Crazy, Stupid, Love

I first saw this a decade ago on a dvd which I own.

Revisited it recently with my family aft seeing the trailer of Licorice Pizza.

The similarities in both movies are noteworthy n one can easily make out that Licorice Pizza is copied from this movie.

Inspite of not being a fan of romatic comedy movies, I enjoyed this movie then n now too.

It is hilarious n the acting is top notch.

The movie is about a man who seeks to rediscover his manhood and is taught how to pick up women at bars.

The star cast is top notch n the film moves at a decent pace.

The babysitter is played by Lio Tipton who was 23 during this movie but she succeeded in portraying a teenager's role.

Her nudity n sex scenes in the movie Compulsion was kinda shocking for me.

It was roughly two-thirds of the way into Crazy, Stupid, Love when I realized how invested the audience in my theater had become. The key scene involved a mom cleaning her daughter's room, a seemingly mundane moment that produced gasps and cries of "Oh no!" even before the character makes a very revealing discovery. It's a scene that, much like the rest of Crazy, Stupid, Love, a heartwarming and, at times, painfully honest depiction of three couples at various stages in each of their relationships, unfolds not with predictability so much as inevitability. Unlike your average, generic romantic-comedy, this movie focuses less on the end, on who will end up with whom, than on the special and often surprising connections that are made along the way. What's more, it achieves the remarkable and all-too-rare feat of actually moving the audience to care about the central characters, to cheer when they come out on top and sympathize when they don't.

Using a witty, compassionate and ever-so-slightly subversive script from Dan Fogelman, directors Glenn Ficarra and John Requa, who are best known for writing the pitch-black comedy/satire Bad Santa and only have one other directorial effort under their belts (last year's I Love You, Philip Morris), guide the production along with subtle ease. They strike an ideal balance between humor and drama, allowing the overall tone to develop organically. Laughs come mostly in chuckles at the cleverness of a line or its delivery and are never awkwardly forced in to lighten up a scene, while the emotions feel genuine without becoming manipulative. Most of all, their restrained approach allows the actors to breathe and to fully embody the characters they've been given.

Speaking of which, has there ever been a more likable group of people assembled for a film, much less a romantic comedy? The cast gels remarkably well, and at no point is anyone singled out as a villain; even when a character threatens to become unlikable, the actor portrays him or her with such keen understanding that it ultimately becomes hard, if not impossible, to not root for each and every one of them. Whenever the film tiptoes the line toward schmaltzy, they pull it back, making every line and emotion feel utterly real. As the unquestionable lead of the film, Steve Carell displays a tenderness and dramatic depth he'd only hinted at in previous works like the unexpectedly moving The 40-Year-Old Virgin and occasional episodes of The Office, while Ryan Gosling, all immaculate grooming, sly grins and twinkling eyes, is perfectly cast as his foil, Jacob, a suave ladies' man who's really using all that money and swagger to disguise the emptiness he feels inside. Julianne Moore and Emma Stone are both lovely as Emily and Hannah, respectively, radiating a down-to-earth presence and relatability that many other Hollywood actresses seem to lack. Also worth noting are Analeigh Tipton and Jonah Bobo, who form Crazy, Stupid, Love's youngest romantic pairing and have been all but ignored by the movie's publicity campaigns despite their obvious talents.

What truly sets Crazy, Stupid, Love apart from other modern-day romantic comedies, aside from the perceptive writing and direction and a dream cast, is that it strives to be meaningful, rather than just mindless, predictable fluff. Though the movie employs its share of clichés (precocious kid, guy falls for the one girl who initially rejected his advances, etc.) , it's often done with a knowing wink, most obviously when, after an altercation with Emily, his ex, and rain begins to pour down on him, Carell's despondent Cal mutters, "What a cliché." It shows that love is messy, irrational, sweet and universal, filled with regrets and tears as well as hope and joy. It celebrates movies like Say Anything… or Jerry Maguire where sentimental wasn't a bad word and love meant more than sex, diamond earrings and expensive, candlelit dinners, where those small, precious moments of quiet intimacy – a shared look, a simple but honest conversation, a laugh, a smile, buying a mint chocolate chip ice cream cone, a spontaneous phone call – speak as loudly as the grandest, most dramatic, craziest gestures.

In short, Crazy, Stupid, Love does what the best romantic comedies do: it gives us a glimpse into the raw, human moments that collectively build to bring two people together – or, at times, tear them apart; we fall in love with them just as they fall in – or, out of – love with each other. It's the perfect date movie, and so much more. To all the other ones, the mediocre, cornball, lazy, offensive rom-coms and chick-flicks out there, Ryan Gosling has a message for you: be better than The Gap. Be better than The Gap.

