Am I Being Unreasonable?
- Fernsehserie
- 2022–
- 29 Min.
Es geht um zwei Freunde, die Spaß und Alkohol lieben, bis alles aus den Fugen gerät.Es geht um zwei Freunde, die Spaß und Alkohol lieben, bis alles aus den Fugen gerät.Es geht um zwei Freunde, die Spaß und Alkohol lieben, bis alles aus den Fugen gerät.
- 1 BAFTA Award gewonnen
- 4 Gewinne & 5 Nominierungen insgesamt
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Empfohlene Bewertungen
Cooper & Hizli's darkly twisted comedy about a toxic friendship, a toxic marriage and toxic secrets is an inconsistent beast and does not always hit the right mark - but a fantastic cast (particularly national-treasure-in-waiting Lenny Rush and the brilliantly unpleasant Dustin Demri-Burns) anchored by the two writer's own magnetic presence and some smart unfolding mysteries keeps it very watchable throughout. Where the series can go from here is an intriguing prospect because it's hard to argue with accusations that it didn't quite tie everything (or, indeed, anything) up by the last episode.
Wow this was great. Idk what I was expecting but this was even better. Daisy Mae Cooper is a great writer, this was nothing like 'This Country' but just as good, full of twists and turns. The editing was superb and really elevated the storytelling. Funny and gripping, I binged it all in an evening, a great blend of comedy and thriller. The story progressed at the perfect pace, without feeling too over the top or unnatural. Kid was amazing, his comedic performance felt very mature and he had great chemistry with Daisy, they literally felt like a real mother and son. Similarly was the realationship between the female leads.
Clearly put together by people who know exactly what they are doing.
First season would have been enough. It was perfectly paced with real twists, your understanding of what is going in in every scene gets enhanced. Still lots of questions going into series 2, but it could have stood alone
After a slightly weaker start to series 2, the last three episodes are all brilliant so I'm glad they continued.
It's rare you get an actor knocking it out of the park. Here we have 3. Both female leads and of course the son. All three are magnetic, but if I am honest, I think the kid steals it. He manages to convey that "older than their years" thing some kids have, but also seems utterly vulnerable making you want to hug him. No spoilers, but his little scene at the end of series 2 is jaw-droppingly good.
First season would have been enough. It was perfectly paced with real twists, your understanding of what is going in in every scene gets enhanced. Still lots of questions going into series 2, but it could have stood alone
After a slightly weaker start to series 2, the last three episodes are all brilliant so I'm glad they continued.
It's rare you get an actor knocking it out of the park. Here we have 3. Both female leads and of course the son. All three are magnetic, but if I am honest, I think the kid steals it. He manages to convey that "older than their years" thing some kids have, but also seems utterly vulnerable making you want to hug him. No spoilers, but his little scene at the end of series 2 is jaw-droppingly good.
Anyone who doesn't get this is just not meant to get it. It is beautifully, weirdly random and is a DARK comedy. It has an ACTUAL plot and back story despite what some may say - there is an unintelligent critics' review - IGNORE THIS - Daisy May is AMAZING as is Lenny Rush, who plays her son. Even the 'cameo' characters are hilarious. The writing is BRILLIANT and is timed well for Hallowe'en. Watch this if you are INTELLIGENT and love random, well written comedy, acted naturally. The set is strangely mellow and somewhat 'League of Gentlemen', with a sinister edge. I was hooked immediately and think anyone who likes clever, unusual writing will too!
Discovered Daisy May Cooper rather late, at the recommendation of someone else watched This Country and it quickly became a favourite of mine. With so much British television set in cities and towns I love the fact that Daisy actively pushed for village life to be heard and seen. The witchfinder was an absolute mess of a show, and absolutely squandered her talents so am glad to see her back on TV working on such an enjoyably unique comedy/thriller/noir. Daisy and her co-writer Selin have concocted a truly bonkers and somewhat hellish universe here, occasionally comfy and cosy and then quickly sledgehammered with a queasy darkness. Some great performances and a unique journey.
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