Crazy, Stupid, Love

I first saw this a decade ago on a dvd which I own.

Revisited it recently with my family aft seeing the trailer of Licorice Pizza.

The similarities in both movies are noteworthy n one can easily make out that Licorice Pizza is copied from this movie.

Inspite of not being a fan of romatic comedy movies, I enjoyed this movie then n now too.

It is hilarious n the acting is top notch.

The movie is about a man who seeks to rediscover his manhood and is taught how to pick up women at bars.

The star cast is top notch n the film moves at a decent pace.

The babysitter is played by Lio Tipton who was 23 during this movie but she succeeded in portraying a teenager's role.

Her nudity n sex scenes in the movie Compulsion was kinda shocking for me.

Romantic comedies aren't usually my kind of thing but I thought this film was great. The cast is strong (Gosling, Stone, Carell) which is the main reason I chose to watch this film. It is quite a long film but the plot is really clever. There is plenty of different things going on in the film and the way it all gets linked together is brilliant and certainly something I did't see coming.

There are some genuine laugh out loud moments and the film is straight to the point. The cast is great and all work together well, the plot is fresh and clever and it really was one of the best romantic comedies I have seen (haven't seen many but still) - Would recommend this film to anyone.

8/10

My initial reaction is that this film is the best romantic comedy that I've seen in years. The genre has been pretty devoid of quality lately. So, I don't know if that plays a part or not and I really don't care at this point. I enjoyed everything about this movie. It has tremendous heart and charisma and it's so very easy to get caught up in to the lives of these characters. A certain degree of patience is required while viewing because some secondary characters that feel unnecessary to the story are worth getting to know. Steve Carell's character is the one everyone empathizes with and when the movie shifts away from the "A" story you wonder why and start to think that the "B" story is going to be muddled or cliché or one to endure. Well, they're not and everything comes together in a wonderful fashion. The entire cast here is perfection. The overall message may be one to debate but it doesn't matter because the ride and this film are just so smart and so well done.

Greetings again from the darkness. From the opening scene it is clear we aren't in for a typically lame rom-com with caricatures instead of characters and punchlines instead of feelings. Instead, this one is all about the characters and their feelings ... realistic feelings of pain, anger, hope and frustration. Now don't misunderstand. It doesn't go too deep and there is still plenty of humor in the moments.

Cal (Steve Carell) and Emily (Julianne Moore) are sharing one of their many restaurant moments over the course of their long, steady marriage. Only this time, something spoils the comfort zone. Emily says she wants a divorce and later tells Cal that she had an affair with a co-worker (Kevin Bacon). What follows is as close to real life reactions as we could ever hope for in a rom-com. Cal is hurt. The kids are angry. Emily is confused. Their friends take sides.

The intertwining story lines and characters are both sad and funny. We see how people react when they are attracted to others ... or not. We see how people react when they wonder if their decision was rash. We see how basically nice people try to do the right thing for themselves and others, but still mess it up sometimes.

After moving out, Cal heads to a local upscale lounge that seems to be stocked with gorgeous women and only a handful of men ... every night. In real life, the line of men waiting to enter would be wrapped around the block. Still, one of the regulars is Jacob, played by Ryan Gosling. He is a thing of beauty to look at it and always quick with just the right line. His science is making women believe he cares about nothing but them. Cal is discouraged by Jacob's incredible success rate. Jacob notices Cal's negative vibe and agrees to train him. But first, the makeover ... wardrobe, haircut and conversation skills.

The polar opposite effect of what you might expect from Hollywood - these nice people begin to question their direction. Cal longs for Emily. Emily still thinks about Cal, but dates her co-worker. The son (Jonah Bobo) has a crush on the older baby-sitter, who has a crush of her own. Even Jacob falls hard for new attorney Hannah (Emma Stone) who has just walked out on her wet rag boyfriend (Josh Groban) who offered her a job, rather than a ring. Oh what a tangled web we weave. And that's just the stuff I can tell you! Cal's first conquest utilizing his newly learned skills is a teacher played with full energy by the terrific Marisa Tomei. She only has a couple of scenes, but as usual, Ms. Tomei makes the most of her screen time. The baby sitter is played well by Analeigh Tipton, but it's interesting to note (in real life) she is 3 days younger than law school grad Hannah (Stone).

All of the actors are top notch here. Steve Carell continues to get better ... this is a superior movie to Date Night (with Tina Fey). Julianne Moore is solid, though her character is mostly mopey. Ryan Gosling and Emma Stone are both outstanding. Gosling is none for mostly offbeat, dark independent films but shows again how easily he slides back into sex symbol. Ms. Stone is headed for super-stardom. She was really good in Easy A and has a star-making turn in the upcoming film The Help. After that, it's on to the new Spider-Man for her.