Such a wonderful rom-com with great writing! Ryan Gosling is superb as the ladies man and I love how Steve Carell is great in the drama aspect. Crazy, Stupid, Love is so enjoyable throughout with amazing charm and soundtrack! Not like most divorce films which is a pleasant surprise; every scene has feel-good entertainment embed in it perfectly.

My initial reaction is that this film is the best romantic comedy that I've seen in years. The genre has been pretty devoid of quality lately. So, I don't know if that plays a part or not and I really don't care at this point. I enjoyed everything about this movie. It has tremendous heart and charisma and it's so very easy to get caught up in to the lives of these characters. A certain degree of patience is required while viewing because some secondary characters that feel unnecessary to the story are worth getting to know. Steve Carell's character is the one everyone empathizes with and when the movie shifts away from the "A" story you wonder why and start to think that the "B" story is going to be muddled or cliché or one to endure. Well, they're not and everything comes together in a wonderful fashion. The entire cast here is perfection. The overall message may be one to debate but it doesn't matter because the ride and this film are just so smart and so well done.

Greetings again from the darkness. From the opening scene it is clear we aren't in for a typically lame rom-com with caricatures instead of characters and punchlines instead of feelings. Instead, this one is all about the characters and their feelings ... realistic feelings of pain, anger, hope and frustration. Now don't misunderstand. It doesn't go too deep and there is still plenty of humor in the moments.

Cal (Steve Carell) and Emily (Julianne Moore) are sharing one of their many restaurant moments over the course of their long, steady marriage. Only this time, something spoils the comfort zone. Emily says she wants a divorce and later tells Cal that she had an affair with a co-worker (Kevin Bacon). What follows is as close to real life reactions as we could ever hope for in a rom-com. Cal is hurt. The kids are angry. Emily is confused. Their friends take sides.

The intertwining story lines and characters are both sad and funny. We see how people react when they are attracted to others ... or not. We see how people react when they wonder if their decision was rash. We see how basically nice people try to do the right thing for themselves and others, but still mess it up sometimes.

After moving out, Cal heads to a local upscale lounge that seems to be stocked with gorgeous women and only a handful of men ... every night. In real life, the line of men waiting to enter would be wrapped around the block. Still, one of the regulars is Jacob, played by Ryan Gosling. He is a thing of beauty to look at it and always quick with just the right line. His science is making women believe he cares about nothing but them. Cal is discouraged by Jacob's incredible success rate. Jacob notices Cal's negative vibe and agrees to train him. But first, the makeover ... wardrobe, haircut and conversation skills.

The polar opposite effect of what you might expect from Hollywood - these nice people begin to question their direction. Cal longs for Emily. Emily still thinks about Cal, but dates her co-worker. The son (Jonah Bobo) has a crush on the older baby-sitter, who has a crush of her own. Even Jacob falls hard for new attorney Hannah (Emma Stone) who has just walked out on her wet rag boyfriend (Josh Groban) who offered her a job, rather than a ring. Oh what a tangled web we weave. And that's just the stuff I can tell you! Cal's first conquest utilizing his newly learned skills is a teacher played with full energy by the terrific Marisa Tomei. She only has a couple of scenes, but as usual, Ms. Tomei makes the most of her screen time. The baby sitter is played well by Analeigh Tipton, but it's interesting to note (in real life) she is 3 days younger than law school grad Hannah (Stone).

All of the actors are top notch here. Steve Carell continues to get better ... this is a superior movie to Date Night (with Tina Fey). Julianne Moore is solid, though her character is mostly mopey. Ryan Gosling and Emma Stone are both outstanding. Gosling is none for mostly offbeat, dark independent films but shows again how easily he slides back into sex symbol. Ms. Stone is headed for super-stardom. She was really good in Easy A and has a star-making turn in the upcoming film The Help. After that, it's on to the new Spider-Man for her.

Glenn Ficarra and John Requa are the co-directors and were responsible for the much less mainstream I Love You Phillip Morris, with Jim Carrey and Ewan McGregor. Surprisingly the film was written by Dan Fogelman, who is known for his script writing on the animated Cars movies.

No question women will enjoy the film, but the surprise is, many men will relate to what's going on with the Steve Carell and Ryan Gosling characters. There is enough humor to keep everyone happy and enough strong writing to say this is a very good movie.