering how his loved one met their fate. He doesn't have to feel angst over the lack of justice. And, he doesn't have to walk through life on his own, as someone who lost their entire family does. He has many reasons to feel gratitude and to move from victim to forgiveness. And yet, he practices and models non-forgiveness to their daughter, and stays in a victim role--15 years later.
Even those whose entire families were brutally slaughtered in African nations, find a way to forgive those who senselessly took everything they held dear. Even those wrongly imprisoned for decades, find a way to move past victim/bitterness. And others, whose refusal to let their losses define them, go beyond forgiveness to show compassion. They are the ones who are free. Andy is imprisoned.
Lastly, I felt it irresponsible that Andy essentially imposed the gravity of his sense of losing a mother, for a daughter, onto their daughter. Sophie 'would have' felt her own loss, had she been allowed to find it on her own.
As "Adrienne" (2021 release; 98 min.) opens, we see home video footage of a Halloween party in 2006, featuring actress-director Adrienne Shelly and her 2 yr old daughter Sophie. The voice over informs us that shockingly Adrienne would be found dead the very next day, November 1, 2006. We then go to "New York City, May, 2019", where the musical "Waitress", adapted from Adrienne Shelly's last movie released just months after her death, is doing great business on Broadway. At this point we are 10 min into the film.
Couple of comments: this documentary is directed by Andy Ostroy, husband of Adrienne Shelly. The movie is two things into one: first and foremost, Ostroy wants to pay tribute to Adrienne and at the same time preserve Adrienne's legacy and memory for Sophie (now 17 years old), as a mother, a wife, an actress, a director. Second, Ostroy wants to fully understand what exactly happened that fateful November 1, 2006. I must admit I vaguely recall this happening, but I didn't know much of Adrienne Shelly's body of work. What I wasn't prepared for is the emotional toll of watching this, considering the senseless death of Adrienne. Bottom line: this movie is clearly a labor of love from Ostroy.
"Adrienne" premiered recently on HBO and is now available on HBO On Demand and HBO Max, where I caught it the other day. Whether you are a fan who is familiar with Adrienne Shelly or you know know next to nothing about her, as was the case for me, I'd readily suggest you check this out, and draw your own conclusion.
Couple of comments: this documentary is directed by Andy Ostroy, husband of Adrienne Shelly. The movie is two things into one: first and foremost, Ostroy wants to pay tribute to Adrienne and at the same time preserve Adrienne's legacy and memory for Sophie (now 17 years old), as a mother, a wife, an actress, a director. Second, Ostroy wants to fully understand what exactly happened that fateful November 1, 2006. I must admit I vaguely recall this happening, but I didn't know much of Adrienne Shelly's body of work. What I wasn't prepared for is the emotional toll of watching this, considering the senseless death of Adrienne. Bottom line: this movie is clearly a labor of love from Ostroy.
"Adrienne" premiered recently on HBO and is now available on HBO On Demand and HBO Max, where I caught it the other day. Whether you are a fan who is familiar with Adrienne Shelly or you know know next to nothing about her, as was the case for me, I'd readily suggest you check this out, and draw your own conclusion.
Wusstest du schon
- WissenswertesThe Adrienne Shelly Foundation, which is briefly mentioned in this documentary, was founded in 2007 by Shelly's widower, Andy Ostroy. A memorial to her work, it is a nonprofit organization that awards grants to female actors, writers and/or directors of short films, feature films and documentaries. Among the films supported by a Shelly Foundation grant are the features Mein 40-jähriges Ich (2020), Night Comes On (2018) and Pariah (2011), and the documentaries Roll Red Roll (2018), Geniale Göttin - Die Geschichte von Hedy Lamarr (2017), The Wolfpack - Mitten in Manhattan (2015) and Freeheld (2007), which won an Academy Award for Best Documentary, Short Subject. The foundation also gave an early short film grant to Chloé Zhao, who under a decade later became the second woman in history to win the Academy Award for Best Director.
- SoundtracksMany the Miles
Written and Performed by Sara Bareilles
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- Laufzeit
- 1 Std. 38 Min.(98 min)
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