Glenn Ficarra and John Requa are the co-directors and were responsible for the much less mainstream I Love You Phillip Morris, with Jim Carrey and Ewan McGregor. Surprisingly the film was written by Dan Fogelman, who is known for his script writing on the animated Cars movies.

No question women will enjoy the film, but the surprise is, many men will relate to what's going on with the Steve Carell and Ryan Gosling characters. There is enough humor to keep everyone happy and enough strong writing to say this is a very good movie.

Crazy, Stupid, Love. is one of, if not the best, American romantic comedies of the past decade. This may come as a shock to some (as it surely took me aback) but there is no other way to describe it. Going into an advanced screening of the film earlier this week, I had my doubts that it would be anything outside of generic. But instead of tripe, I got one of the most unexpected surprises I have seen all year.

Cal (Steve Carell) and Emily (Julianne Moore) have hit a rough patch in their long-time marriage, and Emily inadvertently announces to an entire restaurant that she wants a divorce. Down and depressed, Cal starts drinking away his sorrows at a local bar, attempting to make sense of his predicament with anyone who will listen. Jacob (Ryan Gosling), a professional bachelor, takes notice and makes it his personal mission to help Cal get over his wife, and become a new man in the process.

But this is just the main plot thread of the movie. It also follows Jacob's relationship with the absolutely stunning Hannah (Emma Stone), throws in a bit of curveball with Emily being romanced by David (Kevin Bacon), and even has a bit of a focus on Cal's son Robbie (Jonah Bobo) pining over his older babysitter Jessica (Analeigh Tipton). It may sound a little packed with threads and too many characters, but Crazy, Stupid, Love. is able to navigate between each character and couple with ease. It reminded me a lot of Valentine's Day, and how its main goal was to depict how different love is for a sizable amount of couples and singletons. Except it failed miserably at it, and stood out more as an example of every rom-com stereotype you could imagine. Thankfully, Crazy, Stupid, Love. takes the higher road and breathes new life into a stale genre.

While the impeccable cast is more than enough reason why the film succeeds so well in being an atypical film in the genre, it is the crew behind-the-scenes that surprises even more. The film is written by Dan Fogelman, who is best known for a string of Disney films and the atrocious Fred Claus, and is directed by Glenn Ficarra and John Requa, who wrote and directed the sadly little seen I Love You Phillip Morris and wrote the now classic Bad Santa. These three would not be the first group on men I would turn to for a film like this, but their relative lack of expertise helps propel the film to the heights it reaches. It takes darkly hilarious turns in certain instances, plays other sequences totally unconventionally, play even more out with a foreboding sense of drama the trailer merely hints at, and trumps more than its share of genre stereotypes. Weaving between the plots lines, they make the film feel unique and different from others, all while giving it an aura of authenticity. While they stumble a bit in the final act with a series of sitcom-like shockers that border on ludicrous, they manage to pull off the rare feat of actually making the audience wonder if these characters will all end up together in the end, or if they will walk their separate ways; something that is truly uncommon for this genre.

Acting wise, the film delivers in spades. Carell gives one of his best performances to date as Cal, moving as swiftly as the script requires between depression and humiliation, and touching and hilarious. The film stretches his dramatic muscle more than most, and allows him to give a performance that does not rely on laughs. The expressions on his face are just devastating in some sequences, and the wonder in other scenes is ridiculously hilarious. It is a performance I hope to see him come back to again, and make even better. Gosling plays against type, and gives an absolutely hysterical performance. He shines brightly in every scene, nailing every line and mannerism, while making this scumbag of a lothario become someone to really care about. He exudes chemistry and helps make everyone else's performance better. Moore and Stone also give great performances, easily balancing the humour with the drama. They are not given nearly as much to do as the guys, but hold their own on- screen.

The supporting cast does even better. Bobo is phenomenal in his role, conveying an innocence and naivety that is more mature than I thought possible. He acts like more of an adult than some of the older cast does in many instances, and gives the performance a well-rounded other young actors would be incapable of. Tipton is not nearly as good, but plays the role of a confused teenager a little better than you would imagine. Bacon does great in a small turn as does Liza Lapira as Hannah's best friend. But it is Marisa Tomei who steals the show from everyone, playing one of Cal's conquests. She is dementedly unhinged and ridiculously over-the-top, but never falters. Her performance may be one-note, but it is easily the most memorable thing about the film.

If I hold anything against the film (other than the final act stumble and the oh-so convenient way one particular scene comes together), it is that it ended. I know I have harped on how unlike other typical romantic comedies Crazy, Stupid, Love. is, but there is really no other way I can rave about it. I easily could have spent more time with these characters, and pined to find out what happened to each of them after the final fade out. The incredibly unlikely pair of Ficarra and Requa has crafted a truly wonderful and hilarious film that is nothing like what you could have expected watching the trailer. It is bittersweet, and easily one of my favourite movies of the summer. And this is coming from someone who loathes almost every single romantic comedy ever conceived.

8.5/10.